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Tytuł:
Християнський кордоцентризм Тараса Шевченка
Taras Shevchenko’s Сhristian cordocentrism
Autorzy:
Bigun, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1374318.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
cordocentrism
Christian tradition
apophaticism
Taras Shevchenko
Opis:
The article deals with adoption of Christian tradition in poetry of Taras Shevchenko. Theoretical basis includes methodological principles of hermeneutics, the philosophicoaesthetic approach to art, cross-cultural methods. On the one hand, the sources of the creative components by Shevchenko’s ethics and aesthetics are related in Christian tradition. On the other hand, as a result of cordocentrist intention of the Ukrainian ethnos, Christian canon was deprived of the big part of rigorism in Old-Kyiv period. Shevchenko’s aesthetic theology is insufficiently investigated but it characterizes the absence of stark categories, dogmas and rituals. It gives an opportunity to speak about the apophatic approach in Shevchenko’s dialectic of God-seeking which appears in the apophatic approach of individual style which also you can find in Old Kyivan authors’ works. The outcome of our investigation proves that the Shevchenko’s adoption of Christian tradition shows the priority of aesthetic and cultural landmarks of Kyiv Christianity.
Źródło:
Przegląd Wschodnioeuropejski; 2020, XI, 1; 241-250
2081-1128
Pojawia się w:
Przegląd Wschodnioeuropejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Herod Wielki – władca różnie postrzegany. Tradycja chrześcijańska a historia
Herod the Great – a ruler perceived in various ways. Christian tradition and history
Autorzy:
Wajda, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/2029523.pdf
Data publikacji:
2021
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Herod the Great
despot
murderer
builder
Christian tradition
Opis:
The purpose of this paper is to try to show the factors that influence the complexity of perception of the figure of Herod the Great (73-4 B.C.), king of the small Jewish state Judaea in the last three decades before the common era, in Christian tradition and history. The issue will be presented based on biblical sources, works of ancient writers and literature. The basic biblical source will be the exegesis of the pericope about the slaughter of Bethlehem boys up to two years old ordered by Herod the Great, contained in the Gospel according to Matthew (Mat: 2, 16-18). In turn, the fundamental historical information about the reign of this king is provided by Josephus Flavius, a Jewish historian from the first century. The most important ancient source for the rule of Herod written by Flavius Josephus is the Jewish War and the Jewish Antiquities. Both books are based on the history of Nicolaus of Damascus, king Herod's personal secretary. It is very important to verify a great deal of information about Herod the Great. Historians have re-assessed long-held negative opinion about this king and now credit his reign as having had at least some positive effects on Jews and Judaism in his kingdom. They will also be presented in this chapter.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2021, 8, 2; 261-279
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stabat Mater Zbigniewa Bujarskiego w kontekście tradycji gatunku
Zbigniew Bujarski’s Stabat Mater in the context of the genre’s tradition
Autorzy:
Borowiecka, Renata
Powiązania:
https://bibliotekanauki.pl/articles/521962.pdf
Data publikacji:
2014
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Zbigniew Bujarski
Polish sacral music
Stabat Mater
Christian tradition
Opis:
The Christian religion, since the beginning of its times focuses on contemplating the circum-stances of Christ’s death. The scene of Mater dolorosa found its literary expression in the words of a medieval poem Stabat Mater dolorosa. The text became part of the Church liturgy as a sequence and hymn and distinctly entered the music art world. Through compositions, the authors passed on both the creed of Christian faith as well as personal experiences related with the search for the purpose of life and death in the face of a tragic situation. Bujarski’s Stabat Mater was composed following an “external inspiration” (a commission), but it was preceded by a profound “internal inspiration”. The author wrote the composition to the Polish philological translation of the sequence, because he wanted his work to be a very personal statement as close as possible to his deepest feelings. In Stabat Mater, the composer refers to an oratorio and cantata genre creating a choir and orchestra composition. The relations between choir and orchestra set in the history of interpretations are reversed in Bujarski’s composition, i.e. instru-mental music seems to be in the foreground, and the vocal parts only bring further clarification of semantic contents. The author captured the scene with Mater Dolorosa as if in the frames of a paint-ing: within one cohesive whole he provided the course of his work with a three-part layout with re-prise features. Listening closely to Stabat Mater it is impossible not to get the impression that music carries with it quasi-painting features, playing out between the darkness of the Golgotha’s drama and the light of hope coming from the Resurrected Jesus. Colour (an essential feature of Bujarski’s music) and space-time are often shaped in contrast with each other, as if in a chiaro-scuro effect. Bujarski in his “end-of-the-century” work expressed the entire complexity of time in which he lives (fear, tragedy), but he also confirmed his Christian attitude which he represented from the very beginning of his creative path (he pointed to hope and love). Stabat Mater constitutes also a fervent prayer full of humility and trust. It seems as well that in Stabat Mater, through the tragedy of God-man crucified for man’s misdeeds, Bujarski expressed a man of his generation. By referring to the great sacral tradition and through a highly individual musical interpretation, the composer once again discovered “veiled and lost values” and set out the right path for man, leading towards hope, towards the highest Truth.
