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    Wyświetlanie 1-8 z 8
    Tytuł:
    Sulle tracce perdute dell’urogallo: un approccio ecocritico a Stagioni di Mario Rigoni Stern
    On the lost traces of the grouse: an ecocritical approach to Stagioni by Mario Rigoni Stern
    Autorzy:
    Bedin, Cristiano
    Powiązania:
    https://bibliotekanauki.pl/articles/43665624.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mario Rigoni Stern
    Contemporary Italian Literature
    Ecocriticism
    Pastoral
    Wilderness
    Memory
    Opis:
    Stagioni (2006) is the last work by the Italian writer Mario Rigoni Stern and it is like an autobiography that delves into the most important phases of his life and explains his relationship with history and, above all, with nature, the focal point of his literary production. In this contribution, starting from an overview of some theoretical fundamentals of ecocriticism, such as Pastoral and Wilderness, and considering the relationship between ecocriticism and literary studies, we intend to analyze Rigoni Stern’s environmen- talist approach, placing Stagioni in the more complex ecological discourse that the writer built in his long literary career.
    Źródło:
    Studia Romanica Posnaniensia; 2022, 49, 3; 75-91
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Umberta Eco powieści profesorskie
    Umberto Eco’s Professorenromans
    Autorzy:
    Soliński, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/579045.pdf
    Data publikacji:
    2015
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    professorenroman
    academic novel
    campus novel
    contemporary Italian literature
    Professorenroman
    powieść profesorska
    powieść campusowa
    współczesna literatura włoska
    Opis:
    The object of this analysis are the currently available literary works of Umberto Eco's as different manifestations of the so-called professorenroman (academic novel). Using the concept of the professorenroman as a starting point, the author claims that none of the Italian author's novels falls within this genre. Moreover, the concepts of an academic novel or a campus novel are also insufficient when it comes to Eco's books analysis. In order to popularise his own research Eco makes use of various literary, syncretic and non-literary genre patters, both the contemporary and the old ones. He is also often testing different theoretical literary concepts constructed by him or other authors. A characteristic feature of many of his novels is their cognitive over-informativeness, which on one hand hinders their reception, on the other signals methodological and methodical problems present in the study of humanities.
    Przedmiotem analizy są tutaj wszystkie aktualnie dostępne literackie dzieła narracyjne Umberta Eco jako różne przejawy tak zwanej powieści profesorskiej. Wychodząc od fundamentalnego pojęcia Professorenroman, autor dowodzi, że żadna z powieści włoskiego autora nie stosuje się do tego gatunkowego wzorca. Niezbyt przydatne do ich analizy okazują się także pojęcia academic novel i campus novel. Misję popularyzacji, najczęściej własnych, badań naukowych realizuje Eco wykorzystując, w powieściach najróżniejsze literackie, synkretyczne i nieliterackie formy gatunkowe: z przeszłości i współczesności. Sprawdza również w praktyce powieściopisarskiej, w zależności od potrzeb, teoretyczne koncepty literaturoznawcze własne i cudze. Cechą charakterystyczną niektórych jego powieści jest ich poznawcza nadinformacyjność, która nie ułatwiając ich odbioru, sygnalizuje równocześnie problemy metodologiczne i metodyczne nurtujące humanistyczne badania naukowe.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2015, 58/116 z. 2; 87-98
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A chi assomiglia Elena Ferrante? Un profilo stilometrico aggiornato
    Who Does Elena Ferrante Look Like? A Revised Stylometric Identikit
    Autorzy:
    Cortelazzo, Michele A.
    Tuzzi, Arjuna
    Powiązania:
    https://bibliotekanauki.pl/articles/446396.pdf
    Data publikacji:
    2020-07-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Elena Ferrante
    contemporary Italian literature
    authorship attribution
    similarity measure
    text clustering
    letteratura italiana contemporanea
    attribuzione d’autore
    misure di
    similarità
    classificazione dei testi
    Opis:
    Based on a corpus including 150 novels by 40 authors, a stylometric survey was conducted to assess which modern authors were similar to Elena Ferrante, the pen name used for eight novels, including "My Brilliant Friend" (Tuzzi & Cortelazzo 2018a and 2018b). The survey proved that Elena Ferrante’s writing style is remarkably different from that of the other main contemporary Italian novelists with the notable exception of Domenico Starnone. Follow-up studies (Cortelazzo, Mikros & Tuzzi 2018 and another under way) show that non-fiction works signed by Elena Ferrante may be attributed to different authors, i.e., Anita Raja, Starnone again, and a collective author including the staff of the E/O publishing house. This study complements the results obtained by previous research by assessing Elena Ferrante’s role in modern Italian fiction following the publication of her latest novel, "The Lying Life of Adults". In addition, the analysis of her similarities to Domenico Starnone was enhanced by means of a larger corpus of his novels, thus corroborating the outcome of previous research.
