Temat: Brazilian Music - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Yaô Africano: The Orixá in the voice of Patricio Teixeira
Yaô africano: os orixás na voz de Patricio Teixeira
Autorzy:: Vieira, Caroline
Bahia, Joana
Powiązania:: https://bibliotekanauki.pl/articles/1199822.pdf
Data publikacji:: 2020-12-31
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Patricio Teixeira
trayectoria
identidades culturales negras
religiones afro-brasileñas
canciones populares
trajectory
black cultural identities
Afro-Brazilian religions
popular music
Opis:: Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.
Patricio Teixeira fue una voz importante en la música nacional, especialmente en las décadas de 1920 y 1930, y su carrera en la radio se extendió hasta mediados de la década de 1950. Su experiencia ha dado visibilidad a los sujetos negros y a sus identidades culturales. Este artículo analizará los elementos sagrados que se desbordan en el universo musical y lúdico de Río de Janeiro a través de algunas canciones grabadas por Teixeira. Con apropiaciones variadas, las grabaciones que cantan orixás, prácticas y rituales afrorreligiosos demarcan la presencia del afrobrasileño sagrado en el canto popular.
Źródło:: Revista del CESLA. International Latin American Studies Review; 2020, 26; 39-62
1641-4713
Pojawia się w:: Revista del CESLA. International Latin American Studies Review
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: THE BRAZILIAN CHORO: ITS HISTORY AND STRUCTURE
Autorzy:: Magalhães, Marcelo G.M.
Powiązania:: https://bibliotekanauki.pl/articles/566333.pdf
Data publikacji:: 2014
Wydawca:: Akademia Pomorska w Słupsku
Tematy:: Brazilian Music
Choro
Opis:: This article examines the Brazilian musical genre known as Choro. Having discussed the history of Brazil, the genre is subsequently discussed within a broader context of Brazilian popular music. Many important aspects of Brazilian music related to Choro are considered: (1) the influence of African culture and European music; (2) the role of classical composers like Heitor Villa-Lobos; and, (3) the influence of sacred music, opera and other popular musical types. There is also a detailed explanation of the connection between Choro and jazz, with special attention given to the structure of the music and the role of improvisation
Źródło:: Ars inter Culturas; 2014, 3; 79-93
2083-1226
Pojawia się w:: Ars inter Culturas
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Czy francuska lodówka Dony Luizy Mendonçy działa(łaby) w Brazylii?
Does the French refrigerator of Dona Luiza Mendonça work in Brazil? Would it?
Autorzy:: Jaworski, Jakub
Powiązania:: https://bibliotekanauki.pl/articles/649116.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Portuguese Realism
Brazilian press
music in Brazil
cultural intertextuality
Polish Lusophone Studies
Opis:: Taking into account the Brazilian reception of the novel O Primo Bazilio, the author outlines the cultural connections between the Portuguese realist writer Eça de Queiroz and Brazil. The starting point of the argument is the heated public debate on the novel at the end of the 19th century. The article discusses Eça de Queiroz as a creative continuator of French realism and naturalism, referring to the specific cultural phenomena in Brazil and his unusual closeness with Romanticism. The article attempts to combine the musical narration of Eça and the irony present in his literary prose production and the new Brazilian cultural intertext. In the context of the mythical Pasiphae discourse as the story about an adulteress, Brazilian literature and music create a polyphonic narrative expression in so far as Eça´s discourse does the same. The poetic ending may be taken for a voice in the discussion about the position of a woman who does (not) liberate herself from the social convention in the patriarchal society.
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Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 85-100
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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