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    Wyświetlanie 1-7 z 7
    Tytuł:
    “They Began to Sing Him a Sorhleoð”: Possible Echoes of the Anglo-Saxon Funerary Rites in ‘The Dream of the Rood’
    Autorzy:
    Neubauer, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/601651.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Jesus Christ
    Gospels
    elegy
    Old English poetry
    The Dream of the Rood
    Beowulf
    Opis:
    The Dream of the Rood constitutes one of the most intriguing products of Old English literature, both in terms of its highly imaginative, heroicised depiction of Christ and the Cross and on account of its numerous Christian and pre-Christian intersec- tions. One of the most arresting issues in it, however, particularly as regards the poem’s cultural background, is its mention of a sorhleoð (l. 67), the ‘sorrow-song’, or ‘dirge’ that the disciples begin to sing once they have placed the body of the Saviour in the sepulchre. Given that there is no mention of any songs being chanted at the time of Christ’s burial in the canonical Gospels, it seems rational to suggest that the anonymous poet must have supplied this ‘missing’ information on the basis of his own, perhaps somewhat antiquarian, knowledge of the burial customs in Anglo-Saxon England.
    Źródło:
    Acta Poloniae Historica; 2019, 120
    0001-6829
    Pojawia się w:
    Acta Poloniae Historica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Buliwyf for Beowulf: Michael Crichton’s Eaters of the Dead
    Autorzy:
    Węgrodzka, Jadwiga
    Powiązania:
    https://bibliotekanauki.pl/articles/2076668.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Beowulf
    Michael Crichton
    Eaters of the Dead
    narrative techniques
    narrator
    Opis:
    Michael Crichton’s Eaters of the Dead (1976) is a retelling of Old English Beowulf considered here from the perspective of narrative techniques: balancing factuality and fictionality, the first-person narrator, and the changes of the narrative distance, which function to recapture the historical and mythical appeal of the original heroic epic, and to reduce the estrangement of the contemporary reader from the epic world of Beowulf.
    Źródło:
    Kwartalnik Neofilologiczny; 2016, 3; 377-387
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lacanian Implications of Departures in Zemeckis’s Beowulf from Beowulf, the Old English Epic
    Autorzy:
    Birlik, Nurten
    Powiązania:
    https://bibliotekanauki.pl/articles/2032738.pdf
    Data publikacji:
    2021-11-22
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Beowulf
    Zemeckis
    adaptation
    Lacanian criticism
    Opis:
    Although Robert Zemeckis’s film Beowulf (2007) is a re-writing of the Old English epic Beowulf with a shifting of perspective, certain details in the film can only be understood by referring to the poem. That is, a better understanding of the film is tied closely to an awareness of certain narrative elements in the epic. The emphasis on Beowulf in the poem shifts to the Mother in the film. This shift obviously leads to a recontextualization of the narrative elements of the former text. In the epic, Grendel is left without a father; however, in the film, he is fathered by Hrothgar but this biological fathering does not lead to linguistic castration. In their case, things are reversed: rather than the infant being castrated by the Law/language, the biological father is led to a psychic regression due to the son. This appears to be a dramatization of the conflicts between the (m)Other and the shared Other/the representative of the paternal metaphor: that is, Hrothgar. This time, the (m)Other conquers the representative of the paternal metaphor and annuls his masculinity, which radically changes the way in which we evaluate the course of events in the film. These departures make more sense if they are analyzed against the background of Lacanian epistemology. This paper aims to explore the film’s departures from the poem by approaching it from a Lacanian perspective.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 178-185
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MIT SKARBU WEDŁUG J.R.R. TOLKIENA W ŚWIETLE JEGO PRZEKŁADU BEOWULFA
    THE MYTH OF TREASURE IN THE WORKS J.R.R. TOLKIEN IN THE LIGHT OF HIS TRANSLATION OF BEOWULF
    Autorzy:
    Kowalik, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/444281.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    J.R.R. Tolkien,
    Beowulf,
    treasure,
    trifunctional theory,
    mimetic rivalry
    Opis:
    The article compares the presentation of material wealth in the Old English epic Beowulf and in the works of J.R.R. Tolkien, particularly The Hobbit and The Lord of the Rings, with reference to the recently published prose translation of Beowulf made by J.R.R. Tolkien in 1926 and supplied by him with ample notes and commentary. The analysis makes use of the anthropological and sociological concepts of Georges Dumézil (trifunctional theory), Marcel Mauss (the concept of the gift), and René Girard (mimetic rivalry) to elucidate the significance of treasure in the analyzed texts.
    Źródło:
    Acta Neophilologica; 2016, XVIII/1; 97-110
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Economy of Property and Prosperity in Daniel of the Old English Junius Manuscript: A View on the Poem’s Syncretism
    Autorzy:
    Jacek, Olesiejko,
    Powiązania:
    https://bibliotekanauki.pl/articles/888829.pdf
    Data publikacji:
    2020-09-14
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Old English Daniel
    Old English biblical verse
    Old English poetry
    Anglo- Saxon England
    Beowulf
    Opis:
    The heroic economy of treasure subtends both the treasure plundered from the temple in Jerusalem by Nebuchadnezzar and the political structure of Babylon in the Old English Daniel. The golden idol that Nebuchadnezzar erects is a sign of the worldly glory and wealth that generates the flow of goods in the heroic economy of exchange of honour. The aim of the paper is to argue that the Daniel poet makes a contrast between the secular flow of treasure, at the foundation of Nebuchadnezzar’s power, and the divine economy of grace, at the centre of the covenant between the Hebrews and God.
    Źródło:
    Anglica. An International Journal of English Studies; 2020, 29/1; 5-27
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Functions of Digressions in Beowulf
    Autorzy:
    Urbanowicz, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/974064.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Old English literature
    Beowulf
    digressions
    Adrien Bonjour
    John Ronald Reuel Tolkien
    Opis:
    The article aims at establishing the reasons why digressions constitute an integral part of Beowulf. It shows the wide variety of ways how these stylistic devices are related to the main plot of the poem and the latest approach towards the task of analysis. Moreover, the author rejects the misguided notion of digressions being nothing more than just “tasteless intrusions”. Even though the purpose of some digressions may not seem perfectly straightforward, all of them contribute to the artistry of the poem. Therefore, Beowulf has to be analysed in terms of a work of art and should not be regarded as valuable for merely historical significance.
    Źródło:
    Acta Neophilologica; 2013, XV/2; 213-223
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The (un)known Beowulf – walking through the shadows of an Old English epic
    Autorzy:
    Opalińska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/2076655.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Beowulf
    epic
    Old English
    manuscript
    editions
    Opis:
    This article presents selected aspects of the anonymous Old English epic Beowulf in which the elements of the world of fantasy are intertwined with historical episodes, and Christian values co-occur with the images of pagan rites. Written in the vernacular and to the rhythm of alliterative metre Beowulf is an example of the highest artistic achievement. The anonymous poet skillfully depicted the harsh Northern world shaped by the Christian culture. Although Beowulf has been studied since the beginning of the 19th century many fundamental issues are still unresolved. With the focus on the source text and its manuscript context some of the puzzles may yet be unravelled.
    Źródło:
    Kwartalnik Neofilologiczny; 2016, 3; 269-280
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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