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Tytuł:
Kontakty interpersonalne staropolskich podróżników stanu duchownego
Interpersonal contacts of Old Polish traveling clergyman in the 18th century
Autorzy:
Rok, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/449869.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
history
18th century
travelling
Opis:
The text presents different types of interpersonal contacts in the course of the journey based on Polish clergymen’s travel reports from the 18th century. The clergy establish numerous contacts primarily with other encountered travelers of their state. Also, information about meetings with peregrines and people on subsequent stages of the journey can be found. Interesting, contacts include Poles and important people of that time. It is important to emphasize the assertiveness of clergy travelers and their openness towards representatives of foreign nations.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2017, 24; 198-215
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O wizualizacji konfliktu politycznego z połowy XVIII wieku. Sprawa podziału ordynacji ostrogskiej w dekoracjach okazjonalnych
On the visualization of political conflict in the mid-18th century. The division of the Entail of Ostrog in occasional decorations
Autorzy:
Gombin, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/2082101.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
18th Century occasional decorations
18th Century political history
state ceremony
political iconography
18th Century Polish culture
visual strategies
Opis:
One of the most important functions of 18th-century occasional decorations was to communicate current political issues. The artistic setting of ceremonies related to political events can of course be analyzed as an independent entity but may also be studied as a fragment of a larger message that encompasses prints, literature and political ceremony. The present article will adopt the latter approach, and analyze the political message of the 1750s on the subject of the division of the Entail of Ostrog, resulting from the so-called “Transaction of Kolbuszowa” in 1753. This event, which had a huge impact on political rela- tions of the time, was also of key importance to the chief players of the period as well as their artistic initiatives (for example J. K. Branicki, who became the Great Crown Hetman after Józef Potocki’s death). The theme of the Entail of Ostrog can be seen in the artistic settings of ceremonies related to the activities of the Senatorial Commission, as well as in those related to two terms of the Crown Tribunal, which in 1754 and 1755 was overshadowed by the consequences of the Kolbuszowa transaction. The above-mentioned bodies acted on behalf of the entire Polish-Lithuanian Commonwealth; therefore, ideas of political unity and total consensus were emphasized in the decorations. In this way, specific decisions were legitimized. Occasional decorations made reference to the Gigantomachy, understood as an internal conflict, and stressed the importance of overcoming internal enemies for the sake of state unity. Banquets were also of great importance in conveying this message, not only because participation alone was seen as a manifestation of belonging to a certain community, but also because the ideological content of the table decorations presented the political values of the guests and served as a commentary on current political issues.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 139-147
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Considerations On Dositej Obradovićs Stay And Travels In Italy
Autorzy:
Lazarević Di Giacomo, Persida
Powiązania:
https://bibliotekanauki.pl/articles/694495.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Dositej Obradović
Italy
18th century
Opis:
This paper presents new data related to Dositej Obradović’s stay in Italy and the travels he undertook while he was there. In the period between 1769 and 1780 Obradović visited Trieste, Venice, Padua, Ferrara, Bologna, Florence, Pistoia, Lucca, Pisa, Livorno and Messina and later described these travels in his autobiography The Life and Adventures (1783). Although he is rather sketchy in his descriptions, we nonetheless discover that he became acquainted with a number of interesting fi gures of the day and was witness to contemporary events and phenomena: he tells us, for example, about the provveditore with whom he sailed to Venice and about the Rules of Health promulgated by the Venetian Republic in connection with the plague which was then raging. He also testifi es to the diet of the Venetian navy and the order issued by Catholic authorities prohibiting Orthodox priests from other countries from performing services in Dalmatia. The canale navile, in Bologna was also the object of Obradović’s attention. This artifi cial hydraulic system was a navigable channel making it possible to sail from Venice to Bologna(!) in the past. His descriptions of the heavily travelled road between Bologna and Florence and of the earthquake in Messina which took place after his departure for Chios are also interesting historical accounts of the period.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Judgment of Hercules”. Shaftesbury at the Crossroads of Art Theory
„Sąd Herkulesa”. Shaftesbury na rozstajnych drogach historii sztuki
Autorzy:
Jaźwierski, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/2082092.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
art theory
aesthetic theory
literary theory
18th Century British aesthetics
18th Century French Art Theory
18th Century moral philosophy
neoclassicism
