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Wyszukujesz frazę "Confiteor" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Black Love: On the Colours of Feelings in “Confiteor” by Antoni Szandlerowski
Autorzy:
Ejzak, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1032176.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Antoni Szandlerowski
Confiteor
symbolism
epistolography
black colouristics
Opis:
The imagination of Antoni Szandlerowski in his collection of letters to Helena Beatus (Confiteor), his beloved one, is dominated by black. The aim of this article is to show that this colour plays a major role in Confiteor therefore it is used be the author most of the times. When he writes about how pure and beautiful Helena Beatus is, he uses metaphors such as: black dove, black iris, dark cloud, dark corridor. It shows how pessimistic about the future and how guilty about the love he felt Antoni Szandlerowski was. The internal conflict was caused by the will to fulfil as a lover and the duty to continue priestly services. Antoni Szandlerowski is full of doubts. He misses Helena Beatus and feels that he cannot be happy without her. On the other hand, he knows that they cannot make their desire to live side by side real. Since the world is a place of pain and misery where the love cannot thrive due to social norms, lovers can bind together only after death. This way of thinking led Szandlerowski to many neurological disorders, caused nightmares and a painful impression that the whole world around fades away. Szandlerowski uses symbols such as a black dove and a black iris to describe his beloved one and to show the dichotomy of his perception. Therefore love is the source of all the pain and suffering for him.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 349-360
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Formuły spowiednie w XX-wiecznych agendach i śpiewnikach polskiego luteranizmu
Liturgical formulas of confession in the 20th century agendas and hymnals of Polish Lutheranism
Autorzy:
Malina, Adam
Powiązania:
https://bibliotekanauki.pl/articles/425502.pdf
Data publikacji:
2013
Wydawca:
Parafia Ewangelicko-Augsburska w Gdańsku z siedzibą w Sopocie
Tematy:
repentance
liturgy
general confession
Confiteor
confession of sins
Opis:
Church’s liturgical life is marked out by agendas and song books (hymnals), which shape the worship practice, church members’ spirituality and piety forms. An important part of this process is also the confession practice, consisting in confessing sins and absolution, and specified by the liturgical formulas. In the 20th century Polish Lutheranism shaped its confession practice through three main sets of agendas and song books. First of them was the 1889 agenda, supplemented by a hymnal from 1899. After the 2nd World War the confession practice was determined by the 1955 agenda and 1956 song book, replaced in 1965 with the new edition. Last stage of shaping the liturgical practice was publishing the agenda in 1995, and a song book (2002). Source analysis has shown that confession was present through general confession formulas, which were above all a preparation for the Holy Communion, and partly by Confiteor – a liturgical penance act and confession of sins.
Źródło:
Gdański Rocznik Ewangelicki; 2013, 7; 236-249
1898-1127
Pojawia się w:
Gdański Rocznik Ewangelicki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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