Temat: Christmas carol - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Okołoplebiscytowa Kolęda śląska Henryka Zbierzchowskiego jako przykład propagandowego wykorzystania semantyki kolęd do walki propolskiej w okresie konstytuowania się granic II Rzeczypospolitej
Henryk Zbierzchowski’s General Plebiscite Silesian Christmas Carol as an Example of the Propaganda Use of the Semantics of Christmas Carols in the Pro-Polish Struggle in the Period of the Constitution of the Borders of the Second Polish Republic
Autorzy:: Albiniak, Andrzej
Albiniak CSDP, Elżbieta Monika
Powiązania:: https://bibliotekanauki.pl/articles/2119996.pdf
Data publikacji:: 2021-12-16
Wydawca:: Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Tematy:: kolęda
kolęda aktualizowana
Boże Narodzenie
plebiscyt górnośląski
Henryk Zbierzchowski
Christmas carol
updated carol
Christmas
Upper Silesian plebiscite
Opis:: W związku z działaniami Wielkiej Wojny i odzyskaniem przez Polskę niepodległości, powstała seria kolęd aktualizowanych. Rozwój tej formy wyrazu artystycznego wykorzystano również w związku z przygotowaniami do plebiscytu górnośląskiego. Przykładem jest Kolęda śląska Henryka Zbierzchowskiego, opublikowana na łamach lwowskiego czasopisma „Szczutek” w styczniu 1921 r. Poprzez wprowadzenie Wojciecha Korfantego do tekstu kolędy jej autor przypisał mu w ten sposób wręcz sakralną rolę w porządkowaniu Śląska. Nie był to jedyny tekst kolędy aktualizowanej przez tego autora. Około 1919 r. wydał on cały zbiorek tego typu utworów, nazywając je mianem „wariantów poetyckich” kolęd.
In connection with the actions of the Great War and Poland’s regaining of independence, a series of updated carols was created, leading to the development of this species variety. The development of this form of artistic expression was also used in connection with the preparations for the plebiscite. The project was carried out in the Upper Silesian Voivodship. An example is the Silesian carol by Henryk Zbierzchowski published in “Szczutek” in Lviv in January 1921. It was introduced to the text of the Korfanty carol and thus assigned a sacred role of putting Silesia in order. It was not the only text of the carol updated by the same author because around 1919 he published a whole collection of such works, calling them “poetic variants” of carols.
Źródło:: Studia Teologiczno-Historyczne Śląska Opolskiego; 2021, 41, 2; 169-189
0137-3420
Pojawia się w:: Studia Teologiczno-Historyczne Śląska Opolskiego
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku)
Autorzy:: Borejszo, Maria
Powiązania:: https://bibliotekanauki.pl/articles/776810.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: literature
the Enlightenment
religious lyric poetry
song
Christmas carol
pastoral Christmas carol
religion
Christmas
Opis:: The image of shepherds in old Polish Christmas carols and pastoral Christmas carols (based on the material provided by the so-called Carmelite Canticles “Kantyczki karmelitańskie” from the 17th and the 18th centuries) Summary The article discusses the images of shepherds, that have come to be identified with Christmas, as they were created in Christmas carol songs written by Polish authors through the seventeenth and the eighteenth centuries. The study covers 358 songs included in the so-called “Kantyczki karmelitańskie” (Carmelitan Canticles) compiled and written down in the eighteenth century (presumably from the 1720s to the end of the century) for the use of the Cracow-based Carmelite nuns. In 1980, the collection of songs was published by Barbara Krzyżaniak (see Kantyczki karmelitańskie. Rękopis z XVIII wieku, przygotowała do wydania B. Krzyżaniak, Kraków 1980, 419). A thorough analysis of the collection has made it possible to identify that a large portion of the Christmas carols that introduce the pastoral thread make up for the bulk of the manuscript under scrutiny (about 46 per cent of the texts). These are original songs, deeply embedded in Old Polish social and natural reality (with mainly pastoral and rustic setting), and thus easily reaching a wide audience of the time. The image of shepherds reconstructed on the basis of the works in the collection includes such elements as: 1) Christian names, surnames (patronymics), and nicknames of shepherds (in all, more than 140 anthroponyms, included in the appendix); 2) characteristic physical and psychological features attributed to particular members of the community of shepherds; 3) the set of social rules governing the relations within the group; 4) particular distinctive and characteristic elements of represented world in which the community operated (e.g. shepherd’s attires, home utensils and equipment to be used for agricultural production, food and dairy products, farm animals and musical instruments). The author claims that the informative nature of the texts clearly indicates that the image of shepherds preserved in Christmas carols had been succumbed to a far-reaching Polonisation process. The settings for the Christmas carol songs were thus purposefully and consistently embedded in Polish local and authentic reality, which undoubtedly gave them mass appeal to people across a wide spectrum of social sectors. Keywords: literature, the Enlightenment, religious lyric poetry, song, Christmas carol, pastoral Christmas carol, religion, Christmas
