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Wyszukujesz frazę "Agamemnon" wg kryterium: Temat

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    Wyświetlanie 1-5 z 5
    Tytuł:
    Some Observations on T.S. Eliot’s “Murder in the Cathedral”
    Kilka uwag na temat sztuki T.S. Eliota pt. „Mord w K atedrze”
    Autorzy:
    Schade, Gerson
    Powiązania:
    https://bibliotekanauki.pl/articles/1046648.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Eliot Murder in the Cathedral
    Aeschylus Agamemnon
    Louis MacNeice
    Wyndham Lewis
    Opis:
    Louis MacNeice translated Aeschylus’ Agamemnon in such a way that some were reminded of T.S. Eliot’s playMurder in the Cathedral. Both plays were staged in the mid-1930s in England, and the authors correspondedwith each other. At first sight, this is the story of a minor figure imitating greater stylishness. A closer analysis,however, reveals that Eliot drew largely on Aeschylus’ Agamemnon. This is new, yet on second thoughts, notsurprising: being obsessed by heritage and tradition, Eliot was surely a fervent reader of classical tragedies,perhaps even a fine connoisseur. Nevertheless, there is another story, lurking in the background so to say, thistime about a great poet indebted to a subtle and sensitive mind.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2016, 26, 2; 143-151
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jeszcze raz o funkcji aojdy na dworze Agamemnona (Odyseja III 263-272)
    Once again about the function of the bard at the court of the king Agamemnon (Odyssea III 263-272)
    Autorzy:
    Korus, Kazimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/614275.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    funkcja aojdy
    Agamemnon
    Ajgistos
    Klitajmestra
    function of the bard
    Aegisthus
    Clytaemnestra
    Opis:
    This paper looks at two accounts of scholars’ views on the bard as the custodian of Homeric Society (Odyssea III 263-272). The first traditional, defended by Stephen P. Scully, sees a singer, an unnamed singer, as a moral guard of Clytaemnestra. The second, defended by Stephanie West, suggests that it is worth an alternative explanation, rejected in the scholia but perhaps reflected (or corroborated?) in Hesychius’ Lexicon where ¢oidÒj is glossed with eÙnoàcoj, sp£dwn. She says that the word e„rÚsqai (Odyssea III 268) suggests rather physical protection though a bard sufficiently able-bodied is an effective guardian might himself be tempted to rape or seduction. The Author of the article defends traditional understanding of the role of bard with many other arguments. He is convinced that the singer was removed from the palace because his presence reminded Aegisthus and Clytaemnestra of their wrong to society.
    Źródło:
    Vox Patrum; 2016, 65; 345-352
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Charakter i funkcje snu Agamemnona w II księdze Iliady
    The Character and Functions of Agamemnon’s Dream in Book II of The Iliad
    Autorzy:
    Gomułka, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1953791.pdf
    Data publikacji:
    2005
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Agamemnon
    sen
    marzenie senne
    Onejros
    Zeus
    Troja
    Homer
    Iliada
    epika
    epos
    poemat
    dream
    Oneiros
    Troy
    The Iliad
    epic
    poem
    Opis:
    In Book II of The Iliad Zeus sends Oneiros, the god of dreams, to the sleeping Agamemnon, to give the Achaean leader a god’s command. He wants to cheat him in this way and to carry out Thetis’ request – to honor her insulted son. The naïve Agamemnon believes the forecast that he is going to immediately capture the Trojan town. He tries the morale of his warriors ordering them to return to their native country, and then he sends them to the deciding battle that costs the life of many of them. This is the result of the dream that Homer calls “fatal”. During the night visit the sleeping Agamemnon is completely passive; there is no dialog between him and the god sent to him, that is Oneiros. The dream is factual, objective, and it does not require interpretation. It has a divine character, and Olympic Zeus is its author – it is he that the visit of the apparition depends on. It is the only deceptive dream in The Iliad and The Odyssey, sent in order to deceive the dreaming one, to bring him to ruin. This is its basic function.
    Źródło:
    Roczniki Humanistyczne; 2005, 53, 3; 73-88
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Didaskalia w Orestei Ajschylosa jako projekt inscenizacji tłumacza (na przykładzie Agamemnona)
    Stage directions in the Aeschylus’ Oresteia as the translator’s designed prospective theatre staging (on the example of the Aeschylus’ Agamemnon
    Autorzy:
    Bibik, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1046630.pdf
    Data publikacji:
    2016-10-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aeschylus
    Oresteia
    Agamemnon
    Węclewski
    Kasprowicz
    Srebrny
    Sandauer.
    Opis:
    We all know that in the ancient tragedies there are no written stage directions. But it does not mean that there areno stage instructions. Without no doubts the fifth century BC tragedies were theatre productions. Of course theywere influencedby the Athenian theater of the day, but in every age the drama is influenced by the theatre of itsdays. And translation of a drama requires to be imagined by the translator who is never free from any influencesor references to the stages and theatres of authors’ time. That is why in this paper I would like to examine whatkind of staging the translators suggest in their translations and stage directions they insert in the texts.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2016, 26, 1; 53-75
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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