    Sulla base di un corpus di 150 romanzi di 40 autori, abbiamo condotto un’indagine stilometrica, per valutare quali autori contemporanei risultassero più vicini a Elena Ferrante, pseudonimo con cui sono stati firmati otto romanzi, tra cui "l’Amica geniale" (Tuzzi & Cortelazzo 2018a e 2018b). L’indagine ha dimostrato che lo stile di scrittura di Elena Ferrante è notevolmente diverso da quello degli altri principali romanzieri italiani contemporanei, con la sola eccezione di Domenico Starnone. Studi successivi (Cortelazzo, Mikros & Tuzzi 2018 e in preparazione) hanno mostrato che, invece, le opere non letterarie firmate da Elena Ferrante possono essere attribuite ad autori diversi, tra i quali Anita Raja, di nuovo Starnone e autore collettivo costituito dallo staff della casa editrice E / O. Questo studio integra i risultati delle ricerche precedenti, aggiornando la collocazione di Elena Ferrante nel panorama contemporaneo, in seguito all’uscita del suo ultimo romanzo ("La vita bugiarda degli adulti") e affinando lo studio delle similarità con Domenico Starnone, utilizzando un corpus più ampio di opere di questo autore. Risultano rafforzati i risultati delle ricerche precedenti.
    Źródło:
    Italica Wratislaviensia; 2020, 11.1; 123-141
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Osobliwości południowotyrolskie we współczesnej prozie włoskiej: na przykładzie powieści Eva dorme Franceski Melandri
    The South Tyrol’s peculiarities in contemporary italian literature: the case of Eva dorme by Francesca Melandri
    Le peculiarità altoatesine nella narrativa italiana: il caso di Eva dorme di Francesca Melandri
    Autorzy:
    Kamińska Di Giannantonio, Giulia
    Powiązania:
    https://bibliotekanauki.pl/articles/938902.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    South Tyrol
    contemporary italian literature
    regional identity
    Francesca Melandri
    Alto Adige
    Sudtirolo
    letteratura italiana contemporanea
    identità regionale
    Południowy Tyrol
    Górna Adyga
    współczesna literatura włoska
    tożsamość regionalna
    Opis:
    The article deals with the subject of the South Tyrol’s peculiarities in Francesca Melandri’s debut novel Eva dorme (Eve sleeps, 2011). The author presents the most important characteristics of the region – the multilingualism of province, lack of understanding between the different ethnic groups, relationships with newcomers, reciprocal stereotypes and the legal separation of italian- and german-speaking groups. The novel is an interesting and original position on italian publishing market (due to a subject of novel) but it represents a conservative attempt to the problem of local identity and didactics aspiration to approach a less well-known part of country to the italian reader.
