- Tytuł:
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Карпатоукраїнська словосполука біла дівка в південнослов’янському контексті
The Carpathian Ukrainian collocation біла дівка in the Southern Slavonic context - Autorzy:
- Гриценко, Павло
- Powiązania:
- https://bibliotekanauki.pl/articles/2008002.pdf
- Data publikacji:
- 2020-12-15
- Wydawca:
- Poznańskie Towarzystwo Przyjaciół Nauk
- Tematy:
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word and collocation in the folklore text
colour names
*běl- (white)
folklore (Ukrainian, Bulgarian, Macedonian and Serbian songs)
Carpatho-Balcanica
area
isogloss
слово і словосполука у фольклорному тексті
кольороназви, *běl- (білий)
фольклор (українські, болгарські, македонські, сербські пісні)
карпатобалканіка
ареал
ізоглоса - Opis:
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Студія є ескізним розглядом окремих питань із широкої проблематики карпатобалканіки. За матеріалами словосполучення біла дівка та інших номінацій із компонентом *běl- у фольклорних текстах показано спеціалізацію семантики кольороназви; прокоментовано окремі лінії змін значень*běl- в українськокарпатському просторі, а також виявлені в болгарському, македонському і сербському мовно-культурних континуумах паралелі й відповідники цим процесам. Окреслено особливості лінгвальної й етнокультурної інформації, що містять фольклорні тексти, прийоми її використання в дослідженні діалектного континууму однієї мови та генетично споріднених мов.
The collocation біла дівка (synonymous with гарна дівчина, кохана дівчина) and its correlative білий хлопець, леґінь are popular in the song folklore of the Ukrainian Carpathian Mountains. In the Ukrainian dialectal continuum, these frequent structural elements of the kolomyika songs belong to the Carpathian regional lexis. In Carpathian songs about love and affection, the meaning “beautiful, positive” conveyed by білий occurs in the phrase *біла дівка as well as many phrasal names containing it.The folklore of every ethnic community is unique with respect to its content (i.e. plots and themes), language, and imagery. At the same time, behind the uniqueness of folk songs of different people, there are sometimes common features arising at various times and for different reasons. These features is a specific subject for comparative-historical research. Bulgarian, Macedonian, and Serbian songs reflect a mode of using *běl- to express the notion of love and affection as well as the related values; this bears a resemblance to the Carpathian Ukrainian pattern. These folklore traditions share a more or less similar way of using the qualifier *běl- referring to a beautiful beloved maiden, as well as attributes, circumstances, and processes which, taken together, represent a large axiological “white space matrix” of love songs (carrying markedly positive connotations). Here, the qualifier *běl- is among the principal means of implementation of the semantic features “beautiful” and “positive”, while its synonymic relations to the other items conveying the same meaning are ethnos-specific.The qualifier *běl- in the collocation *біла дівка and its permanent presence in the structure of the other nominative items represent the Ukrainian-Carpathian-Bulgarian-Macedonian-Serbian isogloss, thus increasing the number of integral, linguistic and cultural Ukrainian-Carpathian-Southern-Slavonic entities. The meaning of the isogloss’s invariant is modified and extended by names, collocations, and concepts widely manifested in Carpathian songs as well as in separate Southern Slavonic folklore traditions. Equally topical is the study of the isogloss’s structure (i.e. the topography of relevant elements and phenomena as well as their areal distribution and functioning) and of the prerequisites for the emergence of similar linguistic items and phenomena within different languages and cultures. This is owing either to their mutually independent convergent development, the preservation of the homogeneous historical heritage of the earlier periods, or to the interaction between languages and their dialects. The intensity and sources of these influences are often evidenced by the isogloss’s specific characteristics.As a result of the appearance of “beautiful” and “positive” as the meanings of *běl- and their occurrence in the Carpathian-Balkan area, the issue of the origin of these features within each language of this area becomes topical. An investigation of this issue will show whether they are secondary in relation to, and derivative from, the underlying meaning of colour, or maybe they derive from the archaic syncretic semantics of білий “shining = light = beautiful”.The unique, i.e. exclusive, structural elements of each Slavonic language are not only indicative of the specificity of their evolution but are also instrumental for comparative analysis aimed at establishing the degree of identity or similarity between languages and cultures. The feasibility of isoglosses / isopragms evidenced by folklore texts and ethnographic materials correlates with the exhaustiveness and comparability of basic data corpora of individual Slavonic dialectal continuums. - Źródło:
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Gwary Dziś; 2020, 12; 15-57
1898-9276 - Pojawia się w:
- Gwary Dziś
- Dostawca treści:
- Biblioteka Nauki
Artykuł