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Wyszukujesz frazę "Black Man" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
CZARNY CZŁOWIEK SERGIUSZA JESIENINA W TŁUMACZENIU ADAMA POMORSKIEGO JAKO DRUGI ELEMENT POLSKIEJ SERII PRZEKŁADOWEJ
Sergey Yesenin’s Black Man Translated by Adam Pomorski as the Second Element of the Polish Translated Series
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444583.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergey Yesenin
Black Man
Adam Pomorski
translation
interpreting techniques
original text
Russian literature
Opis:
The author analyses the interpreting techniques used by Adam Pomorski in his translation of Black Man by Sergey Yesenin. It becomes obvious that the Polish interpreter used traditional methods of text translation, not always keeping the formal, semantic, and stylistic structure of the original text. So, in his version Pomorski emphasized the presence of a second author-creator, i.e. himself, and left traces of his interpreting initiative in almost every line, amplifying translation, introducing unmotivated inversions, using archaic and modernized lexis. Due to such a pretentious manner of Pomorski’s translation the reader received the text which doesn’t always remind Yesenin’s original lines.
Źródło:
Acta Neophilologica; 2012, XIV/1; 165-183
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CZARNY CZŁOWIEK SERGIUSZA JESIENINA JAKO TEKST O POJEDYNKU DOBRA ZE ZŁEM. GENEZA. LOSY. INTERPRETACJA
Sergei Yesenin’s Black Man as a Text about the Battle of the Good and the Evil. Genesis. History. Interpretation
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444956.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergei Yesenin and Bolshevik’s Russia,
Black Man,
battle of the good and the evil,
intercultural dialogue of national literatures
Opis:
The article presents a new commentary to one of the most popular poems which still evokes most controversy among interpreters – Black Man. To the author the poem is a work of the universal matter embodying the eternal battle of the good and the evil in the Bolshevik’s Russia where everyone kept vigilant watch on everyone. Proving this thesis not only does he develop a detailed analysis but he also exposes sources of the text as well as its complex editing paths that show the developing of Black Man up to the last version. The accomplished statistic analysis of the poem the key words of which are “person” and “black” demonstrates its universality and introduces Yesenin’s work into intercultural dialogue of national literatures on permanent basis.
Źródło:
Acta Neophilologica; 2010, XII; 115-143
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Unwelcome Aspect of Life: the depiction of Old Age in Greek Vase Painting
Autorzy:
Gorzelany, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1046776.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek vase painting
red figure style
black figure style
iconography
Greek society
old man
old woman
mythology
Greek literature
classical Greece
Opis:
The subject of old age is rarely addressed in Greek vase painting and usually appears in scenes from mythology or daily life. Older men in these representations are Homeric heroes, esteemed as kings, leaders and sages who have rendered great services to society; older people are also present in scenes of everyday life – usually as fathers or child supervisors. depending on the technique of decoration, these figures were characterised mostly through hair colour (as well as thinning hair and baldness in the case of men), a stooped and frail frame or an obese one. Besides, on red-figure and white-ground vessels it was possible to render facial wrinkles. These features apply predominantly to the images of men, because due to the social ideal of kalokagathia Athenian women were usually depicted as timelessly young. The article contains an analysis of selected depictions of the elderly in vase painting in terms of their iconography and the types of scenes in which they appear, including references to the written sources.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 153-177
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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