Źródło:
Aspekty Muzyki; 2014, 4; 11-29
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wartość tradycji w dialogu z współczesnością
The value of tradition in dialogue with the present
Autorzy:
Czupryk, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/1956519.pdf
Data publikacji:
2020
Wydawca:
Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
Tematy:
człowiek
tradycja
tradycja chrześcijańska
pamięć
dziedzictwo
human
tradition
christian tradition
memory
heritage
Opis:
The contemporary man, wanting to define his place in time, needs bonds and continuity, he needs remembrance and knowledge about the legacy of the past. The strength of creative consciousness, thanks to which the man can lean towards the future without any fear, comes from tradition. Tradition is a dynamic phenomenon, it is not inherited as something complete, already worked out. In order to “have” it, you have to shape it with much effort, and even “nurture” it. In the face of the past, one must adopt an attitude of respect, recognition, and, if necessary, admiration or criticism. Then you have to experience it “as if again”, drawing conclusions for the present and the future. Memory aids consciousness in choosing what tradition passes down from generation to generation. Essentially, it passes a hope that invigorates human desires in the pursuit of good and lofty goals. The memory of humanity is the memory of humaneness, it is the consciousness of who a human is in the face of his limitations and possibilities. In order to renew the memory of humanity, it is worth trying today to find a way to revive the creative dialogue between tradition and the present. Tradition, related to cultural heritage, is expressed in the culture of a specific society and the process of socialization of its members. Valued and cherished by the community, it protects itself: protects it from betraying the cultural heritage developed over generations; consolidates the identity and freedom of the community; motivates to noble actions in the spirit of brotherliness and solidarity.
Źródło:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2020, 27; 15-28
1234-8880
Pojawia się w:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Veni Creator Pawła Łukaszewskiego — w kręgu inspiracji religijnych i narodowych
Paweł Łukaszewski’s Veni Creator — in the circle of religious and national inspirations
Autorzy:
Borowiecka, Renata
Powiązania:
https://bibliotekanauki.pl/articles/521881.pdf
Data publikacji:
2016
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Paweł Łukaszewski
Polish sacral music
Christian tradition
Veni Creator hymn
Opis:
Paweł Łukaszewski is considered to be one of the most interesting composers of contemporary sacral music, and his work raises great interest both in Poland and abroad. His vocal and instrumental compositions, as well as choir a cappella pieces make a significant share of his extensive achievements. They have deeply rooted into the Christian tradition and religion. The subject matter of his compositions focuses on the main concepts and ideas in the teaching of the Church, which is exemplified in the composition Veni Creator, among others. The piece was written as a result of an external inspiration (a commission from Akademie Klausenhof as a part of a Polish-German Project “45/05”) and based on one of the most popular Latin hymns. Apart from introducing the original version of the hymn, the author used the text in German and quoted the words of John Paul II in Polish. Thus, the Holy Spirit was addressed not only by all the faithful, but also by the two specific nations. Moreover, Łukaszewski emphasised the aspect of both nationalities with the use of specific musical strategies (two choirs, allusions to and quotations from Bach and Chopin). The composer’s intention — reuniting of the two nations through music and languages, as well as by employing Polish and German performers — becomes fully comprehensible in the circumstances of this particular commission, i.e. the 60th anniversary of the end of the Second World War. Therefore, the composition may be considered — quoting the words of the Polish Pope — as a “gesture of peace” offered through music.
