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    Wyświetlanie 1-6 z 6
    Tytuł:
    Le sens de l’altérité selon Simone de Beauvoir
    The Sense of Otherness According to Simone de Beauvoir
    Autorzy:
    Ledwina, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2020989.pdf
    Data publikacji:
    2020
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Beauvoir
    otherness
    love
    difference
    opposites
    androgyne
    Opis:
    In Simone de Beauvoir’s œuvre, the problem of love and the relationship with the Other turns out to be fundamental. The need to realize one’s own desires forces the individual to open for the Other who – instead of making the relationship more attractive – brings about its breakup. The Author raises this issue in terms of androgyny interpreted as a relationship between two people, which is possible only in the spheres of total freedom and reciprocity, both spiritual and sexual, revealing an inherent influence of other people on our lives.The texts by Beauvoir, whose idée fixe is a search for the wholeness, enable one to understand that otherness is also understood as a struggle to change the perception of femininity and of independence. The other also fascinates us by difference. It encourages one to get to know oneself, one’s possibilities and limitations, as well as one’s identity. By looking into the eyes of the other (like in a mirror) a person has an opportunity to create a new reality, thereby rejecting stereotypes and a traditional value system. Thus, finding a sense of life and realizing existing differences become possible.The multidimensionality of the concept of otherness enables the critic to present the writer’s original vision, propagating the individual development and autonomy, defined by relationships with others and, at the same time, by his or her pursuit of an existential fullness with another human being.
    Źródło:
    Academic Journal of Modern Philology; 2020, 9; 311-319
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Małżeństwo jako coincidentia oppositorum – „A tak już nie są dwoje, lecz jedno” (Mt 19, 6)
    Marriage as coincidentia oppositorum – “So they are no longer two, but one flesh” (Mt 19, 6)
    Autorzy:
    Małachowski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/956596.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    Mircea Eliade
    marriage
    coincindentia oppositorum
    androgyne
    małżeństwo
    coincidentia oppositorum
    androgyn
    Opis:
    In contemporary theological debate much attention is devoting to the interdisciplinary research. Theology as science based on philosophy. Today a special attention is to existential aspects of life. More an experience than the theological description or written reflection. However in order not to simplify theology, it is worthwhile leading and interpreting what religious studies above all widely understood and psychology are offering. The 20th age is not only a new look at theology, inspired by the 2nd Vatican Council but also an intense development of religious studies sciences, but first of all history of the religion with chief with its representative – Mircea Eliade. With topic always current in all sciences, but first of all in theology and religious studies, there are a problem of the connection of the man and women. Two beings, two people and at the same time the great gap between them, two quite different worlds, and the one physical, bodily, and the one psychological, emotional as well as spiritual, religious. These two beings are two opposites which are pulling themselves one another, they are searching for themselves and they are uniting with themselves, and are becoming something with one thing. And so it is possible to look at the connection of the man and women in categories similarities of opposites, that is as coincidentia oppositorum. We will examine the dissimilarity of the man and the woman at first, next we will see what he is coincidentia oppositorum and how this principle is applying to the topic of the marriage as well as androgyne. We will look for justifying the principle in the last part coincidentia oppositorum in the biblical theology.
    Źródło:
    Studia Teologii Dogmatycznej; 2016, 2; 120-142
    2449-7452
    Pojawia się w:
    Studia Teologii Dogmatycznej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What is the androgyne? The androgynous character and Kazimierz Lewandowski ‘morbid modernity’
    Kim jest androgyne? Figura androgyne – o „chorobliwym modernizmie” Kazimierza Lewandowskiego
    Autorzy:
    Ejzak, Bartosz
    Powiązania:
    https://bibliotekanauki.pl/articles/2087624.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the turn of the 19th century
    Young Poland movement
    modernist poetry
    androgyne
    Mephistophelian personality
    Kazimierz Lewandowski (1869– 1938)
    Kazimierz Lewandowski
    Lais
    Szella
    Androgyne
    Opis:
    On the basis of a close reading of the poetry of Kazimierz Lewandowski (Lais and the poems in Szella) this article presents a revised view of the androgyne in the perception of the Young Poland modernism. The article examines the symbolism and the spaces with which the androgyne is associated, the androgyne’s destructive influence on men and demonic, Mephistophelian personality traits.
    Źródło:
    Ruch Literacki; 2021, 4; 479-492
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Koncepcja androgyna w utworze Mój księżycowy przyjaciel (Мой лунный друг) Zinaidy Gippius
    The concept of androgyny in Zinaida Gippius’s My moon friend
    Autorzy:
    Okroj, Kinga
    Powiązania:
    https://bibliotekanauki.pl/articles/460081.pdf
    Data publikacji:
    2016
    Wydawca:
    Fundacja Pro Scientia Publica
    Tematy:
    Błok, Gippius, modernizm, androgyne, pełnia, doskonałość
    Blok, Gippius, modernism, androgyny, completeness, perfection
    Opis:
    The article comprises an analysis of My moon friend by the modernist Russian poet and diarist, Zinaida Gippius. Vladimir Solovyov’s theories about the possibility to create a new human (androgyny) as well as Otto Weininger’s ideas about bisexual nature of every human being serve as a starting point for the analysis. The author focuses on the image of the protagonist, the Russian poet Alexander Blok, and sees him as the eponymous moon friend, who possesses features typical of androgynous creatures.
