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Wyszukujesz frazę "Apulia" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
POLICHROMOWANA CERAMIKA W GROBOWCACH HELLENISTYCZNEJ APULII
POLYCHROME POTTERY IN THE GRAVES OF HELLENISTIC APULIA
Autorzy:
Martusewicz, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/537433.pdf
Data publikacji:
2004
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
starożytna Grecja
lekyty białogruntowane
Apulia
Canosa
askos
ceramika hellenistyczna
naczynia sepulkralne
oinochoe
Opis:
South Italian pottery of the Hellenistic period comprises a large group of historical monuments representing diversified forms, decoration and technology. Against this background, the relatively few polychrome vessels discovered in graves from this epoch, especially in the region of the town of Canosa, are particularly noteworthy. They constitute a characteristic and, simultaneously, unique group both as regards their rich iconography and the technology of execution which combines full plastic sculpture, the bas-relief, and painting. The sepulchral character of the pottery determined the origin of its multi-motif decoration. At the same time, the awareness of producing cult objects intended for burial rites and subsequently for placing in graves essentially influenced the production technology. The years-long co-operation of the Chair of the Conservation and Restoration of Stone Sculpture and Architectural Elements at the Department of the Conservation and Restoration of Works of Art (the Academy of Fine Arts in Warsaw) and the Ancient Arts Gallery at the National Museum in Warsaw led to a decision about embarking on extensive technological research relating to a selected group of ceramic monuments, This venture was linked with conclusions stemming from the conservation of some of those objects, conducted earlier at the Academy of Fine Arts in Warsaw. Research into the technique and technology of Hellenistic decorated polychrome vessels originating from Apulia was preceded by a selection of five objects from the collections of the National Museum in Warsaw. The investigations made it possible to obtain detailed results enabling the reconstruction of the technique and technology in question, and their confrontation with the available outcome of technological research focused on historical objects and foreign collections. The observations and analyses of data which had been gathered from the viewpoint of conservation, offered additional information indispensable for a more complete reconstruction of the production technique of particular objects. The ensuing research confirmed that the sepulchral purpose of this type of pottery is reflected in the application of the relatively perishable polychrome technology. Despite their different forms, the discussed objects disclosed a similar technological structure: they are made of ceramic clay, containing a mixture of ferric compounds, and their firing temperature did not exceed 950 C. The outer surfaces are covered with white ground composed of white clay and lime binding, the only exception being a figurine of Nike covered with pure lime ground. The polychrome was produced upon the basis of natural pigments – imperial red and iron oxide yellow as well as Egyptian blue, characteristic for antiquity. The black colours differ depending on the object and include soot, charcoal or boneblack. The pigments were placed into the lime binding in the form of limewater or whitewash. The two most essential sources of inspiration for this type of pottery mentioned in historical literature, i. e. Attic white-ground lecythi and murals, have been recognised as interesting from the technological viewpoint. It must be added, that the Attic whiteground lecythi cannot be recognised as an inspiration for the technological solutions accepted in the discussed group of grave pottery from Apulia. On the other hand, the occurrence of admixtures in the form of limewater or whitewash, ascertained in the aforementioned research, as well as the use of lime binding in polychrome indicates a possible technological connection with murals from those centres. A continuation of pertinent studies could yield extremely interesting results.
Źródło:
Ochrona Zabytków; 2004, 1-2; 79-92
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ceramic production in Roman-age Apulia: lychnological contexts
Autorzy:
Fioriello, Custode Silvio
Powiązania:
https://bibliotekanauki.pl/articles/1634084.pdf
Data publikacji:
2020-01-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Apulia et Calabria
urban and landscape archaeology
Roman archaeology
clay oil lamps
Roman pottery
material culture
Opis:
Archaeological research in Apulia have given solid grounds for a historical characteristic of the region, specifying the nature of settlements and their socio-economic environment in the Roman age. But production centers, primarily pottery workshops, as well as commonly traded shapes, trade routes and consumer centers still are in need of comprehensive study. For this purpose a targeted examination of Apulia et Calabria has been launched, identifying places and modalities of pottery production from the 3rd century BC to the 3rd century AD on the grounds of both permanent installations and mobile finds. This contribution, which takes advantage of the documentation collected within the frame of this research, seeks to identify and contextualize sites where clay oil lamps were being produced, through the scopes of production continuity/discontinuity and the modalities of settlement, craft, economy and commerce.
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 181-215
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apulia, region do odkrycia. Podróż z Kazimierą Alberti
Apulia a land to discover. A travel with Kazimiera Alberti
La Puglia, una terra da scoprire. Un viaggio con Kazimiera Alberti
Autorzy:
Satalino, Rosalba
Powiązania:
https://bibliotekanauki.pl/articles/938912.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
Apulia
Italy
travelogue
Segreti di Puglia
Puglia
Italia
reportage di viaggio
Włochy
reportaż z podróży
Opis:
The goal of this article is to show one of the travelogue of the series Italia celebre e sconosciuta (Famous and unknown Italy) by Kazimiera Alberti: Segreti di Puglia (Apulia’s secrets). It is a kind of travel discovering the secrets of Apulian land. The author expresses all the admiration for the landscapes, but above all for the monuments of this region. The history, architecture, myths and legends enrich the pages of her book. She encourages the reader to visit Apulia, revealing only some of her mysteries. Next to Kazimiera Alberti and her husband, we start the exploration of what this land has to offer to the visitors.
Celem artykułu jest prezentacja utworu Kazimiery Alberti Segreti di Puglia (Tajemnice/Sekrety Apulii), który został opublikowany w ramach drugiego tomu serii zatytułowanej Italia celebre e sconosciuta (Włochy Znane i Nieznane). Podążając za Alberti, odkrywamy w jej relacji z podróży niektóre sekrety ziemi apulijskiej mało znane nie tylko cudzoziemcom, lecz również włoskiemu czytelnikowi. Autorka zachwyca się architekturą, zabytkami, krajobrazem apulijskim, ponadto przedstawia w szczegółach życie codzienne, zwyczaje, tradycje, a także po mistrzowsku wprowadza czytelnika w historię regionu, wzbogaconą o mity i legendy. Utwór Kazimiery Alberti jest doskonałym zaproszeniem do odkrycia tego fascynującego, choć mało znanego regionu.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 149-183
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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