Źródło:: Slavia Occidentalis; 2012, 69; 23-44
0081-0002
Pojawia się w:: Slavia Occidentalis
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Obraz pasterzy w staropolskich kolędach i pastorałkach (na materiale tzw. „Kantyczek karmelitańskich” z XVII i XVIII wieku). Cz. II
Autorzy:: Borejszo, Maria
Powiązania:: https://bibliotekanauki.pl/articles/777035.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: religious lyric
religious song
Christmas carol
Baroque
Age of Enlightenment
Opis:: This article is an attempt at reconstructing the image reflected in Old Polish Christmas carols of the activities pursued by shepherds following the news of the Saviour’s birth. The analysed material comes from the so-called “Carmelite Canticles” written in the 18th century for the Krakow female Carmelites. The research results suggest that a large part of the stories included in the Carmelite manuscripts of Christmas carols were modelled on the compositional structure of a classic Polish Christmas carol. This consisted of three elements: 1) the angels notifying the shepherds that the Saviour was born; 2) the confusion among the awoken shepherds, their preparations for leaving and the trip to Bethlehem; 3) paying homage to the Infant Jesus on arrival, presenting their gifts, shared celebrations at the manger and the shepherds’ return home. The analysed works demonstrate that the described events bear a strong Polish touch. In old Polish carols the shepherds were presented as a group of impoverished yet well-organized members of a rural society, capable of rational decisions and specific activities in unaccustomed circumstances. Special attention should be paid to the hierarchy among shepherds; it favoured the elder and best educated individuals, collective decision-making and care for all members of the shepherding community, including those less physically fit. The image of the shepherds preserved in the carols is very realistic, diversified and dynamic. Their quite detailed descriptions give an indication of how the poor lived in Polish villages of the 17th and 18th centuries and how well these communities were organized.
Źródło:: Slavia Occidentalis; 2013, 70/1; 21-34
0081-0002
Pojawia się w:: Slavia Occidentalis
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Polskie realia w kolędach i pastorałkach XVII i XVIII wieku (na materiale tzw. Kantyczek karmelitańskich)
The Image of the World in Christmas Carols and Songs of the 17th and 18th Century (Based on the So-called Kantyczek karmelitańskich [“Carmelite Canticles”])
Autorzy:: Borejszo, Maria
Powiązania:: https://bibliotekanauki.pl/articles/1045540.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Enlightenment
religious lyric poetry
song
Christmas carol
Opis:: The object of research for the author of the article has been the ancient realities recorded in the texts of carols from the 17th and 18th centuries. The material originates from an extensive manuscript collection of Christmas carols and songs, comprising 357 texts, owned by the cloister of Carmelite nuns in Cracow. This invaluable written monument of religious lyric poetry was published in print by Barbara Krzyżaniak in 1980. The image of the world presented in the Old-Polish carols reflects – in a careful and detailed manner – the realities of the Baroque and the Enlightenment periods, especially the realities of poor Polish rural areas, which the authors of Christmas carols must have known firsthand. Specific saturation of Christmas songs with lay motifs can be observed in the central and closing part of the studied collection.In the lexicon found in Kantyczki karmelitańskie, which describes Old-Polish realities, two basic categories can be distinguished: one of them is composed of proper names (mainly the names and nicknames of shepherds and the names of nuns), the second – much more extensive and internally diversified – comprises the names of all kinds of objects that appear in the descriptions of shepherds’ preparations prior to their journey or merry-making at Christ’s crib. They are, for example, the information about the clothes worn by shepherds, farming implements and household objects, the means of transportation, foodstuffs, dishes, the animals reared or living free, the plants cultivated by people or growing naturally, musical instruments etc.
