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    Wyświetlanie 1-6 z 6
    Tytuł:
    Language, Time, and Death. An Ethico-Philosophical Perspective Following Hegel, Heidegger, Lévinas, and Blanchot
    Autorzy:
    Kaushal, Sanjay
    Powiązania:
    https://bibliotekanauki.pl/articles/29433313.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Language
    death
    literature
    Hegel
    Heidegger
    Lévinas
    Blanchot
    Opis:
    Our daily existence is affected by how we perceive death, be it our own’s death tocome or others’ death. The intimidating nature of death has the potential to affect our daily ethical existence in relation to the other, as is seen in various crises in human history. In such a context, since expansive literature in various approaches such as biological, sociological, psychological, and political addressing the question of death is already available, this essay presents an ethico-philosophical perspective on death and argues if death should be seen as the worst event that is to be experienced by being. In this essay, I correlate language, time, and death, contrasting popular analogies, i.e., death is possibility of impossibility (Hegel and Heidegger), and death is impossibility of possibility (Lévinas and Blanchot). Firstly, the essay stages the discussion with contrasting synchronic and diachronic perspectives of language, i.e., historical understanding of language and time in Hegelian terms and the messianic time in Lévinasian terms, to see how sensibility, i.e., universal meaning, is expressed through concept. Secondly, the essay sees how sensibility is expressed through a concept beyond dialectic opposition and negativity while acknowledging that the question of ethics arises only after the end of philosophy, for something is always inexpressible through expression; there is always remnant beyond philosophical significance. This essay not only argues language, time, and death as the ethical responsibility of the self towards the other, but also contributes to the understanding of language as ethics beyond philosophy, and death as passivity beyond ontology following Lévinas’s idea of messianic time and Blanchot’s views on literature and death.
    Źródło:
    Ethics in Progress; 2022, 13, 2; 11-24
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Testimony of Death: From Extermination Camps to Clinical Practice: A Discussion with Winnicott, Blanchot and Derrida
    Autorzy:
    Legrand, Dorothée
    Powiązania:
    https://bibliotekanauki.pl/articles/451367.pdf
    Data publikacji:
    2020-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    death
    memory
    extermination
    psychoanalysis
    Winnicott
    Derrida
    Blanchot
    Opis:
    Is there any witness to death? As detailed by Jacques Derrida, any testimony is detached from the direct perception of the event it reports. Thus, a testimony may report one’s encounter with death, not only with the death of the other, but also with one’s own death, even though it can never by experienced as such. In particular, reports from “survivors” ought to be taken un-metaphorically as they confront us with what Maurice Blanchot related as “the encounter of death with death.” In line with such testimonies, Donald Woods Winnicott helps us here in considering an “anterior death,” a death that already happened without being experienced as such and which may haunt the subject until it remembers it. But how may one remember a past that has never been present? And how may one remember death without dying? In dialogue with Maurice Blanchot, we are guided toward a manner of considering silence as an oblivious remembrance of that which can be brought back from death.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2020, 4, 2; 102-113
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Eseiści kondycji żydowskiej – po Zagładzie: Maurice Blanchot i Bogdan Dawid Wojdowski
    Essayists of Jewish condition – after the Holocaust: Maurice Blanchot and Bogdan Dawid Wojdowski
    Autorzy:
    Kuczyńska-Koschany, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1041740.pdf
    Data publikacji:
    2017-09-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    essay
    Jewish situation
    Holocaust
    Wojdowski Bogdan Dawid
    Blanchot Maurice
    Opis:
    The main object of the author’s reflection is the Jewish situation after the Holocaust expressed in the genre of literary essay. The thoughts of Maurice Blanchot and Bogdan Dawid Wojdowski – both prominent essayists – are taken into consideration as an example. Whereas the French writer’s reflections on the Jewish situation are part of his observations about the category of infinity, the Polish essayist’s realizations are intermingled with his own tragic fate as a Jew. Blanchot and Wojdowski wrote after the Holocaust, which is an unique turning point in history for the Jews and their diaspora as well as for the Mediterranean culture.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 385-399
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Georges Bataille – wypowiedzieć Niemożliwe
    Georges Bataille – Expressing the Impossible
    Autorzy:
    Kruszelnicki, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/1038673.pdf
    Data publikacji:
    2020-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Georges Bataille
    the Impossible
    inner experience
    language
    Derrida
    Blanchot
    Opis:
    The paper discusses Georges Bataille’s endeavor to express “the Impossible” by means of specific language employed first and foremost in his works of literary fiction (L’Histoire de l’oeil (Story of the Eye), Madame Edwarda, Le bleu du ciel (Blue of Noon). This is carried out by first providing a general outline of Bataille’s philosophical thought with due attention drawn to the aporias that open up before all projects of heterology inasmuch as they seek to both approximate and communicate the experiences that elude rational thought and language which traditionally works at its service. What follows is a description and explication of the literary and performative means which Bataille employs in his fiction in order to authenticate his depictions of the “inner experience” and the figure of “the Impossible”. Several of the most prominent theoretical approaches to the specificity of Bataille’s transgresssive écriture are referred to and further contrasted with the philosopher’s consistent dissatisfaction with the limitations that language and rational, sense-oriented thought poses to the task of voicing the essence of the “inner experience”. The article concludes with the argument that even literature cannot free itself from pragmatic utility resulting from the structural limitations of language. What literature can achieve, however, is to point to the Impossible and inexpressible, and endlessly invoke and respond to it. Regarded in this way, Bataille’s revelatory language can be considered in a wider, French poststructuralist context, which emphasises the position of Heidegger as a reference point for Derrida and Blanchot.
