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    Tytuł:
    « Qu’est-ce que la Religion universelle ? » : étude sur une question posée par Baudelaire
    „What Is the Universal Religion?” – A Study of the Question Asked by Charles Baudelaire
    Autorzy:
    Szymański, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/483474.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Charles Baudelaire
    universal religion
    history of ideas
    19th century French literature
    Opis:
    In “My heart laid bare” Baudelaire writes about the “Universal Religion” devised for “the alchemists of thought,” “a religion that comes from man, considered as a divine memento.” The idea, as we read in the text, was inspired by the writings of Chateaubriand, De Maistre and those of the “Alexandrians”. And indeed, the two former authors wrote explicitly about a „universal tradition” that finds its fulfillment in the Catholic religion. It does not matter if we recognize the “Alexandrians” as representatives of the Neoplatonic school, the Alexandrian Fathers of Church, or disciples of Hermetism, the very term implies a tradition of both syncretic and mystic character that resembles gnosis. Baudelaire’s “Universal Religion,” despite his Catholic convictions, cannot be associated with Catholicism. Based on a universal transmission of myths and symbols, it rather refers to eternal truths about man as well as to the divine source of all beings – also in the modern world, which puts God’s existence in doubt.
    Źródło:
    Quêtes littéraires; 2013, 3; 76-84
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Entre dentelle et fragment : évolution de la tactique du vide rimbaldienne de la Saison aux Illuminationsv
    Between Lace and Fragment: an evolution of Rimbaud’s Tactic of Emptiness from A Season in Hell to Illuminations
    Autorzy:
    Rafika, Hammoudi
    Powiązania:
    https://bibliotekanauki.pl/articles/483534.pdf
    Data publikacji:
    2017
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Arthur Rimbaud
    French poetry
    19th century French literature
    A Season in Hell
    Illuminations
    tactic of emptiness
    Opis:
    A Season in Hell and Illuminations both of these collections are considered as masterpieces of Rimbaud’s poetry. Whereas A Season in Hell is presented as his artistic testimony, Illuminations, on the other hand, is considered by critics as an abstruse writing, an enigma. Acknowledging critical scholarship on this topic, as well as inherent differences of both collections, this article will show that a link could be found between these two works. This thread, which creates what we would like to call Rimbaud’s embroidery, was created by himself through silence and words. That is this will of Rimbaud for both works and the readers that we will discuss here, a strategy that we have named: Tactic of Emptiness.
    Źródło:
    Quêtes littéraires; 2017, 7; 51-60
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    [Rec.:] Emmanuel Desurvire , „Karol Edmund Chojecki, polski patriota, podróżnik, żołnierz, poeta, dramaturg, powieściopisarz, publicysta, bibliotekarz…” lulu. com, 3 tomy, grudzień 2011 — styczeń 2012, ss. 1300
    [Rec.:] Emmanuel Desurvire , [‘Karol Edmund Chojecki , polish patriot, traveller, soldier, poet, platwright, novelist, publicist, librarian…’] lulu. com, 3 volumes, december 2011 – january 2012, ss. 1300
    Autorzy:
    Chaplain, Jacques
    Powiązania:
    https://bibliotekanauki.pl/articles/690211.pdf
    Data publikacji:
    2013
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Karol Edmund Chojecki (Charles Edmond),
    biografia
    literatura polska
    XIX wieku
    literatura francuska XIX wieku Emmanuel Desurvire
    polonica zagraniczne
    recenzja
    przekład
    Karol Edmund Chojecki (Charles Edmond)
    biography
    Polish literature of 19th Century French literature of 19th Century Emmanuel Desurvire
    foreign polonica
    review
    translation
    Opis:
    Presented in the translation into Polish, Jacques Chaplain’s review is a fragmentary overview of the three volume monograph by a world-known physicist Emmanuel Desurvire , devoted to his ancestor, Karol Edmund Chojecki (1822–1899). This Polish emigrant of the era of Romanticism, known in France under the pseudonym Charles Edmond, was presented from the side of various, closer or further relationships with the representatives of French culture, science and politics of that time (such as Gustave Flaubert , Goncourt brothers, Pierre Joseph Proudhon or Georges Clemenceau ), as well as his own creative achievements (in the fi elds of playwriting, dramaturgy, publicism and art of translation). Source materials — family archives and other documents that were not printed before, abundantly collected by the French biographer,shed new light on of this interesting person and his vicissitudesof life.