    Artykuł porusza zagadnienie obecności Południowego Tyrolu we współczesnej literaturze włoskojęzycznej. Autorka stara się pokazać, w jaki sposób poszczególne cechy charakterystyczne dla alpejskiej prowincji zostały zrealizowane w powieści Eva dorme Franceski Melandri (2011). Wśród omówionych problemów znalazły się: kwestia wielojęzyczności regionu, brak zrozumienia między poszczególnymi grupami etnicznymi oraz relacje z przybyszami spoza prowincji, stereotypy i wzajemne uprzedzenia oraz prawnie narzucone rozdzielenie grupy włosko- i niemieckojęzycznej. Powieść, ze względu na poruszaną tematykę, jest ciekawą i oryginalną pozycją na włoskim rynku wydawniczym, można w niej jednak dostrzec zachowawczy sposób przedstawiania lokalnej tożsamości regionalnej oraz aspiracje dydaktyczne, służące przybliżeniu włoskiemu czytelnikowi mało znanej części kraju.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2019, 1; 187-205
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyka jak Ocean. Novecento Alessandra Baricco w kontekście porównawczym
    Music like an ocean. Alessandro Baricco’s Novecento in a comparative context
    Autorzy:
    Zarych, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/649553.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    contemporary literature
    italian literature
    music inspiration
    comparative analysis
    Opis:
    Elżbieta Zarych presented the Italian writer and musicologist’s famous monologue in the context of his other literary and theoretical books, literary and musical works that served as his inspiration, as well as, contemporary pieces which deal with the same topic. The author of the dissertation, while considering the music and melody of Baricco, focused on pieces that possess the two principal topics: ‘music’ and ‘sea.’ Baricco wrote ‘the sea is the music’ and in the monologue Novecento they both are connected in the highest form. The author presented the conception of Baricco who, in order to avoid classifying his work into literary genres, wrote just ‘stories’ while connecting the literature, the music and the painting into the ‘white music of a story’. She also presented Barrico’s concept of real and ideal music in the context of his multi-level plot and the Novecento composition. Furthermore, the author analyzed the jazz quintet accompaniment composition for the Novecento monologue written for the Italian actor Eugenio Allegri, as well as, explored the realized and unrealized ideas during the composition’s creation process. She at-tempted to characterize the imagination of Baricco who, using his musical knowledge, tries to concretize the plot of Novecento; the metaphors: ‘life is a navigation’, ‘a sea is a music’, and ‘a story is a music and a sea’, as well as, describe the life of an ideal and genial musician Danny Boodmann T. D. For Lemon Novecento, life is music and music interprets reality. The author showed that for Baricco too, music is something real and normal, and for this reason in Novecento he tells the story of real music – jazz, played in real time on a real traveling ship.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 43-53
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Trauma bez traumy”: współczesne przeżywanie traum na podstawie wybranych opowiadań Alda Novego
    “Trauma without Trauma”: Experiencing Trauma Contemporarily on the Basis of Aldo Nove’s Stories
    Autorzy:
    Kobylska, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/29520264.pdf
    Data publikacji:
    2022-12-21
    Wydawca:
    Uniwersytet Bielsko-Bialski
    Tematy:
    trauma
    disaster
    Aldo Nove
    Daniele Giglioli
    Italian literature
    contemporary literature
    katastrofa
    literatura włoska
    literatura współczesna
    Opis:
    The article shows the results of the analysis of literary “trauma without trauma” concept by Daniele Giglioli, observed in prose pieces of Italian writer, Aldo Nove. The Autor of the paper explains the theory of the Italian literary scholar and searches for its reflection and its way of presenting in the newest Italian literature on the example of Nove’s stories: Ruanda and Vermicino from the collection Superwoobinda (1998) and Il giorno più bello della mia vita from Anteprima mondiale (2016). The aim of the examination is to respond to the question, what, according to the writer, is the trauma of the contemporary society and in which way is it presented in the contemporary literature.
    Źródło:
    Świat i Słowo; 2022, 38, 1; 289-303
    1731-3317
    Pojawia się w:
    Świat i Słowo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Colorito locale” e coscienza metalinguistica nei gialli di Santo Piazzese e di Dome-nico Seminerio
    “Colourful Local Language” and Metalinguistic Consciousness in the Crime Novels of Santo Piazzese and Domenico Seminerio
    Autorzy:
    Sardo, Rosaria
    Powiązania:
    https://bibliotekanauki.pl/articles/1929929.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Italian language
    dialects
    crime novels
    language and style
    Contemporary Italian
    Literature
    lingua italiana
    dialetti
    letteratura giallo-noir
    lingua e stile
    letteratura contemporanea
    Opis:
    Amongst the possible linguistic-stylistic polarities for Italian narrators (monolinguism/ standardised language and multilingualism/regionalised Italian), which are clearly outlined by De Roberto in his well-known Preface to Documenti umani, Santo Piazzese and Domenico Seminerio move with care and remarkable metalinguistic consciousness, drawing on Sciascia in different ways. Their different writing practices, far removed from Camilleri’s linguisticstylistic choices, seem oriented towards what Testa (1997) called a “simple style” with a focus on “local colour” that is part of Piazzese’s refined rhetorical and investigative play and, in the case of Seminerio, is functional to the expressive rendering of the interlacing of History, magic, and mystery. In both cases, it is thanks to this specific attention to linguistic facts that the defining principles of detective stories are renewed. The aim of this article is to systematically trace the two different ways of stylistically rendering the sociolinguistic reality narrated by Piazzese and Seminerio, with the first oriented towards the cautious mimesis of regional dialogue, the second, towards the diegetic pole of reproducing indirect and traditional narrative modes.