Źródło:: Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2014, 21, 1; 11-34
1233-8672
2450-4939
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Świat ptaków w staropolskich kolędach i pastorałkach (na materiale Kantyczek karmelitańskich z XVII i XVIII wieku)
The realm of birds in old-Polish Christmas carols and Christmas festivity songs (based on the material of Kantyczki karmelitańskie [Carmelite canticles] from the seventeenth and the eighteenth centuries)
Autorzy:: Borejszo, Maria
Powiązania:: https://bibliotekanauki.pl/articles/1375135.pdf
Data publikacji:: 2011-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Christmas
Christmas carol
song
bird
Opis:: The article discusses the image of birds as documented in Kantyczki karmelitańskie [Carmelite canticles] from the 17th and the 18th centuries published by Barbara Krzyżaniak in 1980. Birds are to be found in more than 30 lyrics of Christmas carols (for the total number of 357 contained in the set under scrutiny). These include mainly domestic birds, very well-known both to the authors of the canticles and to the recipients and users of Polish Christmas carols and Christmas festivity songs. In total, about 60 species of birds are specified, including two exotic birds (the canary and the parrot). The bird’s realm was used in Christmas carols for different purposes, e.g. in the descriptions of the Bethlehem shed that is inhabited by petty birds, mentioned on account of the enumeration of gifts given to Jesus by shepherds, in accounts of the Flight to Egypt by the Holy Family, and in descriptions of the joy of the whole of the world of nature at the birth of the Saviour. It is worth noting that creators of Christmas carols did not limit themselves to just mentioning names of particular species of birds, but also provide a description of characteristics, sometimes a detailed one, such as the appearance and behaviour of its particular representatives. The carols include, for example, information on the habitat of birds, type and colouring of the plumage, common sounds made by various birds, staple food of birds, the shape of the beak and the size of the gullet. The birds pictured in the Christmas carols were either members of a village band up in the air (some sort of flying band), joyfully proclaiming Good News to the world (a motif often made used of in old-Polish Christmas carols and festive songs), or gathered at the manger to perform menial services and functions in real word reserved only for humans. Birds take on typically human behaviour, show human dispositions and fancies, customs and habits (e.g. wine or beer drinking in the nuptials).
Źródło:: Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2011, 18, 1; 89-106
1233-8672
2450-4939
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Strofika w XVII-wiecznym zbiorze kolęd Symfonije anielskie Jana Żabczyca
Types of stanzas in XVIIth christmas carols by Jan Żabczyc
Autorzy:: Galilej, Cecylia
Powiązania:: https://bibliotekanauki.pl/articles/26850622.pdf
Data publikacji:: 2010
Wydawca:: Akademia Zamojska
Tematy:: christmas carol
stanza
type of line
rhyme scheme
syntactic organization of a stanza
syntactic parallelism
baroque style
folk song
kolęda
strofa
wers
układ rymowy
składniowa organizacja strofy
paralelizm składniowy
styl barokowy
pieśń ludowa
Opis:: Jan Żabczyc, wczesnobarokowy poeta nadworny, jest autorem jednego z najpopularniejszych w historii literatury polskiej zbioru kolęd pt. Symfonije anielskie, który na stałe wpisał się w tradycję polskiej pieśni religijnej, a także szerzej – dzieje kultury narodowej. Niniejszy artykuł stanowi przegląd form stroficznych tytułowego cyklu, przedstawiający pewien wycinek stanu polskiej wersyfikacji uchwycony w ciekawym momencie rozwoju – w 1 połowie XVII wieku, gdy w poezji funkcjonuje jeszcze tradycyjna forma wiersza (znana z epoki staropolskiej, której szczytem rozwoju była twórczość Jana Kochanowskiego), z drugiej zaś strony zauważalny jest już pewien kierunek zmian oraz nowe możliwości (znaczne poszerzenie zasobu form stroficznych, zwrócenie większej uwagi na rolę słowa w pieśni, zwykle przesłanianego melodią, częste stosowanie w tekstach rytmu drobionego odzwierciedlającego skłonność barokowej muzyki do krótkich fraz). Dopracowana, jak pokazują badania, struktura stroficzna ma duży udział w sukcesie, jaki odniósł omawiany zbiór zarówno u współczesnych Żabczycowi, jak i u potomnych.
