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Wyszukujesz frazę "Barndomsskildringar" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Styvbarnen i folkhemmet? Utanförskap i svenska barndomsskildringar
Autorzy:
Żmuda-Trzebiatowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1165642.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Utanförskap
Folkhemmet
Identitet
Barndomsskildringar
Modern svensk prosa
Jonas Gardell
Lena Andersson
Susanna Alakoski
Torbjörn Flygt
Mikael Niemi
social exclusion
swedish welfare state
the swedish folkhem identity novels on childhood
Opis:
The subject of the article is the experience of social exclusion present in five contemporary novels on childhood and adolescence spent in the Swedish folkhem, by Jonas Gardell, Lena Andersson, Mikael Niemi, Torbjörn Flygt and Susanna Alakoski. In the first part of the article I am discussing social exclusion as a term used in the debate about the Swedish welfare-state in crisis. The second part is an analysis of the literary texts, using a sociological perspective. I am focusing there on portraits of the children that are main characters in the novels, the children whose personal identity is being shaped in the shadow of the collective dream of a perfect society. Asking a question about the specifically Swedish character of those children’s sense of exclusion, I am referring to the words of the social democratic leader Per Albin Hansson, who in his speech of 1928, presented a vision of Sweden as a happy and fair common home (folkhem), in which there is no place for either favored citizens (“darlings”), or for second-class citizens (“stepchildren”).
Źródło:
Folia Scandinavica Posnaniensia; 2012, 14
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Myten Och Dess Arvtagare. Historiska Och Skönlitterära Berättelser Om Folkhemmet
Autorzy:
Żmuda-Trzebiatowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1164266.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Gardell
Andersson
Niemi
Alakoski
Flygt
folkhemmet
välfärdstaten
historiska berättelser
svenska romaner
barndomsskildringar
kollektiv identitet
politisk myt
swedish welfare state
swedish folkhem
historical narratives
contemporary swedish lit
Opis:
The paper’s aim is to indicate the mutual relations between contemporary Swedish literature and the academic and political discourse on the welfare state’s crisis. The article’s first part discusses the genesis, evolution and meaning of the term ”Swedish folkhem” as it is understood today, i.e. as a political vision underlying the Swedish welfare state which with time has become a metaphor and a myth. In its other part the presence of historical narratives on the Swedish folkhem in five autobiographically inspired novels on childhood and growing up is investigated (Jonas Gardell’s En komikers uppväxt (1992), Lena Andersson’s Var det bra så? (1999), Mikael Niemi’s Populärmusik i Vittula (2000), Torbjörn Flygt’s Underdog (2001) and Susanna Alakoski’s Svinalängorna (2006). Analysing the chosen examples, the author of the paper focuses mainly on the issue of how the narratives known from political propaganda and debate are transformed, commented and used in a literary text to construct a collective identity.
Źródło:
Folia Scandinavica Posnaniensia; 2014, 16
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Att skapa berättelsen och sig själv. Den självmedvetne berättaren och hans narrativa identitet i "Huset vid Flon" av Kjell Johansson
Autorzy:
Żmuda-Trzebiatowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1154137.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kjell Johansson
Huset vid Flon
självmedveten berättare
narrativ identitet
Paul Ricoeur
självbiografisk roman
svenska barndomsskildringar
self-conscious narration
narrative identity
autobiographical novel swedish novels on childhood
Opis:
The article’s aim is to discuss the Swedish autobiographical novel Huset vid Flon by Kjell Johansson as an example of the self-conscious narration (in Wayne C. Booth’s understanding). The grown-up narrator, who admits to being a professional writer, presents a retrospective of his childhood on Stockholm suburbs in the 1940s and 50s. He constructs his narration before the reader’s eyes, involves him/her in a dialogue, explains the employed narrative devices and plays the role of a guide through a no longer existing world. He is also an insightful and at times ironic commentator of the reality. For him organising the memories is above all a quest for his own identity. This “telling stories of oneself”, which can be viewed in a light of Paul Ricoeur’s narrative identity, is also strongly embedded in a collective experience of growing up in the Swedish welfare state.
Źródło:
Folia Scandinavica Posnaniensia; 2019, 26; 49-60
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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