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Wyświetlanie 1-6 z 6
Tytuł:
The Periphery of the USSR: Indian Travellers’ Perception of the Eastern Bloc and Non-Russian Soviet Republics in the Cold War Era
Peryferie ZSSR: postrzeganie przez indyjskich podróżników krajów bloku wschodniego i nierosyjskich republik radzieckich w czasie zimnej wojny
Autorzy:
Rokicka, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/38585424.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Indie
ZSSR
blok wschodni
indyjska literatura podróżnicza
bengalska literatura podróżnicza
India
Soviet Union
Eastern block
Indian travel literature
Bengali travel literature
Opis:
This article examines the perception of countries of the Eastern bloc and Soviet republics other than the Russian Soviet Republic in Indian travelogues of the Cold War era written in the Bengali language. Although most Indian travellers who came to the European countries of the Eastern bloc and the USSR at that period only visited the main cities of the Russian Soviet Republic, some ventured into lesser known territories, e.g. Estonia, Poland, or Ukraine, and in their travel accounts included one or two chapters on those regions. The distinctive feature of their travelogues is the strong focus on various aspects of social and economic life, from the education system, through workers’ rights, to public housing, and on the progress Eastern bloc countries made since coming under Soviet influence. The article argues that Indian travellers created the image of Eastern bloc countries and Soviet republics other than the Russian Soviet Republic as a periphery of Soviet Russia by constantly comparing the two, presenting Russia as the heart of the Soviet world and focusing on problems other parts of the USSR and the Eastern bloc still faced despite of what they perceived as Moscow’s assistance.
Artykuł analizuje obraz republik radzieckich – innych niż Rosyjska Republika Radziecka – i krajów bloku wschodniego w indyjskiej literaturze podróżniczej w języku bengalskim czasów zimnej wojny. Mimo że większość podróżujących z Indii do ZSSR i bloku wschodniego odwiedzała jedynie główne miasta Rosyjskiej Republiki Radzieckiej, niektórzy odwiedzali również mniej znane regiony, na przykład Estonię, Polskę lub Ukrainę, a potem zamieszczali opisy tych miejsc w swoich relacjach z podróży. Szczególną cechą tych relacji było skupienie się na różnych aspektach sytuacji społeczno-ekonomicznej: od systemu edukacji, przez prawa pracownicze po budownictwo publiczne, jak też na postępie, który miał dokonać się w różnych regionach bloku wschodniego po wejściu krajów w radziecką strefę wpływów. Artykuł pokazuje, jak indyjscy podróżnicy tworzyli obraz krajów bloku wschodniego i republik radzieckich innych niż rosyjska jako peryferii Rosji Radzieckiej poprzez ciągłe ich porównywanie oraz skupianie się na problemach, które pozostawały nierozwiązane, mimo tego, co postrzegali jako wsparcie Moskwy dla krajów bloku wschodniego i republik radzieckich innych niż rosyjska.
Źródło:
Acta Baltico-Slavica; 2023, 47
2392-2389
0065-1044
Pojawia się w:
Acta Baltico-Slavica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz Europy i Indii końca lat 20. XX wieku w relacji z podróży Annadashankara Raya „W drodze i na obczyźnie”
The Image of Europe and India in the late 1920s in Annadashankar Ray’s travelogue Pathe prabāse
Autorzy:
Rokicka, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/950473.pdf
Data publikacji:
2019-03-13
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
travel writing
Indian literature
Bengali literature
India
colonialism
Annadashankar Ray
Opis:
Annadashankar Ray’s travelogue Pathe prabāse chronicles the life of an Indian (Bengali) in England and his travels around Europe in late 1920s and it is one the finest examples of travel writing in Bengali in the 20th century. With its rich descriptions of landscapes, everyday life, social order and political phenomena, it creates a consistent image of Europe and paradoxically also paints a certain image of India at the same time. This article aims to analyse such an image and reaches the conclusion that, despite the political changes in India at that time and the rise of the independence movement in particular, Ray’s travelogue depicts a deeply colonial image of the world and of the relationship between modern, technologically and socially advanced Europe and India that still has much to learn from much better developed nations.
Źródło:
Przegląd Orientalistyczny; 2019, 2 (270); 147-156
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ashapurna Devi’s “Women” – Emerging Identities in Colonial and Postcolonial Bengal
Kobiety w pisarwstwie Ashapurny Devi – wyłanianie się nowych tożsamości w kolonialnym i postkolonialnym Bengalu.
Autorzy:
Chattopadhyay, Suchorita
Powiązania:
https://bibliotekanauki.pl/articles/437325.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Ashapurna Devi
Bengali literature
identity
postcolonial studies
subaltern studies
Opis:
Ashapurna Devi, a prominent Bengali woman novelist (1909–1995) focused on women’s creativity and enlightenment during the colonial and postcolonial period in Bengal, India. She herself displayed immense will power, tenacity and an indomitable spirit which enabled her to eke out a prominent place for herself in the world of creative writing. Her life spanned both colonial India and independent India and these diverse experiences shaped her mind and persona and helped her to portray the emerging face of the enlightened Bengali middle-class woman. Her writings trace the evolution of the Bengali woman as an enlightened and empowered individual struggling against the shackles of discriminatory norms imposed upon her by society. She traces the extremely conservative upbringing that the female members of her generation were subjected to and goes on to show how different individuals responded to these structures in different ways. Some would comply unquestioningly, some would comply simply because they did not dare to protest, while others would break free and find their own niche in the outside world. These issues are addressed by Ashapurna Devi in many short stories as well, but a critical analysis of her trilogy Pratham Pratisruti (1964), Subarnalata (1967) and Bokulkatha (1974) enables us to experience this struggle against a gradually unfolding backdrop where India moves on from being a British colony to an independent country. The trilogy traces the life of three generations of a family — Satyabati, Subarna and finally Bokul and establishes Ashapurna Devi as a path-breaking champion of women’s emancipation in an era when such endeavours were few and far between.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 75-95
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Peopling an Unaccustomed Earth with a New Generation: Jhumpa Lahiri’s Supreme Fictional Journey into Human Conditions
Zaludnianie nieoswojonej ziemi nową generacją: Jhumpy Lahiri niezwykła podróż w głąb ludziej natury.
