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    Wyświetlanie 1-4 z 4
    Tytuł:
    Prace konserwatorskie w drewnianym kościele parafialnym w Boguszycach koło Rawy Mazowieckiej : II część
    TRAVAUX DE CONSERVATION DANS L’ÉGLISE PAROISSIALE EN BOIS À BOGUSZYCE PRÈS DE RAWA MAZOWIECKA
    Autorzy:
    Puciata, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/536649.pdf
    Data publikacji:
    1963
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    kościół w Boguszycach
    malowidła ścienne w Boguszycach
    drewniany kościół w Boguszycach
    ołtarze szafkowe
    Poliptyk Jana Jantasa
    Tryptyk Mistrza I.S.
    Boguszyce
    Opis:
    Les travaux de conservation dans l ’église à Boguszyce comprenant les fragments décoratifs de l ’autel provenant du XVIe siècle ont permis de compléter presque entièrement trois retables et de rétablir l ’aspect primitif du tableau de la Vierge à l ’En'ant. On a nettoyé les éléments particuliers du décor de leurs vernis vie illis, on a enlevé les couches de pe'ntures postérieures, on à complété les parties de bois et de la préparation manquantes, des manques é té retouché et la surface couverte par des couches protectrices de vernis et du cire. Au cours de travaux de conservation on a découvert au dos du volet gauche intérieur du polyptique de Jan Jantas une inscription: Jantas fecit. Cette inscription est complétée par la date Anno 1558 se trouvant sur le volet droite. Dans la partie centrale on a découvert une inscription partiellement effacée qu’on a déchiffré: Jantas fecit pictor warschoviensis Anno 1558. La même date 1558 fut retrouvée au dos de certaines sculptures et de certains listeux séparant les quartiers des volets particuliers. A l ’avers du volet droite du triptyque du Maître P. S., après avoir enlevé les saletés, on a déchiffré le monogramme P. S. lu jusqu’à présent comme I. S. On a rétabli l ’aspect primitif du tableau de la Vierge à l’Enfant. Ce tableau peint en 1558 sur une planche de tilleul a été entièrement repeint dans le contour de sa composition originale. A présent des couches postérieures ont été enlevées à la le ssiv e et à l ’alcool. L’original fut placé sur un mur du presbytère; sa place dans le retable a été prise par une copie exécutée avant la restauration du tableau.
    Źródło:
    Ochrona Zabytków; 1963, 1; 28-45
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PROBLEMATYKA IKONOGRAFICZNA I KONSERWATORSKA DREWNIANEGO KOŚCIOŁA W BOGUSZYCACH KOŁO RAWY MAZOWIECKIEJ
    THE ICONOGRAPHY AND CONSERVATION OF THE WOODEN CHURCH IN BOGUSZYCE NEAR RAWA MAZOWIECKA
    Autorzy:
    Lubryczyńska, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/535572.pdf
    Data publikacji:
    2006
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    POLICHROME
    WOOD CONSERVATION
    WOODEN ARCHITECTURE
    WOODEN CHURCH IN BOGUSZYCE
    Opis:
    The intention of this study is to present the complex question of the painted decorations of the interior of the wooden church of St. Stanislaw the Bishop in Boguszyce near Rawa Mazowiecka. The founder of the object, built and decorated in 1558, was Wojciech Boguski of the Rawicz coat of arms, at the time the steward of the Mazovian royal estates belonging to Queen Bona. The Renaissance murals on the walls and ceiling of the discussed church are an imitation of a brick church interior with lavish architectural details, monumental murals and vast areas covered with inscriptions. The ceiling is an illusionistic image of a stucco or brick Renaissance counterpart derived from Serlian motifs. The painted ceiling decorations in the Boguszyce church demonstrate considerable formal and stylistic analogies to the solutions applied in the collegiate church in Pultusk. The Boguszyce polychromes are an outstanding and totally unique work, insufficiently recognised and deserving more extensive popularisation. Their merit is even greater considering that the authors presumably originated from a still little-recognised sixteenth-century milieu of Warsaw-based artists. At the end of the twentieth century the valuable monument was in a catastrophic condition. A leaky roof and a permanent displacement of the construction elements threatened with a collapse of the building and total damage to the paintings. Complex conservation and restoration of both the object and the celling polychrome were initiated in 1997. The work was preceded by specialist studies intent on determining the techniques of the execution of the polychrome and its state of preservation. The foremost task involved halting the damage incurred to the wooden underpainting and the painted decoration as well as the removal of secondary layers deforming the polychrome. The aim of the restoration was to recreate the lost aesthetic merits of the paintings. The causes of the damage were diagnosed, and an optimal selection of conservation methods and material was based on current knowledge.