The aim of this article is a presentation an important versological topic which is an using various stanzaic forms in XVIIth christmas carols by Jan Żabczyc. The cycle Symfonije anielskie is one of the most popular texts since early baroque up today. Some of these carols are still sung in christmas time. This work describes a part of the history and development of polish versification. Baroque versological patterns reveal a great influence of latin and – on the other hand – folk poetry on polish versification. The basic versological achievements in polish literature reached Jan Kochanowski. Żabczyc is one of many poets who imitated the model of versification introduced by Kochanowski. Type of stanzaic structure is mostly depended on syntactic organization of the text, rhyme scheme, type of metre. In the field of versification Żabczyc’s songs represent partly a renaissance style and partly a baroque one. They were from the beginning designed to be sung. Only harmonious relations between all versological components could guarantee them a positive perception. The next centuries showed Żabczyc’s carols succeed.
Źródło:: Facta Simonidis; 2010, 3, 1; 223-241
1899-3109
Pojawia się w:: Facta Simonidis
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Jezus Chrystus w Kolędzie i Pasterce Jerzego Lieberta
Jezus Christ in Carol [Kolęda] and Christmas Eve Mass [Pasterka] by Jerzy Liebert
Autorzy:: Jabłoński, Romuald Marek
Powiązania:: https://bibliotekanauki.pl/articles/1400608.pdf
Data publikacji:: 2015-12-16
Wydawca:: Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:: Jerzy Liebert
Jesus Christ
Christmas
Baby Jesus
Mother
carol
Jezus Chrystus
Boże Narodzenie
Dzieciątko
Matka
kolęda
Opis:: Jerzy Liebert (1904-1931) to wybitny przedstawiciel polskiej poezji katolickiej. W Kolędzie i Pasterce wykorzystuje motywy bożonarodzeniowe. Analiza Kolędy zmierza do odkrycia dwóch warstw tekstu. Pierwsza to ukazanie Matki opiekującej się Dzieciątkiem – jest ona łatwa do uchwycenia. Druga, zapowiedź męki i śmierci Jezusa, jest tylko sygnalizowana za pomocą różnych zabiegów poetyckich, np. nawiązań do Trenów Jana Kochanowskiego – odkrycie tej warstwy to swoista hipoteza. Pasterka to liryk, w którym poeta opisuje radość (przede wszystkim roślin i zwierząt) wywołaną narodzinami Zbawiciela. W niepokojącej, paradoksalnej puencie pojawia się obraz smutnego Chrystusa. Ma on wywołać głębokie przeżycie religijne odbiorcy – nakłonić go do refleksji nad wartościami związanymi ze świętami Bożego Narodzenia.
Jerzy Liebert (1904-1931) is an outstanding representative of Polish catholic poetry. In his Carol and Christmas Eve Mass he uses Christmas motifs. The analysis of Carol brings a discovery of texts’ two layers. The first one is the picture of Mother who cares for her Child – this layer is easy to notice. The second one, an announcement of Jesus passion and death, is only indicated by certain poetic words, e.g. allusions to Jan Kochanowski’s Laments [Treny]. Disclosure of this layer is a kind of a hipothesis. Christmas Eve Mass is a lyric poem, in which the poet describes joy (especially of plants and animals) caused by the Saviour’s birth. In worrisome and paradoxical puenta a picture of sad Christ appears. His presence should evoke a deep religious experience and encourage reflections on values connected with Christmas.
