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    Wyświetlanie 1-7 z 7
    Tytuł:
    Auzoniuszowe "Parentalia". Charakter i kompozycja zbiorku
    "Parentalia" by Ausonius. Character and Composition of the Colection
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/612552.pdf
    Data publikacji:
    2008
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Auzoniusz
    Parentalia
    kompozycja
    poezja
    Ausonius
    Composition
    Poetry
    Opis:
    En la dedicatoria de sus Parentalia el Poeta de Burdeos advierte al lector que no va a encontrar en la obra ni una tematica muy amena ni un titulo atractivo. Sin embargo nos parece que eon esta declaración no hace sino apelar al tópico de modestia. En realidad, escribiendo el unico en la literatura latina conjunto de poe- mas dedicados a los muertos provenientes de la misma familia, Ausonio se esmera mucho para que su obra agrade a los lectores. Varietas es el principio fundamental de la composición de Parentalia. El Poeta utiliza numerosos motivos tradicionales de la antigua poesfa funeral y varios metros. En cuanto al orden en el que sus seres queridos aparecen el la ‘Commemoración”, estableciendolo tiene en cuenta no solo el cardcter del vmculo por consanguinidad o afinidad, sino tambien el papel que un fallecido desempenó en la vida del Poeta y la cronologfa de los óbitos. La obra consta de doce partes, la mayoria de las cuales la constituyen unos poemas agrupados alrededor de una persona o una idea. Aparte de esto Ausonio enlaza poemas y dichos grupos de ellos tanto usando conjunciones y adverbios, como repitiendo o contraponiendo ciertos motivos.
    Źródło:
    Vox Patrum; 2008, 52, 1; 549-561
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Decymus Magnus Auzoniusz, Mowa dziękczynna na cześć cesarza Gracjana (Gratiarum actio dicta domino Gratiano Augusto, CPL 1393)
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/612404.pdf
    Data publikacji:
    2010
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Auzoniusz
    Gratiarum actio dicta
    Opis:
    nie dotyczy
    Źródło:
    Vox Patrum; 2010, 55; 919-955
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Maturam frugem flore manente ferens: pochwała starości w poezjach Auzoniusza
    Maturam frugem flore manente ferens: Ausonius’ praise of old age
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/613233.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Auzoniusz
    starość
    Ausonius
    old age
    Opis:
    Decimus Ausonius Magnus (ca 310-394) was a rhetorician, a teacher, a tutor of young Gratian and a highly-ranked, influential official, as well as one of the most famous poets of the late Roman Empire. In his poems, he frequently described the small world he belonged to, the daily routine of his own, of his relatives, professional colleagues and friends. As the poet reached his old age, he made it a subject of his poetry. Ausonius considers old age to be a blessing, a time which permits a wise, generous person to gather fruit of his good deeds and fulfilled duties, to watch children and grandchildren grow and achieve successes, to share one’s wisdom with younger persons. Ausonius shows his grandfather and his grandmother, his aunts, but first of all his father, Ausonius senior, as the examples of happy old persons, loving and loved, respected and needed by the people who surrounded them. He notices that old persons can be joyful, healthy and beautiful. Writing about old age, he mentions illness only once, while expressing his joy of having recovered and being able to send greetings to the grandson who celebrates his birthday. In spite of his age, Ausonius still loves his wife Sabina, who died many years before, the same way as he loved her when he was a young husband. He is deeply attached to Bissula, the charming German girl captured and given to him by the Emperor Valentinian I probably circa 368. Besides, he really enjoys spending time with his friends and with the Muses. In his epigrams, most of which don’t have personal, but rather literary character, the poet translates, quotes, paraphrases and imitates Greek and Latin epigrams which deal with the theme of old age. Although in Ausonius’ poems exists an obvious resemblance to their models, he grants himself much freedom in his remouldings. Not only he alters circumstantial details, expands or abbreviates the original, bur also uses them as mere starting points of his reflexion. It becomes more important for him to ponder over quickly passing youth or over a lover’s feelings towards a woman who rejected him when she was young, but whom he still admires, than to play a literary game. Ausonius never parodies nor even portrays women trying to attire men in their old age, even though he may mock old men pretending to look younger than they are. Neither he complains about pains and sorrows of old age. In all that, he remains a true Roman and a true gentleman.