    Źródło:
    Prace Polonistyczne; 2013, 68; 189-204
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La Pologne, son destin et sa vocation particulière aux yeux des écrivains français du XIXe siècle
    Autorzy:
    Malinowski, Wiesław Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/20874659.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    French literature
    Polska
    fate
    vocation
    19th century
    littérature française
    Pologne
    destin
    XIX e siècle
    Opis:
    The author of the paper propounds a holistic outlook on how French writers of the 19th century perceived the fate of Poland in the most dramatic moment of its history, when it was fighting a fierce, and almost hopeless battle for its independence, having disappeared from the map of Europe. In texts of many poets, publicists and men of letters in France one can find a unique set of motifs that not only reveal a highly consistent way of thinking with respect to the situation Poland was in at the time, but also build a parallel vision of its future, and even hold a belief that Poland was to play a special role among European countries. In this paper the author identifies and discusses six such motifs.
    Źródło:
    Cahiers ERTA; 2023, 34; 207-225
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poésie et utopie en France, au XIXe siècle
    Poetry and utopia in France during the 19th century
    Autorzy:
    Sylvos, Françoise
    Powiązania:
    https://bibliotekanauki.pl/articles/2053486.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    XIXe siècle
    littérature française
    utopie
    poésie sociale
    poème en prose
    didactisme
    positivisme
    19th century
    French literature
    utopia
    social poetry
    prose poem
    didacticism
    positivism
    Opis:
    Cet article oppose les textes de propagande positive et ouvrière en vers français du XIXe siècle (Du Camp) à la prose lyrique et visionnaire des saint-simoniens (Duveyrier). À partir du jugement de Baudelaire sur l’incompatibilité entre poésie et didactisme, on s’interroge sur le statut et l’artialité de la poésie sociale. Du côté de la poésie ouvrière (Cent et une petites misères, Œuvre sociale), on découvre la verdeur de la langue populaire, la vis comica et la fantaisie tandis que la fable socialiste (Lachambeaudie) est remarquable par la compassion. Sous la plume des prophètes du progrès (Enfantin), les disciplines – religion, architecture, poésie, mathématiques – loin d’être cloisonnées, sont objets analogues et langages convertibles. Le poème, l’image et la cité idéale elle-même changent leurs caractéristiques et se correspondent. L’innovation sociale ne peut se dire qu’à travers la forme novatrice du poème en prose urbain et la Révolution industrielle appelle une révolution des formes poétiques. La poéticité de ces textes, inversement proportionnelle au réalisme et à la spécialisation du lexique employé, tient à un art de la suggestion et à l’essor d’un imaginaire renouvelé par la modernité technique, citadine et scientifique.
    This paper confronts versified positivist propaganda (Du Camp) with lyrical and visionary prose of Saint-Simon’s followers (Duveyrier). Taking as the point of departure Baudelaire’s judgment about the incompatibility between poetry and didacticism, this paper queries the status and aesthetic value of social poetry. The working class poetry (One hundred small miseries, Social work) is full of vitality of the popular style, replete with humorous energy and fantasy, whereas the socialist fable (Lachambeaudie) expresses a lot of empathy. Under the positivist prophets’ pen, the disciplines – religion, architecture, poetry, mathematics – are not separated but analogous and convertible. According to these thinkers, there is no difference between a poem, picture of the ideal city and utopia itself. Social innovation can only be told by the innovative form of the urban prose poem, and the Industrial Revolution calls for a revolution of poetic forms. The poeticity of these texts, inversely proportional to the realism and to the specialization of the lexicon used, stems from the art of suggestion and the rise of imagination renewed by technical, urban and scientific modernity.