Źródło:: Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2015, 1; 105-114
2450-3584
Pojawia się w:: Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Tadeusz Nowak: „przez kolędę” (wyobraźnia)
Tadeusz Nowak: by a Christmas carol (imagination)
Autorzy:: Jarzyna, Anita
Powiązania:: https://bibliotekanauki.pl/articles/649178.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Tadeusz Nowak
polish literature of the XX century
christmas carol
christmas music
christmas context
Opis:: The article shows the importance of a Christmas carol in the poetic imagination of Tadeusz Nowak. First of all is the presence of a word carol itself, especially because many poems, titled carol are not even connected with the carol’s motives. Then it’s vital, how Nowak is referring to traditional carols and how he is reinterpreting typical themes connected with it, such as: annunciation, motherhood (and parenthood generally), rela-tion between man and animals, identity of the Other, of someone, who (like Jesus, Holly Family) is different than everybody else. It turns out that words specifically connected with carol like: hay, the Star of Bethlehem, Christmas eve, chorus from polish folk song hej kolęda, kolęda are part of his language, he uses them to describe his world, apart from idyllic associations, even apart from Christmas context.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 212-229
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Sakralność religijnej kontrafaktury świeckich utworów
Autorzy:: Kałamarz, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/668991.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: contrafactum
types of contrafacta
history of Christian music
folk melodies
choral
Christmas carol
liturgical chants
Protestant music
kontrafaktura
rodzaje kontrafaktur
historia muzyki chrześcijańskiej
melodie ludowe
chorał
kolęda
pieśni liturgiczne
muzyka protestancka
Opis:: The phenomenon of contrafactum, that is giving new lyrics to the melody that already functioned with different words, is an old and common practice which occurred in many forms. Most often the term is associated with giving religious lyrics to a melody that previously possessed secular words. But this is only one of many possibilities. For centuries valuable melodies were used with both secular and religious words, regardless of original interrelationships of a particular melody.Today, in society sensitive to copyrights, the practice of contrafactum raises a lot of emotions. Also, it often evokes mixed feelings in the milieus which are involved in sacred music. This is because melodies, to some extent, convey with them the meaning of the words to which they are related, especially in the minds of the people who know these words. The secularity of melody can therefore be present not only in purely musical characteristics of a particular melody (e.g., dance rhythm, chromatization, great variety of emotions and emotional intensity), but also with secular context with which it is identified by the people who use this melody, for example, the intention which lead to the creation of a particular melody or with its original meaning. On the other hand, sacred music is the music created to participate in a sacred reality (an integral part of liturgy) and in some sense also to co-create this reality by praising the glory of God and sanctifying the faithful.When giving a secular melody to religious lyrics it is important to make sure that during liturgy their potential users should not associate this melody with anything secular. It should be composed in a perfect manner, in accordance with the rules of counterpoint. It should be a melody containing diatonic sounds, without unnecessary tension, alterations, and with dignified rhythm so that it lent itself to being performed by a large number of people. Moreover, it should simply be beautiful and its proportionally selected components should create internal unity of music and highlight the meaning of the lyrics to which it is to be added. Finally, the melody along with the words should be approved by the appropriate authority of the Church. Only then can we begin to consider it as a sacred, i.e., a liturgical song.