    Źródło:
    Przestrzenie Teorii; 2020, 33; 59-84
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Je devenais une goutte d’eau, une tache d’encre. Sulla narrativa di Maurice Blanchot
    Je devenais une goutte d’eau, une tache d’encre. On the fiction of Maurice Blanchot
    Autorzy:
    Crivella, Giuseppe
    Powiązania:
    https://bibliotekanauki.pl/articles/2142103.pdf
    Data publikacji:
    2022-10-13
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Maurice Blanchot
    Philippe Hamon
    Descriptif
    phenomenology
    still life
    fenomenologia
    natura morta
    Opis:
    Partendo da una serie di analisi contenute nell’opera di Philippe Hamon Rencontres sur tables et choses qui traînent. De la nature morte en littérature, questo saggio punta a sviluppare alcune considerazioni aventi per oggetto la produzione narrativa di Maurice Blanchot. In particolare le nostre osservazioni si concentreranno su alcuni passaggi desunti da tre romanzi del pensatore francese: Aminadab, La folie du jour e Le Très-Haut. In tal modo potremo mettere a punto una prospettiva interpretativa dei récits blanchotiani in cui la nozione di natura morta gioca un ruolo di assoluta centralità. In particolare le nostre analisi si concentreranno sul modo in cui la nozione di natura morta riesce a tramutarsi in un terminale ermeneutico trasversale in seno al quale numerosi elementi specifici e ricorrenti degli universi narrativi di Blanchot trovano una precisa collocazione funzionale e una chiara delineazione concettuale. In seconda battuta, le corrispondenze enucleabili tra il narratore francese e il teorico del descrittivo ci permetteranno di portare in evidenza in sede di conclusioni un ricco plesso di temi e questioni che non solo solcano in profondità la narrativa blanchotiana, ma di fatto possono essere reperiti con una certa facilità presso numerosi autori della letteratura francese del secondo Novecento.
    Based on the analysis contained in the work of Philippe Hamon Rencontres sur tables et choses qui traînent. De la nature morte en littérature, this paper aims to develop some considerations on Maurice Blanchot’s fiction. In particular, our observations have as their field of study some passages from three works: Aminadab, La folie du jour and Le Très-Haut. In this way we can elaborate an interpretation of Blanchot’s récits in which the figure of the still life plays an absolutely essential and decisive role. Our analysis will focus on the way in which the notion of still life is transformed into a hermeneutic notion within which numerous specific and recurring elements of Blanchot’s narrative universes find a precise functional collocation and a clear conceptual delineation. Secondly, the correspondences between the French narrator and the theorist of descriptif will allow us to highlight in the conclusions a rich complex of themes and issues that not only deeply furrow the blanchotian narrative, but can also be found among numerous authors of French literature of the late twentieth century.
    Źródło:
    e-Scripta Romanica; 2022, 10; 79-95
    2392-0718
    Pojawia się w:
    e-Scripta Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Koniec wieku poetów? O zszyciach literatury i filozofii
    The End of the Age of Poets? Stitching Together Literature and Philosophy
    Autorzy:
    Zawadzki, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/32049694.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    logos and mythos
    categories of philosophy
    poetics
    transcendentalism
    dialectics
    hermeneutics
    deconstruction
    Plato
    Aristotle
    Kant
    Hegel,
    Hegel
    Dilthey
    Nietzsche
    de Unamuno
    Heidegger
    Adorno
    Blanchot
    Derrida
    De Man
    Ricoeur
    Schegel
    Novalis
    Mallarmé
    Opis:
    The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship between philosophy and literature takes on a more neutral character: the former provides the latter with motifs, themes, topics, mainly related to moral philosophy in the broadest sense, while the latter provides the former with discursive modes, such as genre. Modern aesthetics and the philosophy and theory of literature (fundamentally different from the tradition of the great poets and rhetoricians of the 16th and 17th centuries), which emerged together with transcendental philosophy and its reception in German Romanticism, contributed both to the increased interest among philosophers in literature and to a clear embedding, or even closing, of literature in philosophical notions, which originated mainly in the tradition of transcendentalism and dialectical thought. Finally, the beginning of the twentieth century is distinguished, in most of the major continental philosophical traditions, by a tendency to seek, or to find, in literature the most important partner of philosophical thinking, and sometimes even the identity of philosophy.
    Źródło:
    Przestrzenie Teorii; 2022, 37; 121-144
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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