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    Wyświetlanie 1-4 z 4
    Tytuł:
    Motywy polskie w twórczości krytycznoliterackiej Arriga Boito. Od Mickiewicza do Zaciśniętej pięści
    Polish motifs in the critical and literary work of Arrigo Boito. From Mickiewicz to The Clenched Fist
    Autorzy:
    Filonik, Apolonia
    Powiązania:
    https://bibliotekanauki.pl/articles/20451698.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Boito
    Mickiewicz
    Scapigliatura
    Opis:
    Arrigo Boito’s (1842–1918) relationship with poland has been studied extensively since 1963, when Walerian preisner published a monographic study of Boito and his connections to poland. In subsequent years, additional publications focusing on this artist with polish roots have appeared. The article on polish motifs in Boito’s critical and literary work summarizes the influence of polish literature, particularly the works of Adam Mickiewicz, on the Italian’s oeuvre. This article not only builds on the research of previous scholars but also offers new insights and observations.
    Źródło:
    Colloquia Litteraria; 2023, 34, 1; 113-126
    1896-3455
    Pojawia się w:
    Colloquia Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Considerazioni sulla traduzione polacca delle Novelle di Arrigo Boito
    Considerations on the Polish Translation of Arrigo Boito’s Short Stories
    Autorzy:
    Prola, Dario
    Powiązania:
    https://bibliotekanauki.pl/articles/34670933.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    dualism
    Arrigo Boito
    Scapigliatura
    literary translation
    loanwords
    technical languages
    dualismo
    traduzione letteraria
    forestierismi
    tecnicismi
    Opis:
    The paper discusses some translation problems in the Polish version of four fantasy short stories by Italian writer and composer Arrigo Boito: ‘Iberia’ (1868), ‘L’alfier nero’ (1868), ‘Il pugno chiuso’ (1870), and ‘Il trapezio’ (1873–1874). The book with their translations by Aleksandra Cypko and Klaudia Sarafin was published by the Cracow-based publishing house Austeria in 2021. The challenges faced in translation work were manifold, starting with the reproduction of Boito’s stylistic and poetic peculiarities in contemporary Polish. In this paper, I first survey the salient features of Boito’s literary Italian and style to focus subsequently on the Polish translators’ solutions for rendering loanwords and technical words and to examine the functions of the notes and the paratextual apparatus of the translations. In the final part of the paper, I address the issue of translating the antinomies underlying Boito’s writing. In this sense, his four short stories represent an ideal expression of the dualistic conception of Scapigliatura, an important artistic movement in which the young Boito was involved. To find metaphors and similes through which to adequately reproduce this dominant feature of Boito’s writing was one of the most difficult challenges for the Polish translators.
    L’articolo riguarda alcuni problemi traduttivi emersi dall’analisi della versione polacca di quattro lunghe novelle fantastiche dello scrittore e compositore scapigliato Arrigo Boito: Iberia (1868), L’alfier nero (1868), Il pugno chiuso (1870) e Il trapezio (1873–1874). Il libro, tradotto da Aleksandra Cypko e Klaudia Sarafin, è stato pubblicato nel 2021 dalla casa editrice Austeria di Cracovia. Le sfide affrontate dalle traduttrici durante il lavoro di traduzione sono state molteplici, a partire dalla necessità di riprodurre nel polacco contemporaneo le peculiarità stilistiche e poetiche della scrittura boitiana. Dopo aver passato in rassegna le caratteristiche salienti dell’italiano letterario e dello stile di Arrigo Boito, il presente studio si focalizza sulle soluzioni traduttive adottate per la resa dei forestierismi e dei tecnicismi nonché sull’impostazione e le funzioni delle note e dell’apparato paratestuale. Nella parte finale dell’articolo si affronta invece la questione della traduzione delle antinomie che soggiacciono alla scrittura di Arrigo Boito. Per le sue novelle è infatti possibile parlare di un sistema di opposizioni simboliche che si sviluppa da quella basilare maschile-femminile, dipanandosi attraverso una complessa rete di metafore e similitudini dalle affascinanti implicazioni metafisiche, ideale espressione della concezione dualistica della Scapigliatura. La difficoltà di trovare metafore e paragoni attraverso cui riprodurre adeguatamente in polacco questa dominante della scrittura di Boito ha rappresentato una delle sfide più difficili per le traduttrici.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 153-172
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Viaggerò col cuore di Kościuszko”: sui rapporti polacchi di Arrigo Boito
    “I Will Travel With Kościuszko’s Heart”. About Polish Contacts of Arrigo Boito
    „Będę Podróżował Z Sercem Kościuszki”. O Polskich Kontaktach Arriga Boito
    Autorzy:
    Prola, Dario
    Powiązania:
    https://bibliotekanauki.pl/articles/2076645.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    literary contacts between Italy and Poland
    Polish museum of Rapperswil
    Arrigo Boito
    Tadeusz Kościuszko
    Adam Mickiewicz
    traslation
    Opis:
    The author’s analysis of Arrigo Boito’s contacts with Poland and Polish culture has produced two categories of findings: one biographical, which can be reconstructed through the study of his correspondence, and the other one relating to literature and music. The first section of the present paper is devoted to the state of research on Polish inspirations in this Italian writer and composer’s works. The focus of the second section, dedicated to the analysis of Polish references in the artist’s published and unpublished letters, is the organizational role played by Arrigo Boito in the 1895 delivery of an urn containing Tadeusz Kosciuszko’s heart to the Polish museum of Rapperswil.
    Źródło:
    Kwartalnik Neofilologiczny; 2016, 2; 215-225
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konserwacja kościoła de Fontaines w Neuchâtel
    RESTORATION OF DE FONTAINES CHURCH AT NEUCHÂTEL, SWITZERLAND
    Autorzy:
    Łysiak, Waldemar
    Powiązania:
    https://bibliotekanauki.pl/articles/536139.pdf
    Data publikacji:
    1972
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    kościół de Fontaines w Neuchâtel
    Neuchatel w Szwajcarii
    Camillo Boito
    idea Viollet-le-Duca
    Viollet-le-Duc
    duch zabytku
    Opis:
    Basing on example of a small de Fontaines church at Neuchâtel, Switzerland the author deals With an essential problem of adaptative restoration works being undertaken in architectural objects of historical character. Though the building in question, when considered from the viewpoint of history of art, cannot be classified as one belonging to the top category the restoration works carried out gave rise to a great deal of interesting discussion. The problems involved in restoration of th a t church were presented in the summer of 1971 at the International Centre for the Study of Preservation and the Restoration of Cultural Property, Rome, th a t has been established under the auspices of UNESCO, as a specific fea ture in certain modern tendencies present in the conservator’s work. During th e course of restoration in 1969 from the church interior were removed its neo-Gothic fittings made of wood, except for pulpit, whose place took a number of wood furnishings extremely simple in their shapes. In this strive to achieve an intended simplicity and the most functional character of the church’s interior the conservators have, however, advanced too far, as the new fittings are quite drastically modern as to their forms and worse still in sharp contrast to architecture. In this connection the fact th a t from among elements of the former fittings the pulpit has been left as the only element seems to be a misunderstanding or even failure. The author emphasizes th a t it is not the change of fittings alone with which he is dealing in his article but the so-called spirit of the monument meant as the character and climate of authenticity. The excessively modernized interior of de Fontaines church has become one sterile and deprived of colour thus loosing its intrinsic climate and character.
    Źródło:
    Ochrona Zabytków; 1972, 1; 27-31
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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