aesthetic experience
Opis:
In the early 18th century, British art theory was an almost virgin field, open to inevitable influences from the continent. Anthony Ashley Cooper, the Third Lord of Shaftesbury, who devoted the last years of his life to various problems of art, made an attempt to create the first serious theory of art in England. In this article, I try to show that Shaftesbury was faced with the need to choose between two competing approaches to art widespread in France at the turn of the century: the traditional approach, based on the poetic understanding of painting, the essence of which was history and its moral meaning, and the new one, proposed by Roger de Piles, based on the action of color and light and shade, which create a comprehensive visual effect independent of the story presented in the picture. Shaftesbury took a traditional approach, driven by moral fears and rather reluctant to make sensual pleasure the goal of art. At the same time, he appropriated the key concepts of Roger de Piles: the pictorial unity and the whole picture, ignoring the ideas associated with them. This should be understood as a half-measure that allowed him to modernize the language of art without the danger of compromising the moral importance of painting.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 31-40
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieciństwo w mieście na ziemiach polskich w XVI–XVIII wieku – możliwości źródłowe i perspektywy badawcze
Childhood in a Town in the Polish Territories in the 16th–18th Centuries – Available Sources and Research Perspective
Autorzy:
Żołądź-Strzelczyk, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/955182.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Childchood, Poland, 16th–18th Century
Opis:
The issues of a child and childhood in the Polish territories have been neglected by historians for a long time. One of the reasons for this situation was the lack of appropriate sources for such studies. On one hand, the sources for analysing the history of childhood are relatively scarce; on the other hand, the sources that exist do not often provide much information. Thus, in order to reconstruct the functioning of a child in those times a researcher must confront numerous sources concerning various aspects of town life. The sources include the legal sources (statutes, constitutions) as well as court, iconographic, school, personal/private, statistical, archeological and material sources. Their diversity and informative value depends on the size and wealth of a particular town. Bigger and more affluent cities produced more sources but they also did more for children, especially those who found themselves in a difficult situation – abandoned, orphaned or harmed.
Źródło:
Biuletyn Historii Wychowania; 2011, 27; 7-17
1233-2224
Pojawia się w:
Biuletyn Historii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Théâtres de société we Francji: salonowy eksperyment i laboratorium nowych reguł
Théâtres de Société in France: A Salon Experiment and Laboratory of New Rules
Autorzy:
Olkusz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/30102159.pdf
Data publikacji:
2018-12-20
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
teatr w XVIII w.
osiemnastowieczny salon
francuski teatr w XVIII w.
teatr francuski
społeczeństwo w XVIII w.
18th century theatre
18th century salon
French 18th century theatre
French theatre
18th century society
Opis:
W osiemnastowiecznej Francji théâtres de société stały się jedną z ulubionych rozrywek arystokracji, szlachty i zamożnych mieszczan. Niekiedy wymagały olbrzymich nakładów finansowych (jak u Księżny du Maine czy Markizy de Pompadour), często obywały się bez skomplikowanej dekoracji i wyszukanych kostiumów; niemal zawsze były organizowane przez kobiety, niemal zawsze łączyły się z aktywnością prowadzonych przez nie salonów. Ta moda na prywatne teatry tworzone z myślą o zaprzyjaźnionych widzach przyczyniła się do osłabienia hierarchiczności francuskiego społeczeństwa: gośćmi wykwintnych salonów stawali się aktorzy, nierzadko udzielający lekcji gry teatralnej (a nawet współwystępujący z możnymi amatorami na scenie), częstsze też stały się dyskusje między arystokracją a dramatopisarzami tworzącymi niektóre ze swoich utworów właśnie z myślą o théâtres de société, bądź jedynie współpracującymi przy prywatnych pokazach ich sztuk. Théâtres de société, wbrew wielu wyobrażeniom, nie były zatem pustą rozrywką – miały duży wpływ na zmiany hierarchii osiemnastowiecznego społeczeństwa.
Théâtres de societé became one of the favourite amusements of aristocracy, noblemen, and wealthy bourgeoisie of the 18th-century France. Some required substantial funding (as in the case of Duchess du Maine or Madame de Pompadour), though they often did without elaborate decorations and sophisticated costumes; nearly always they were organised by women, nearly always in connection with activities of their salons. The newfound passion for private theatres, organised with the audience of friends in mind, contributed to the weakening of the hierarchical structure of French society. Actors, often giving lessons in acting (and even acting with the powerful and privileged amateurs on stage) became guests of refined and sophisticated salons; discussions between aristocrats and playwrights, who composed some of their plays specifically with the théâtres de société in mind or simply assisted in staging their plays privately, became more common as well. Contrary to popular belief, théâtres de société were not just empty entertainment; they had an influence on the hierarchical changes within the 18th century society.