    Źródło:
    Vox Patrum; 2011, 56; 169-183
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Starożytny łaciński centon: próba przybliżenia na przykładzie „Centonu weselnego” Auzoniusza
    Ausonius’ cento nuptialis as an example of the ancient Latin cento
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/611992.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Auzoniusz
    centon
    Ausonius
    cento
    Opis:
    The term „cento” comes from the Latin cento, which means „a cloak made of patches,” „patchwork,” as the Greek does. Poems of Homer and Vergil were favorite sources for the ancient cento poets, who rearranged their fragments into totally different stories. The oldest preserved Latin cento is the tragedy „Medea” composed by Hosidius Geta from the fragments of Vergilian poetry circa 200 AD. We know, however, about other centos having been written before that date. Altogether, sixteen Virgilian and one Ovidian cento have been preserved. Thirteen of them, including the earliest and the latest of all extant Latin centos, are contained in the Codex called Salmasianus. Since the terminus ante quem for this manuscript is 534 AD, we assume that all preserved centos have been written between 200 AD, the broadly acknowledge date for Medea, and 534 AD. Ancient Virgilian centos mainly deal with well-known classical myths (8 of 13). Four of them have Christian themes, two treat trivial matters of everyday life, two are wedding-poems. The involvement of Decimus Ausonius Magnus (ca 310-394), a renowned teacher, rhetorician and poet, with the cento is not limited to being the author of a Virgilian cento, which he composed as a response to a similar poem by the Emperor Valentinian I (321-375). Ausonius is the only ancient author we know to have described cento in more detail and to have laid down the rules of the genre. In the introductory letter to the Cento nuptialis, addressed to his friend Axius Paulus, Ausonius maintains that verses of an original text, taken over to the cento, may be divided at any of the caesurae which occur in hexameter. No section longer than one line and a half should be taken over. The quotation may not be changed, although its meaning may change according to the new context. Ausonius compares activity of the cento poets to playing the game of stomachion. Doing so he emphasizes unity within cento and its playfulness as the particularly important traits of the genre. Ancient authors usually followed the technical rules put forth by Ausonius, although not all of them would have agreed with him about the similarity between writing a cento and playing a game. While some twentieth century scholars had treated cento with undeserved contempt, the research of the last decades has given it its honour back. Centos still require our attention, especially that, through their analysis, we may try to obtain a more faithful portrait of the well educated ancient reader. This reader knew his Virgil by heart, worshipped Virgil as the divinely inspired prince of Latin poetry, and preferred Virgil’s words to his own when he ventured to describe his world.
    Źródło:
    Vox Patrum; 2012, 57; 359-378
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sylwetki kobiet w zbiorku Parentalia Decimusa Magnusa Auzoniusza
    Female Characters in the Collection Parentalia by Decimus Magnus Ausonius
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/2119709.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Auzoniusz
    Parentalia
    Galo-Rzymianie
    poezja żałobna
    kobieta
    dziewictwo
    rodzina
    Ausonius
    Gallo-Romans
    elegiac poetry
    female
    virginity
    family
    Opis:
    Parentalia is a collection by Ausonius made of 30 works dedicated to 33 of his deceased relations. 15 out of 33 were Gallo-Roman women, living somewhere between the mid-3rd and the late 4th century. In a way similar to other Antique authors of mourning laments and elegies, the poet praises the admirable conduct, modesty, commitment to duties, loyalty and readiness for conciliation with their spouses as well as their care for children and grandchildren. What Ausonius values most in these women is their ability to find the middle ground for joyfulness and solemnity, kind-heartedness with dignity, or – in general – the ability to find the golden means of human disposition. He also speaks with respect and appreciation about those women who willingly  stayed in virginity until death. He utters his warm and subtle words about those who died young. However, the most emotional poem in the collection is dedicated to his young deceased wife Sabina. The poems are individual portraits of mothers, wives, virgins – both elderly ladies and maidens who passed away young. Of all the women he speaks with nothing but immeasurable respect.
    Źródło:
    Roczniki Humanistyczne; 2011, 58-59, 3; 133-150
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wczesna korespondencja Auzoniusza z Paulinem z Noli
    The early correspondence between Ausonius and Paulinus of Nola
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/614273.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Auzoniusz
    Paulin z Noli
    korespondencja
    listy poetyckie
    listy polecające
    przyjaźń w starożytnym świecie
    Ausonius
    Paulinus of Nola
    exchange of letters
    poetical epistles
    letters of reference
    friendship in the ancient world
    Opis:
    The article is devoted to the four letters written by Ausonius to Paulinus of Nola before the latter left Aquitania in 389 changing his style of life and provoking the deep crisis of their intimate friendship (Epist. 17-20, ed. R.P.H. Green). Ausonius writes to his pupil, admirer and friend about literary theory and practice, thanks for the gifts and favours, asks for help in an hour of need, sends him new year’s wishes. The exchange of letters provided to the famous befriended poets an opportunity to participate in the jolly literary games and to share mutual respect, admiration and love.
    Źródło:
    Vox Patrum; 2016, 65; 353-371
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mosella Decimusa Magnusa Auzoniusza jako hodoeporikon
    Mosella by Decimus Magnus Ausonius as a Hodoeporicon
    Autorzy:
    Kołtunowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2119703.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Auzoniusz
    Mozela
    iter/hodoeporikon
    gatunek
    literatura późnoantyczna
    Ausonius
    Mosella
    genre
    late ancient literature
    Opis:
    The presented article is a summary of the M.A. thesis entitled: Mosella by Decimus Magnus Ausonius as a hodoeporicon. The main assumption of the work is an attempt to establish the meaning of the term hodoeporicon/iter and to find its features in Ausonius’ Mosella. Difficulties in doing a research on this subject are caused by a scarce number of studies concerning this issue. In the article, the definition of hodoeporicon is based on three principal works written by J.C. Scaliger, J. Schnayder and R. Krzywy. A piece of literary work might be called hodoeporicon/ iter, if it is a sort of a report from a journey created in a form of a poem or a work of prose. It should give the names of the visited places, contain information about them, e.g. topography, hydrography, wildlife, a description of the inhabitants, their customs, religion and habits, and also architecture of the regions. Another elements of iter are the mythology and digressions placed by the author in order to display his education. The deeper analysis of some parts of the Mosella seems to demonstrate mainly the features of the iter presented above.
    Źródło:
    Roczniki Humanistyczne; 2011, 58-59, 3; 119-132
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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