    Źródło:
    Quêtes littéraires; 2021, 11; 60-75
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    [Nota o książce:] Emmanuel Desurvire, „Karol Edmund Chojecki, polski patriota, odkrywca, żołnierz, dramaturg, powieściopisarz, publicysta, bibliotekarz…”
    [Annotation about the Book:] Emmanuel Desurvire, ‘Karol Edmund Chojecki, Polish Patriot, Explorer, Soldier, Poet, Playwright, Novelist, Publicist, Librarian…’
    Autorzy:
    Chaplain, Jacques
    Powiązania:
    https://bibliotekanauki.pl/articles/690304.pdf
    Data publikacji:
    2014
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Karol Edmund Chojecki (Charles Edmond)
    biografia
    literatura polska XIX wieku
    literatura francuska XIX wieku
    Emmanuel Desurvire
    polonica zagraniczne
    nota o książce
    przekład
    biography
    Polish literature of 19th Century
    French literature of 19th Century;
    foreign polonica
    annotation about the book
    translation
    Opis:
    This text is a complement to the presented a year ago in the translation into Polish, Jacques Chaplain’s review which is a fragmentary overview of the three volume monograph by a worldknown physicist Emmanuel Desurvire, devoted to his ancestor, Karol Edmund Chojecki (1822−1899). Source materials, meticulously collected by the French biographer — family archives and other documents that were not printed before — enable us to get to know closely this Polish emigrant of the era of Romanticism, known in France under the pseudonym Charles Edmond, inter alia of the side of various, closer or further relationships with the representatives of French culture, science and politics of that time (such as Gustave Flaubert, Georges Sand, Louis Blanc or Georges Clemenceau), as well as his own creative achievements (in the fields of playwriting, dramaturgy, publicism and art of translation) and their twentieth century reception. Desurvire’s work — of impressive size and substantive content — has been currently published for the second time. The second edition, revised and bearing indices is completed with the two-volume supplement.
    Źródło:
    Prace Polonistyczne; 2014, 69; 223-225
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wizerunki niezamężnych służących w wybranych dziełach literatury francuskiej XIX wieku
    Portraits of Unmarried Female Servants in Selected Examples of 19th Century French Literature
    Autorzy:
    Kulak, Ewa Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/27311971.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Komisji Edukacji Narodowej w Krakowie
    Tematy:
    French literature
    19th century
    domestic servants
    unmarried women
    Edmond and Jules Goncourt
    Octave Mirbeau
    Gustave Flaubert
    literatura francuska
    XIX wiek
    służące
    niezamężne kobiety
    Edmond i Jules Goncourt
    Opis:
    The paper analyses the image of female domestic servants and their condition as unmarried women in three examples of nineteenth‑century French literature: A Simple Heart by Gustave Flaubert (1875), Germinie Lacerteux (1865) by Edmond and Jules de Goncourt and Diary of a Chamber-maid (1900) by Octave Mirbeau. The protagonists of these stories represent interesting versions of stereotypical images present in a great number of contemporary works: the life of a loyal and sacrificed servant (Flaubert), the sad history of a servant succumbing to sexual temptations (E. and J, de Goncourt) and the subversive portrait of a perverted chambermaid, exploited by and exploiting their masters at the same time (Mirbeau). The common trait of the three women is their solitude, as service means for them to remain unmarried, unable to realize the role considered socially as the only proper for a woman.
    Źródło:
    Res Gestae. Czasopismo Historyczne; 2023, 15; 67-80
    2450-4475
    Pojawia się w:
    Res Gestae. Czasopismo Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Juliusz Słowacki’s problems with eroticism
    Juliusza Słowackiego kłopoty z erotyzmem
    Autorzy:
    Ciechańska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2088453.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 19th century
    Romanticism
    sexuality and eroticism
    the French language and the articulation of intimate desire
    Leonard Niedźwiecki (1810–1892)
    Juliusz Słowacki (1809–1849)
    Leonard Niedźwiecki
    romantyzm
    erotyzm
    seksualność
    Opis:
    This article examines Słowacki’s preoccupation with eroticism in some of his works and in his correspondence. The first part focuses on his poem ‘In Switzerland’ in which the relationship between the characters is shrouded in ambiguity and the sexual theme is treated in an elliptical manner. Beatrix Cenci, a Romantic drama showing the fi lthy, predatory aspects of sexuality and eroticism, is analysed in the second part of the article. It is followed by a discussion of Słowacki’s correspondence with Leonard Niedźwiecki, conducted in French. The article examines the ways in which the choice of the French language appears to have infl uenced the poet’s articulation of his intimate experiences and desires.
