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Wyszukujesz frazę "Aeneid" wg kryterium: Temat

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    Wyświetlanie 1-5 z 5
    Tytuł:
    Martwa Dydona
    The Dead Dido
    Autorzy:
    Sapota, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1046675.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Latin literature
    Virgil
    Aeneid
    Dido
    Opis:
    The text is an analysis of the story of Dido as shown in Virgil’s Aeneid. The author presents pre-Virgiliansources of the history of the Phoenician queen, recounts the three principal versions of Dido’s biography andsets the Virgil’s narration against the opinions of ancient commentators (Servius, Macrobius) and other Romanwriters reminiscing about Dido’s ill-fated past. All the testimonies bring out the uncontestable claim that it wasVirgil who first wrote about the tragic love entanglement between Aeneas and Dido, a story which rapidly gainedpopularity upon the publication of the Aeneid. The article discusses Virgil’s subversive understanding ofgender and the conventional traits of national character (Roman and barbaric, as typified in Roman literature).
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2016, 26, 2; 5-18
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Komediowa „Eneida”
    Comedy in Vergil’s Aeneid
    Autorzy:
    Piętka, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1045693.pdf
    Data publikacji:
    2019-10-11
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aeneid
    Vergil
    comedy
    epic
    literary conventions
    Opis:
    Piętka Radosław, Komediowa „Eneida” (Comedy in Vergil’s Aeneid).The paper deals with the references – hypothetical and/or unquestionable – to comedy and comic conventions in the Aeneid of Vergil. Taking into consideration as many comic constituents as it is possible to retrieve from the Virgilian epic text, I would also like to try to answer the general question concerning supposed influence of these very constituents on the meaning of the whole text of the Aeneid.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 1; 27-41
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Concept and Purpose of Death in the Aeneid, Book 2
    Autorzy:
    Mianowski, Jacek
    Zarzycki, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/504762.pdf
    Data publikacji:
    2013
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Troy
    Rome
    epic
    death
    founding
    heroism
    Aeneid
    Vergil
    Opis:
    The article aims at analyzing the concept and purpose of death in the Aeneid, Book 2. In its premise, the concept of death presented within the poem reveals its ethnic, social and cultural tone. The deaths which close eight books of the Aeneid indicate the progress of a main theme: abdicate the past to defend the future. Initially, towards the closing of Book 2 Creusa dies: a loyal, affectionate wife and mother who is nevertheless to be replaced by a young bride chosen for political benefits. The modes and circumstances of the deaths elicit some immediate investigations: first, it seems meaningful that some die in the bloom of youth and others in old age; second, some must die as sacrifices to the gods; third, some are destined to die because they demonstrate furious difficulties to the completion of Aeneas’ duty. Before discussing the concept of death in Book 2 it is essential to introduce the reader into some considerations representing the structure and purpose of Book 2. The authors would like to thank professor Jakub Pigoń (Institute of Classical, Mediterranean and Oriental Studies, University of Wroclaw) for his guidance and insightful remarks throughout the process of writing of this article.
    Źródło:
    Academic Journal of Modern Philology; 2013, 2; 67-73
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’oltretomba virgiliano e dantesco a confronto: qualche osservazione sul dialogo intertestuale nel Purgatorio
    Autorzy:
    Maślanka-Soro, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/638307.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Dante, Virgil, Purgatory, Aeneid, earthly paradise, Elysium, intertextual approach
    Opis:
    The purpose of this paper is to present an analysis of certain episodes and motifs of Dante’s Purgatory which were partly inspired by the idea of the Otherworld and the category of space in the Book VI of Virgil’s Aeneid. In particular we examine the episode which takes place in the Valley of the Rulers (Pg. VII) and the concept of Dante’s Earthly Paradise to confront them with the idea of Virgilian Elysium. The intertextual dialogue of the Italian poet with the author of the Aeneid is sometimes polemical and based on aemulatio rather than on imitatio.
    Źródło:
    Romanica Cracoviensia; 2015, 15, 4
    2084-3917
    Pojawia się w:
    Romanica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Se fede merta nostra maggior musa” : Virgilio e la mitologia virgiliana nella Commedia allo specchio del cristianesimo dantesco
    Autorzy:
    Maślanka-Soro, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/638177.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Dante, Virgil, Divine Comedy, Aeneid, mythology, intertextuality, conception of art
    Opis:
    The Aeneid is the most important intertext for the opus magnum of Dante; and Virgil, sometimes metonymically identified with his work, plays a relevant, or indeed crucial part as one of the characters in it. The main purpose of this article is, on the one hand, an analysis and interpretation of certain, only rarely investigated aspects of the relation between Virgil and Dante the pilgrim, in particular those which deal with the defeat of the former as an authority and guide for Dante on the road to spiritual perfection. They result mainly from Virgil’s excessive rationalism. In the critical moments of their journey through the otherworld Dante the author shows the frailty of Virgil’s Christian faith, attained only after his death and not illuminated by divine Grace; he also discloses the deficiencies in Virgil’s understanding of good and evil. On the other hand the author of the article analyses the intertextual “dialogue” that the Comedy conducts with the Aeneid on the basis of the Dantean conception of art in general, and of poetry in particular, taking selected examples into consideration. An essential component of this dialogue is Dante’s reinterpretation of Virgil’s masterpiece, which assumes the form of an aemulatio and tends to reveal the Christian potentiality in the Aeneid, of which Virgil the poet was, of course, utterly unaware.
    Źródło:
    Romanica Cracoviensia; 2013, 13, 4
    2084-3917
    Pojawia się w:
    Romanica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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