Źródło:: Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:: Pro Musica Sacra
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Cztery kolędy Ewy Lipskiej
Ewa Lipska’s four Christmas carols
Autorzy:: Marciniak, Paweł
Powiązania:: https://bibliotekanauki.pl/articles/1041623.pdf
Data publikacji:: 2018-10-02
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Lipska
Preisner
Christmas carol
stylization
tradition
song
politics
engagement
Opis:: The article contains the reflection on four texts of Ewa Lipska, written in association with Zbigniew Preisner. The discussed works belong to a genre of a literary carol and as a result they have been included in the republication of the album W poszukiwaniu dróg [Searching for the paths ] Therefore, a new area of poetics activity of Lipska appears. The authoress of Sefer makes use of stylization, deforming a specified pattern and thereby revaluating the tradition of a carol. The scrutinised texts were designed as being ready for the musical performance, emphasising Lipska’s interest in the song genre. The creation of a Cracovian poetess has been tilting towards popular culture since some longer time now.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 251-264
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Трансформації традиційної різдвяної обрядовості бойків українських Карпат на початку ХХІ століття (Transformacії tradicіjjnoї rіzdvjanoї obrjadovostі bojjkіv ukraїnskikh Karpat na pochatku KHKHІ stolіttja)
The transformations of the Bojkos’ Christmas Rites of the Ukrainian Carpathian mountains in the beginning of XXI century
Трансформации традиционной рождественской обрядности бойков украинских Карпат в начале ХХІ века
Autorzy:: Громова (Gromova), Наталія (Natalіja)
Powiązania:: https://bibliotekanauki.pl/articles/2178696.pdf
Data publikacji:: 2016-12-31
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: the Bojkos
Bojkivshchyna
Christmas
sheaf
kerechun
Christmas carol singing
vertep
polaznyk
rite
motivation
transformation
бойки
Бойковщина
Рождество
сноп
керечун
колядование
вертеп
полазник
обряд
мотивация
трансформация
Opis:: The thesis researches Christmas rites in Bojkivshchyna during Ukraine’s independence and is based upon analysis of scientific literature and a large amount of information sources. The author found out that motivation for many Christmas ceremonies was changed or lost; many rites cease to be actively used altogether. However it is proved that the basis of Christmas rites in Bojkivshchyna is retained better if compared to other Ukrainian regions. The paper describes and analyses reasons for changes and transformations of the traditional Bojkos’ winter rituals.
В статье рассматриваются изменения формы и содержания рождественских обрядов этнографической группы украинцев, автохтонных жителей Карпат – бойков. Объясняются причины этих трансформаций. Доказывается, что при всех изменениях зимняя календарная обрядность бойков сохранена в наше время значительно лучше, чем обрядность других историко-этнографических областей Украины.
Źródło:: Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2016, 2; 175-193
2543-9227
Pojawia się w:: Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 12.

Tytuł:: Диглосія вірувань у гуцульській колядковій традиції
Autorzy:: Луцюк, Марія
Powiązania:: https://bibliotekanauki.pl/articles/1789216.pdf
Data publikacji:: 2019-11-28
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: диглосія
колядка
діахронія
християнізація
двоєвір’я
дуалізм
diglossia
Christmas carol
diachrony
Christianization
dual-faith
dualism
Opis:: In the article the problem of diglossia in the Christmas carol of Hutsuls based on the interaction of Christian and heathen elements is discussed. The sources of the study are the texts of the Christmas carol which were recorded in the village of Kryvorivnia (Verkhovyna district, Ivano-Frankivsk region). These texts are analyzed in a diachronic section: the phenomena of Christianization and dual-faith and their implementation in the Christmas carol tradition of Hutsuls are considered. Based on the content and formal analysis of the text of the Christmas carol, the main motifs and images are singled out. It is emphasized that in these motifs and images of diglossia features are realized. The article outlines the main ideological principles, embodied in Christmas carols, and analyzes the main thematic features of the calendar ritual folklore of a winter cycle. The diﬀ erentiation of terminology, content and formal features of church carols and carols was also conducted. Based on the results of the content analysis of the text content of the carolytic tradition, its main functions are determined. The conclusions state that the modern Christmas carol tradition of Hutsuls reveals a syncretic completion, which combines Christian and pagan elements, and diglossia features most often appear on the content level. Descriptive and comparative methods, as well as elements of discourse analysis, were used for the study.
Źródło:: Studia Ucrainica Varsoviensia; 2019, 7; 85-95
2299-7237
Pojawia się w:: Studia Ucrainica Varsoviensia
Dostawca treści:: Biblioteka Nauki

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