    Celem niniejszego artykułu jest analiza utworu Mój księżycowy przyjaciel (Мой лунный друг) pióra poetki i diarystki epoki modernizmu Zinaidy Gippius. Punktem wyjścia artykułu jest teoria Włodzimierza Sołowjowa o możliwości stworzenia doskonałego człowieka przyszłości (androgyna) oraz myśl Otto Weiningera, mówiąca o biseksualnej naturze każdego człowieka. Artykuł jest próbą zinterpretowania obrazu bohatera utworu Mój księżycowy przyjaciel, poety Aleksandra Błoka, jako tytułowej „księżycowej” postaci, czyli takiej, która wyróżnia się cechami charakterystycznymi dla istoty androgynicznej.
    Źródło:
    Ogrody Nauk i Sztuk; 2016, 6; 451-457
    2084-1426
    Pojawia się w:
    Ogrody Nauk i Sztuk
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mity. Kilka tropów
    Autorzy:
    Andrzej, Kostołowski,
    Powiązania:
    https://bibliotekanauki.pl/articles/487786.pdf
    Data publikacji:
    2019-08-04
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    OEDIPUS
    ANDROGYNE
    PYGMALION
    A LIVING MYTH
    ARTISTIC DUOS
    EDYP
    PIGMALION
    ŻYWY MIT
    DUETY ARTYSTYCZNE
    Opis:
    The text is mainly about some references to myth in the 20-21st century art. A rift in treatment of myth during this period is interesting. On the one hand, in popular literature and media a generic term “myth” is often used. But it is often understood as something substantially irrational and used with a certain disdain, as well as on the boundary of being pejora- tive. Whereas in serious anthropological and philosophical texts and in art, “myth” may be on the one hand specified (in the case of “classical” mythical stories there are references by names to mythical characters in sequences of events), and on the other fully rational elements are excavated from it within its context, which significantly explain natural phenomena and cause and effect aspects of the surrounding world. Taking more rational way of describing myth into consideration, I chose examples of myths: Oedipus, Androgyne and Pygmalion’s. Oedipus is burdened with inter- pretations and omnipresent in the surrealist art (for example especially strongly in Max Ernst’s works). Also, as an “out-take” of the myth, part about Sphinx, carries interesting proto-feminist threads (in Leonor Fini’s paintings). A hermaphroditic Androgyne seems to draw out a new actual- ity and is interpreted in twofold unity, or completely entangled. In twofold unity (as in Marc Chagall’s works or Magdalena Abankowicz’s) they are associated but separated presence of personas. In the sense of negative rifting we may analyze genres of womanly act, which hides objectification of broken Androgyne. However, entanglement is on the one hand a connec- tion (as in lovers’ embrace) and on the other over-individualistic duos or bigger groups of artists, especially those who have been also performance artists since the 60s of the 20th century. Pygmalion myth profusely used in art hides within, among others, a metaphor of illusion.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 50-66
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ESTETYKA WOBEC FEMINIZMU
    Autorzy:
    Dziamski, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/487985.pdf
    Data publikacji:
    2018
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    ANDROGYNE
    FEMINIST AESTHETICS
    GENDER AESTHETICS
    FEMINISM
    WOMEN’S ART
    ESTETYKA FEMINISTYCZNA
    ESTETYKA GENDEROWA
    FEMINIZM
    SZTUKA KOBIET
    Opis:
    Aesthetics Against Feminism When we talk today about women’s art, we think about three phemonena, quite loosely related. We think about feminist art, about the way that the feminist’s statements and demands were expressed in the creativity of Judy Chicago and Nancy Spero, Carolee Scheemann and Valie Export, Miriam Schapiro and Mary Kelly, and in Poland in the creativity of Maria Pinińska-Bereś, Natalia LL or Ewa Partum. We think about female art, the forgotten, abandoned, neglected artists brought back to memory by the feminists with thousands of exhibitions and reinterpretations. Lastly, we think about the art created by women – women’s art. However, we do not know and will never know, whether the latter two phenomena would develop without the feminist movement. What is more, it is about the first wave of feminism called “the equality feminism”, as well as the dominating in the second wave – “the difference feminism”. The feminist art was in the beginning a critique of the patriarchal world of art. In a sense it remains as such (see: the Guerilla Girls), yet today we are more interested in the feminist deconstruction of thinking about art, and thus the question arises: should feminism create its own aesthetics – the feminist aesthetics, or should it develop the gender aesthetics, and as a result introduce the gender point of view to thinking about art? In this moment the androgynous feminism regains its importance, one represented by Virginia Woolf, and referring – in the theoretical layer – to Freud as read by Lucy Irigaray. Freudism, which the feminists became aware of in the 1970s, is the only philosophical movement, which assumes a dual subject, that is, in the starting point assumes the existence of two subjects – man and woman, even if the woman is defined in a purely negative way, by the deficit, as a “not a man”. Freudism replaces the Cartesian thinking subject (consciousness) by the corporeal and sexual being, and forces us to re-think the Enlightenment beginnings of the European aesthetics.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 40-66
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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