    Fra le polarità linguistico-stilistiche possibili per i narratori italiani (monolinguismo/ lingua standardizzata e pluringuismo/italiano regionalizzato) - delineate con chiarezza già da De Roberto nella ben nota Prefazione a Documenti umani - i nostri due autori, Santo Piazzese e Domenico Seminerio, si muovono con cautela e notevole coscienza metalinguistica, facendo tesoro della lezione sciasciana con modalità diverse. Distanti dalle scelte linguistico-stilistiche di Camilleri, le loro differenti pratiche scrittorie sembrano orientate verso quello che Testa (1997) definiva “stile semplice” con un’attenzione al “colorito locale” che fa parte nel caso di Piazzese del raffinato gioco retorico e indagativo e nel caso di Seminerio è funzionale alla resa espressiva dell’intreccio tra, Storia, magia e mistero. In entrambi i casi è proprio grazie a un’attenzione specifica ai fatti linguistici che si rinnovano i moduli della narrativa poliziesca. Con forme mimetiche caute, utili a conferire colore locale oppure modi di pensare profondamente contrapposti, i gialli dei due autori offrono ai lettori la possibilità di riflettere sulle strutture sociali e i rapporti interpersonali proprio grazie a una resa equilibrata delle relazioni comunicative nel dialogato e nel narrato.
    Źródło:
    Italica Wratislaviensia; 2020, 11.2; 73-95
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La presenza della letteratura polacca per l’infanzia sul mercato italiano. Il caso di Nasza Księgarnia
    Polish Children’s and Young Adult Literature on the Italian Publishing Market: The Case of the Nasza Księgarnia Publishing House
    Autorzy:
    Biernacka-Licznar, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2162247.pdf
    Data publikacji:
    2022-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Contemporary Polish Literature for Children’s and Young Readers
    Literary Translation
    Nasza Księgarnia
    Italian Publishing Market
    Emilia Dziubak
    la contemporanea letteratura polacca per l’infanzia
    traduzione
    il mercato editorial italiano
    Opis:
    The history and publishing output of Nasza Księgarnia, Poland’s biggest publisher of children’s and young adult literature founded in 1921 and still operating, has been extensively researched by bibliologists and literature scholars over the last decades (Bylina, 1961; Aleksandrzak, 1972; Rogoż, 2009; Jamróz-Stolarska, 2014; Biernacka-Licznar, 2018a; Gawryluk, Lajborek & Korobkiewicz, 2021). However, the post-2000 productions of contemporary Polish writers and their translations into Italian have not attracted interest from Polish researchers yet. The paper aims to examine the publishing repertory of Nasza Księgarnia and identify the list of titles that made their way into the hands of the Italian reading public between 2012 and 2022. Based on the bibliometric method and interviews with the NK staff, the study generated reliable data and yielded a detailed account of the repertory released on the Italian publishing market in the last decade.
    La storia e la produzione editoriale della casa editrice Nasza Księgarnia fondata nel 1921 a Varsavia e operante fino ad oggi, è un tema che è stato oggetto di intense ricerche condotte da bibliologi e studiosi di letteratura per l’infanzia negli ultimi decenni (Bylina, 1961; Aleksandrzak, 1972; Rogoż, 2009; Jamróz-Stolarska, 2014; Biernacka-Licznar, 2018a; Gawryluk, Lajborek & Korobkiewicz, 2021). La questione del repertorio editoriale di autori polacchi contemporanei le cui opere sono state scritte dopo il 2000, e la loro traduzione in italiano, non ha finora incontrato l’interesse dei ricercatori polacchi. L’obiettivo dell’articolo è quello di analizzare il repertorio editoriale di Nasza Księgarnia e stabilire un elenco di titoli che sono stati pubblicati in Italia nel periodo 2012–2022. L’uso del metodo statistico nello studio e le interviste con le persone responsabili dell’introduzione dell’offerta editoriale sul mercato italiano hanno permesso di ottenere dati affidabili e dettagliati per descrivere il repertorio che si è affacciato sul mercato editoriale italiano nell’ ultimo decennio.
    Źródło:
    Italica Wratislaviensia; 2022, 13.2; 85-105
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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