Źródło:
Aspekty Muzyki; 2016, 6; 25-42
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem podobieństwa w chrześcijańskiej tradycji wiary
Problem of similarity in the christian tradition of the Faith
Autorzy:
Moskałyk, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/469399.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
wiara
podobieństwo
tradycja chrześcijańska
wspólnota chrześcijańska
tradycja katolicka
faith
similarity
Christian tradition
Christian community
Catholic tradition
Opis:
Tradycja wiary chrześcijańskiej jako rzeczywistość stanowiąca element składowy autentycznego wyrażenia w czasie i przestrzeni osób wierzących podlega także zróżnicowanej percepcji historycznej-religijnej, filozoficznej, teologicznej, socjologicznej itd. Nie ma w tym nic nadzwyczajnego aż do tego momentu, kiedy jej obecność zwłaszcza po stronie samych chrześcijan przestaje pełnić prawdziwą funkcję formacyjno-duchową. A dziś taka sytuacja wydaje się stanowić pewien negatywny trend w świadomości i postawie wielu osób wyznających chociażby swój związek z Kościołem katolickim. Przy tym do-chodzi jeszcze do prostego zrównywania i utożsamienia odmiennych tradycji między innymi po to, aby nie przywiązywać się do jednej lub dominującej. Tymczasem uznanie chrześcijańskiej tradycji wiary wraz z jej specyfiką i odcieniami wymaga wierności jednemu przekazowi oraz nieustannego zgłębiania własnego dziedzictwa tradycyjnego.
The tradition of the Christian faith as reality constituting the building block of the authentic expression in the time and space of believing persons are subject to also a diversified historical-religious, philosophical, theological, socio-logical perception etc. There is including nothing extraordinary all the way to this moment no, when for her the presence especially on the side of very Christians is stopping performing the real function and formation internships n-spiritual. And today such a situation seems to constitute certain negative trend in the awareness and the attitude of many confessing persons even if virtue of its association with the Catholic Church. At the same time there is still a simple convergence and self-identification distinct traditions, among other things, not to attach to one or dominant. Meanwhile, the recognition of the Christian tradition of faith, together with its specific features and shades of one and ready to explore the ongoing fidelity requires its own traditional heritage.
Źródło:
Studia Koszalińsko-Kołobrzeskie; 2013, 20; 175-187
1230-0780
2719-4337
Pojawia się w:
Studia Koszalińsko-Kołobrzeskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intensywność Wata
The intensity of A. Wat
Autorzy:
Kandziora, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1534049.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aleksander Wat
Futurism
Communism
Symbolism
Catastrophism
literature in exile
Judeo-Christian tradition
mythology
Opis:
The article discusses a collection of literary essays Elementy do portretu. Szkice o twórczości Aleksandra Wata published and edited by Poznań-based specialists in Polish literature and dedicated to Professor Ewa Wiegandt. The starting point for the discussion is the observation that the authors of the essays had to grapple with the elusiveness and multidimensional character of the output of A. Wat, with the entanglement of the text of his works with the text of his biography, and finally with the multitude of its cultural contexts. The reviewer distinguishes four research currents in the collection of essays, each being a different answer to these particular traits of Wat’s writing. Historical and literary studies in the book show the author in his relations and as a non-categorizable author, and challenge the Futurist character of his juvenile writings by juxtaposing them with earlier Symbolism and later Catastrophism. The interpretative study current tries to find ways to define Wat through reading his individual works. Here, the overriding opposition between ”closeness” and ”openness”, so pivotal in the poet’s works, becomes apparent. The current of thematology that present Wat’s literary topoi in relation to his biography is well represented in the volume. Finally, the studies that cross the strictly literary horizon try to capture the multi-tier structures of Wat’s works, reinterpreting them from the sociological, historical or axiological perspectives. The final conclusion of the review is the acknowledgement of the richness offered by the book that corresponds well to the intensity of works and the biography of the author.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 303-316
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Benedict XVI’s Ecumenical Dialogue with the Eastern Orthodox Church
Autorzy:
Warzeszak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/2150210.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
ecumenical dialogue
path toward unity
fraternity
ancient Christian tradition
Orthodox Church
ecumenical collaboration
Opis:
The author of this article presents Benedict XVI’s ecumenical dialogue with the Eastern Orthodox Church as a whole through the speeches, declarations, and homilies that he delivered to representatives of the Eastern Church. This dialogue is undoubtedly significant. As a pope, Benedict XVI fostered and authoritatively promoted this interchange by initiating meetings, participating in communal prayer, teaching, treating those who he encountered with fraternal friendship and charity, and overcoming various obstacles. The Holy Father emphasized the theological studies that the two Churches share in common, because complete and visible communion cannot exist without unity of faith. As always – and particularly as the theologian and as the Prefect of the Congregation for the Doctrine of the Faith – he taught that both Churches could celebrate the Eucharist together only when they are fully united. When would this happen? According to Benedict XVI, such union is a gift from God for which the faithful must pray and toward which they must work by: evangelizing together, mutually resisting ideologies hostile to Christianity and humanity, ensuring peace and justice among Christians and those who follow other religions, and cooperating in charitable care of the poor, the sick, and the needy.