    Źródło:
    Ochrona Zabytków; 2006, 3; 29-54
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    DREWNIANY KOŚCIÓŁ PW. ŚW. STANISŁAWA BISKUPA W BOGUSZYCACH K. RAWY MAZOWIECKIEJ. ZAKOŃCZENIE PRAC KONSERWATORSKICH I RESTAURATORSKICH PRZY POLICHROMOWANYCH STROPACH
    WOODEN CHURCH OF ST. STANISŁAW THE BISHOP IN BOGUSZYCE NEAR RAWA MAZOWIECKA. THE COMPLETION OF THE CONSERVATION AND RESTORATION OF POLYCHROME CEILINGS
    Autorzy:
    Lubryczyńska, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/539004.pdf
    Data publikacji:
    2007
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    POLYCHROME & WOOD CONSERVATION
    WOODEN CHURCH (BOGUSZYCE)
    Opis:
    The instalment (October 2006) of a polychrome ceiling of the main nave of the wooden church in Boguszyce marked the completion of nine years of conservation, conducted with intervals and encompassing the whole painted decoration of the ceiling and complex, multistage repair of the church architecture. Apart from the considerable range of technical work, consisting in a transfer onto a new base of about 30% of boards covered with painted decorations, the fundamental conservation problem was cleaning the polychrome surface as well as removing the polyvinyl acetate and pigment retouching, which had changed the original colour. Another difficult and complex task involved a reconstruction of a considerable part of the painted decoration, connected with a recomposition of the improperly arranged segments of the main and northern nave. These undertakings were preceded by in-depth iconographic and stylistic studies, whose purpose was to establish the original form of the depictions. The prolonged realisation made it possible to assess the effectiveness of the performed work. No new flaking or loosening of the polychrome was noticed; the same holds true for colour retouching and reconstruction. The realisation of the repair-conservation meant that the building in question regained its construction stability and the danger of its collapse was averted. The process of covering the church roof with steam-permeable foil and double shingles as well as building a floor in the attic should protect the valuable polychrome ceiling from damage. The conservation was supervised by Maria Lubryczyńska and carried out by Krystyna Sommer, Joanna Czernichowska, Marcin Kozarzewski, Małgorzata Pałka-Ślusarczyk, Małgorzata Oborska, Barbara Kaniewska, Elżbieta Jeżewska, Katarzyna Lesiakowska, Małgorzata Ujma, Magdalena Muc and the author of this article. Transfers and repair of the underpaintings were performed by Jacek Cypel, M, A.
    Źródło:
    Ochrona Zabytków; 2007, 1; 67-76
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konserwacja i restauracja renesansowych malowideł ściennych drewnianego kościoła pw. św. Stanisława biskupa w Boguszycach koło Rawy Mazowieckiej
    Preservation and Restoration of Renaissance Wall Paintings of the Wooden St. Stanislaus Bishop Church in Boguszyce near Rawa Mazowiecka
    Autorzy:
    Lubryczyńska, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/538149.pdf
    Data publikacji:
    2013
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    architektura drewniana
    dekoracja malarska wnętrza drewnianego kościoła
    konserwacja polichromii na drewnie
    estetyka i etyka restauracji malowideł
    rekonstrukcja malowideł
    Boguszyce
    Rawa Mazowieckia
    Opis:
    The wooden church in Boguszyce near Rawa Mazowiecka, as it looks today, was founded by Wojciech Boguski in 1558. A well preserved inscription placed on the north-facing incasement [translator’s note: Polish: zaskrzynienie - characteristic lowered ceiling in the parts being extension of chancel] indicates that the church was erected and painted in 1558 only. Painting decoration on the walls and ceilings, painted in the technique of egg tempera on a chalk and glue zinc white, is an imitation of the interior of a brick church decorated with rich architectural details, monumental wall paintings and vast surfaces covered with inscriptions. During preservation works undertaken in 1950s, the majority of oil paint layers which presumably came from the end of the 19th century and pattern decoration of approx. 1930 were removed. Large wall surfaces and polychromy defects were covered with graphic retouches (horizontal lines) bound by polyvinyl acetate. The aim of the intervention was to bind the polychromy and wood whose rings became a competitor for a poorly preserved paint layer. However, the walls were still covered with a layer of half-transparent, polymerized linen oil which made the paintings and zinc white dark. For 40 years since the preservation works were performed, the process of darkening and fading of paint layer progressed. The wall polychromy became almost transparent, and the remaining fragments of the zinc white were invisible. The conservation works discussed in this article started in 1997. The following activities were performed then: expert analysis of church construction, specialist examination of the paining technique as regards the polychromy as well as mycological and dendrochronological examinations of wood; in addition, a preliminary schedule of works was developed. The conservation works involved the entire construction being in an alarming condition and painting decorations covering the ceiling and walls. In the years 1998-1999, there were several preservation inspections led by Marian Kornecki, PhD. At that time, general preservation assumptions, including the most important decision about walls, were made. It was unanimously stated that preservation works regarding the paintings shall aim at the removal of linen oil. It was also decided that the most advantageous solution for the arrangement of the church interior was to restore original white colour of the walls at the places without polychromy. The decisions were the starting points for further restoration activities consisting in precise binding of paint layer defects with graphic retouches – horizontal lines and reconstruction of small polychromy elements. The renovation of the church was finished in 2006, while preservation works in the interior in 2009. During the works, the author of the article led a team of conservators and performed some preservation works. She also established the history of the building and chronology of changes in the decoration of the interior of the church and the history of works performed in the church as well as developed an original preservation programme.
    Źródło:
    Ochrona Zabytków; 2013, 1-4; 199-232
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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