Autorzy:
Saxena, Neela Bhattacharya
Powiązania:
https://bibliotekanauki.pl/articles/437213.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Bengali literature
diasporic writing
feminism
generation
Gynocentric matrix
Jhumpa Lahiri
postcolonial studies
Opis:
Using a theoretical framework derived from my ongoing engagement with what I have called a ‘Gynocentric matrix’ of Indic sensibility, along with James Hillman’s polytheistic psychology and Wallace Stevens’ notion of a Supreme Fiction, this paper offers a reading of Jhumpa Lahiri’s (b. 1967) short stories beyond postcolonial criticism. Stemming from a depth consciousness where life, living and death, joy, indifference and sorrow, generation, de/re-generation, and transformation are intricately intertwined, Lahiri’s fictional multiverse, opposed to universe, is peopled by a new generation of characters who speak to the soul of the reader, while in the process, she sculpts a reality that does not tolerate any homogenizing impulse in the name of an abstract unity.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 129-150
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Revolutionizing Agency: Sameness and Difference in the Representation of Women by Rokeya Sakhawat Hossain and Mahasweta Devi
Rewolucjonizacja działania: zbieżności i różnice w sposobie reprezentowania kobiet przez Rokeyę Sakhawat Hossain i Mahashwetę Devi.
Autorzy:
Mukherjee, Prasita
Powiązania:
https://bibliotekanauki.pl/articles/437458.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
agency
colonial studies
Bengali literature
feminism
marginalization
postcolonial studies
subaltern studies
Third World women
powerlessness
Opis:
In this paper the sameness and difference between two distinguished Indian authors, Rokeya Sakhawat Hossain (1880–1932) and Mahasweta Devi (b. 1926), representing two generations almost a century apart, will be under analysis in order to trace the generational transformation in women’s writing in India, especially Bengal. Situated in the colonial and postcolonial frames of history, Hossain and Mahasweta Devi may be contextualized differently. At the same time their subjects are also differently categorized; the former is not particularly concerned with subalterns whereas the latter specifically focuses on the effect of race and class on gender. The quest for the ‘self’ and ‘subjectivity’ is more pertinent in the latter and consequently the appeal for agency is based on a crude power struggle. Hossain, a philanthropist who championed the woman question, believed that striving for equality should be a collective process which could be achieved by spreading awareness among fellow-inmates inhabiting the prison of patriarchy. Like Euro-American first-wave feminists, Rokeya advocated the necessity of education among women in order for them to be able to comprehend their plight and ‘awake’ for the cause. She addresses fundamental issues of feminism like education and the systematized claustrophobia within the domestic space. Whereas Mahasweta Devi, has been an activist writer who is regarded as the brand ambassador for the support of the marginalized, deprived and denotified tribes of India. It is her mission to provide succour to the marginalized sections, especially tribes from the Purulia district of West Bengal, like the Kherias and Shabars. As an activist writer she explores tribal life and allied socio-political issues which reflect their agony.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 117-127
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Similarities and Differences in Postcolonial Bengali Women’s Writings: The Case of Mahasweta Debi and Mallika Sengupta
Podobieństwa i różnice w twórczości Bengalek w okresie postkolonialnym na przykłądzie Mahashwety Debi i Malliki Sengupty.
Autorzy:
Knotková-Čapková, Blanka
Powiązania:
https://bibliotekanauki.pl/articles/437327.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
archetype
Mahasweta Debi/Devi
Bengali literature
feminism
femininity
generation
postcolonial studies
Mallika Sengupta
subaltern studies
Opis:
The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: Mahasweta Debi (b. 1926) and Mallika Sengupta (1960–2011). Analyzing Mahasweta’s female characters, I focus on the issue of the double marginalization of dalit tribal women; we can find here impacts of intersectional discrimination of class, gender and caste. Debi is very radical in her social criticism but is quite reluctant to accept the label of feminism. Mallika, on the other hand, represents a movement among the female writers of her generation that openly declares her support for feminist ideologies, which can be demonstrated on some of the examples referred to here. Another important strand of Mallika’s constructions of femininity are archetypal images — mythological metaphors of femininity (in the Hindu context) which may in some cases be interpreted in accordance with difference feminism, in others as a critique of the essentialized and dichotomous concepts of masculinity and femininity. While Mahasweta’s emancipation drive is more deeply grounded in her field research and journalistic activism in the tribal areas she writes about, Mallika’s has been more strongly linked with the academia and has joined the theoretical feminist discourse. Through a close reading the women’s emancipation discourse of these two protagonists in Bengali literature, we can speak of a shift from a practical, concrete criticism, to a theoretically founded radicalism.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 97-115
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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