Źródło:
Rocznik Teologii Katolickiej; 2020, 19; 187-210
1644-8855
Pojawia się w:
Rocznik Teologii Katolickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uczony i święty. Chrystianizacja wizerunków mędrców dawnych w "Żywotach filozofów" Marcina Bielskiego
Autorzy:
Lasocińska, Estera
Powiązania:
https://bibliotekanauki.pl/articles/2030413.pdf
Data publikacji:
2021-06-06
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
christian tradition
ancient philosophy
old Polish literature
tradycja chrześcijańska
filozofia starożytna
dawna literatura polska
Opis:
  The article focuses upon the relation between the realities of faith and reason. The author presents the image of a Christian Stoic, which is typical of Renaissance literature, and goes on to analyze “Żywoty filozofów” [“Lives of the Philosophers”] by Marcin Bielski to describe the structure and specific features of this kind of book on the history of philosophy at the beginning of the 16th century. Referring to medieval tradition (John of Wales, Walter Burleigh), the article shows how the Polish author used it to create the model of a pious sage, distinguished by his love of intellectual, moral and evangelical virtues. The article also refers to two later works, “Wizerunek własny” [“The True Image of the Life of the Honest Man”] by Mikołaj Rej (1558) and “Dyjalog mięsopustny” [“The Dialogue for the Last Days before the Lent”] (c. 1622), which document the continuity of the medieval tradtion of depicting a Christian philosopher.
Źródło:
Tematy i Konteksty; 2014, 9, 4; 318-328
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odniesienia biblijne w twórczości polskich zespołów metalowych
Biblical references in the work of Polish metal bands
Autorzy:
Socha, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/521252.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
rock
metal
Biblia
tradycja biblijna
tradycja judeochrześcijańska
rock music
metal music
Holy Bible
biblical tradition
Judeo-Christian tradition
Opis:
Jednym z czynników, które przez wieki kształtowały kulturę Zachodu, jest tradycja judeochrześcijańskaoparta o Biblię. Motywy, cytaty i symbole zaczerpnięte z kart Biblii przenikałydo języków europejskich i oddziaływały, zarówno na kulturę wysoką, jak i popularną.Inspiracji biblijnych po wielokroć można doszukać się także w muzyce metalowej. Pracaniniejsza jest próbą krótkiego scharakteryzowania co oryginalniejszych motywów biblijnychpojawiających się w tekstach zespołów metalowych, zwracając jednocześnie uwagę naniewielkie dotychczas zainteresowanie tym aspektem tradycji biblijnej w opracowaniachnaukowych.
One of the many factors which has been creating the west culture is the Judeo-Christiantradition based on the Bible. Motives, quotations and symbols that are coming from the Biblehave been permeating to the European languages as well as they have influenced both thehigh culture and the popular culture. Moreover, the biblical inspirations can be found in metalmusic as well. The underlying paper constitutes an attempt of brief characterization when itcomes to more original biblical motives that are constantly appearing in the lyrics of metalbands, simultaneously, it emphasizes a slight current interest of this biblical aspect in thescientific researches.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2018, 10, 3 "Studia nad kulturą metalową"; 127-140
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 28

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