Temat: Cezary Jellenta. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Odgadnąć i uzewnętrznić wielką tajemnicę […] Chopinowskiej muzyki” – Dusze niektórych melodii. Chopin Cezarego Jellenty
“To Discover and Express the Great Mystery […] of Chopin’s Music” – Dusze Niektórych Melodii. Chopin (The Souls of Certain Melodies. Chopin) by Cezary Jellenta
Autorzy:: Orłowska, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/2038284.pdf
Data publikacji:: 2021-12-29
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Cezary Jellenta
Frédéric Chopin’s music
nervousness
synthesis of arts
modernism
music criticism
Opis:: The article constitutes a detailed analysis and interpretation of one of the most important texts written at the turn of the twentieth century, which was devoted to the reception and interpretation of Frédéric Chopin’s compositions in the Young Poland period. In his work, Cezary Jellenta presents the nervous perception of the Polish composer’s music typical of the era and refers in his reflections to numerous works of painting and both Polish and world literature, which perfectly illustrates the fascination with the idea of the correspondence of arts. It is also a testimony to the foundations of the emerging music criticism and evidence of the undying adoration for Frédéric Chopin’s works.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 265-299
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Nałkowska i Komornicka, czyli kto zawinił
Nałkowska and Komornicka, or: Whose Fault It Was
Autorzy:: Helbig-Miszewski, Brygida
Powiązania:: https://bibliotekanauki.pl/articles/1533602.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Nałkowska and Komornicka
rivarly between writers
feminist interpretation of author’s biography
relations between Young Poland women authors
functions of patriarchal mentors
Wacław Nałkowski
Cezary Jellenta.
Opis:: The author analyses the love-hate relationship between Zofia Nałkowska and her seven years’ senior, the legendary painter Maria Komornicka, who was for a time romantically ivolved with Zofia’s father — Wacław Nałkowski — and her friend — Cezary Jellenta. The relationship between the two writers has excited emotional reponses from researchers for many years. Two critics specializing in Komornicka have shown their interest most explicitly: Izabela Filipiak and Edward Boniecki. They accuse Nałkowska of not maginalizing Komornicka’s role in women’s literature of early 20th century, of unfeeling attitude for Komornicka’s tragic fate, even though Nałkowska was inspired by her in the early age, and of the failure to help Komornicka, when she was declared insane and disempowered after her symbolic transformation into a man. Researchers have so far seen Komornicka as a lost and harmed person, whereas Nałkowska was perceived as the morally questionable winner. However, Hanna Kirchner, who specializes in Nałkowska, has recently shown interesting sources of Nałkowska’s dislike for Komornicka, pointing out to a forgotten juvenile poem called Historia „Forpoczt”. The author of the article, who also wrote a monograph about Maria Komornicka, analyses the arguments presented by critics of both writers, observing the relation between Nałkowska and Komornicka from a neutral ground, without sharing the dynamic of hasty accusations.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 163-175
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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