    Źródło:
    Ruch Literacki; 2019, 3; 315-331
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Flowers that never die”: Stéphane Mallarmé’s ‘Soupir’ and ‘To My Sister’s Smile’ by Wacław Rolicz-Lieder
    Niewiędnące kwiaty. „Soupir” Stéphane’a Mallarmégo – „Uśmiechowi mojej Siostry” Wacława Rolicza-Liedera – powinowactwa
    Autorzy:
    Gacek, Norbert
    Powiązania:
    https://bibliotekanauki.pl/articles/2088343.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 19th century
    Modernist poetry
    symbolism
    Polish-French literary connections
    Stéphane Mallarmé (1842–1898)
    Wacław Rolicz-Lieder (1866–1912)
    XIX wiek
    symbolizm francuski
    symbolizm polski
    Młoda Polska
    symbolizm w poezji
    Opis:
    This article presents a comparative analysis of two poems, Stéphane Mallarmé’s ‘Soupir’ (1866) and Wacław Rolicz-Lieder’s ‘To My Sister’s Smile’, published in 1891. ‘Soupir’ is one of Mallarmé’s early poems, yet in many respects, as this analysis demonstrates, looks forward to the French poet’s mature phase and foreshadows the poetics of Wacław Rolicz-Lieder. Chief among the similarities are the autothematic focus and the intent to convey feelings of emptiness and longing for an ideal in poems refi ned to the point of préciosité. However, for all their preoccupation with the craft of poetry, either poet believed that inspiration was absolutely vital for creativity. This article argues that Mallarmé’s poetics, especially his ideas of inspiration and originality, was taken over by Wacław Rolicz-Lieder, who adapted it to suit his own poetic project.
    Źródło:
    Ruch Literacki; 2018, 6; 699-714
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The poetic reception of Rimbaud on the interface of Young Poland and the literature of the interwar period
    Recepcja poetycka Rimbauda jako synapsa Młodej Polski i międzywojnia
    Autorzy:
    Kuczyńska-Koschany, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2087997.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the late 19th and early 20th century
    Polish-French literary relations
    Arthur Rimbaud (1854–1891)
    Eliza Orzeszkowa (1841–1910)
    Józef Weyssenhof (1860–1932)
    Zenon Przesmycki (1861–1944)
    Julian Tuwim (1894–1953)
    Jarosław Iwaszkiewicz (1894–1980)
    synapsa
    Jean Arthur Rimbaud
    Młoda Polska
    XX-lecie międzywojenne
    recepcja poetycka
    Opis:
    This article deals with the reception of Arthur Rimbaud’s poetry and his biographic legend by the poets of the last decades of 19th and the first decades of the 20th century, though, in fact, its earliest phase belongs to the literary period of pre-Modernist, anti-Romantic reaction (which described itself by the name Positivism, epitomized by the novels of Bolesław Prus). The process of Rimbaud’s reception proceeded in two dimensions, on the intergenerational level and in dialogue between poets and translators. Interestingly, it acted as a veritable catalyst of changes in the poetics of writers across the spectrum, from the old school (Józef Weyssenhof and Eliza Orzeszkowa) to the modernist avant-garde. The influence of Rimbaud was by no means uniform and went beyond the usual names like Zenon Przesmycki (Miriam), Julian Tuwim or Jarosław Iwaszkiewicz. This article casts its net widely to include representatives of three generations, among them some of the less acclaimed authors.
    Źródło:
    Ruch Literacki; 2020, 1; 17-32
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-10 z 10

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