Źródło:
Pamiętnik Teatralny; 2018, 67, 4; 34-54
0031-0522
2658-2899
Pojawia się w:
Pamiętnik Teatralny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola kobiety w okresie prenatalnym i pierwszych dniach życia dziecka w świetle XVIII-wiecznego poradnika Józefa Legowicza
The Role of Women in the Prenatal Period and First Days of a Child’s Life in the Light of the Eighteenth-century Guidebook Written by Józef Legowicz
Autorzy:
Ziomek, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/956835.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
guidebook
Poland 18th Century
Józef Legowicz
Opis:
The author of the article presents how eighteenth-century writer Józef Legowicz sees the issue of motherhood. Józef Legowicz was a priest and a doctor of theology. He was a parson in Korkożyszki, a small village in Lithuania. He published 18 works, one of which was the guidebook Wedlock. He tried to show his parishioners the best way to achieve a harmonious marriage and raise children as good Christians. This guidebook is a valuable source of information about mother- and fatherhood in 18th Century Poland. The main task of this article is to show the unique role of women in the early stages of a child’s life.
Źródło:
Biuletyn Historii Wychowania; 2016, 35; 89-100
1233-2224
Pojawia się w:
Biuletyn Historii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Professional career and family life of Viennese Primadonnas. The case of Catarina Cavalieri and Aloysia Weber (Lange)
Autorzy:
Winiszewska, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/780101.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
singer
opera
18th century
Vienna
history of 18th century music
Mozart
Aloysia Lange
Catarina Cavalieri
Opis:
The aim of this article is to present the issue of female singers and their role in the society of eighteenth-century Vienna on the example of two women: Mozart’s sister-in-law Aloysia, née Weber, later Lange, and Catarina Cavalieri, the first Constance. These singers were rivals on the opera stage in late 18th century Vienna, as evidenced by the parts written for them by Mozart in his Der Schauspieldirektor. From the social point of view, the biographies of these two outstanding singers are very different.
Źródło:
Interdisciplinary Studies in Musicology; 2019, 19; 31-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europski uzori i hrvatski jezični priručnici u 18. stoljeću
Autorzy:
Košutar, Petra
Powiązania:
https://bibliotekanauki.pl/articles/678491.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Croatian 18th century lexicography
first grammar of Croatian
Croatian language handbooks in the 18th century
Opis:
European models for the Croatian language handbooks in the 18th centuryUntil the 19th century Croatian language handbooks, namely grammars, dictionaries and ortography books, were mostly bilingual and multilingual. Only at the begining of the 19th century was the first grammar of Croatian written in Croatian published, and in the second half of the same century the first monolingual dictionary – Academy’s Dictionary was published. The origin of this is not in the language itself. When writing these multilanguage handbooks, the authors followed domestic predecessors, as well as foreign. This work is an attempt to reveal those foreign language models that Croatian linguists in the 18th century followed and on the example of one metalexicographic theme – usage labels – to show development of Croatian 18th century lexicography within the European lexicography.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Prosta mowa” w tekstach o charakterze religijnym XVIII wieku (na podstawie wydań trebników w drukarniach bazyliańskich)
“THE PROSTA MOVA” IN TEXTS OF A RELIGIOUS NATURE IN THE 18TH CENTURY (BASED ON EDITIONS OF “TREBNYKS” IN THE BASILIANS’ PRINTING HOUSES)
Autorzy:
Getka, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/444380.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Basilians
prosta mova
18th century
trebnyk
Opis:
This article analyzes fragments of texts written in the prosta mova found in trebnyks printed by the Basilians. These fragments testify to the presence of the prosta mova in the church. They also confirm the opinions concerning the faint understanding of the Church Slavonic language by ordinary followers. In order for the faithful to able to consciously participate in various sacraments, the texts contained in the trebnyks were adapted to local language reality. The Basilian trebnyks that are subject to analysis in this article (except for the one printed in Supraśl) are very similar to the Orthodox Trebnyk by P. Mohyla, referred to here as relevant to the context of the problem. The fact that the Basilians followed Mohyla’s pattern so eagerly contradicts the emerging theories that the Basilian Order was engaged solely in the Polonisation activities.
Źródło:
Acta Neophilologica; 2016, XVIII/2; 129-139
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Synu mój najmilszy…”. Życie i edukacja Stanisława Mikołaja z Lubomirskich Tretera w latach 1776–1789, opisane przez ojca w trzynastu listach
“My Dearest Son…”. Life and Education of Stanisław Mikołaj Treter of the Lubomirskis in the Years 1776–1789 Described by his Father in Thirteen Letters
Autorzy:
Kowalczyk, Małgorzata Ewa
Powiązania:
https://bibliotekanauki.pl/articles/955198.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Mikołaj Treter, Poland 18th Century
Opis:
The author of the article presents the contents of an interesting treaty written in November 1785 in a mansion house in Mikołajów—situated in the Sandomierz area – by Stanisław Treter of the Lubomirskis (1744–1833), the chamberlain of the King Stanisław August Poniatowski. The purpose of the treaty was the presentation of life and education of his son Stanisław Mikołaj (1776–1861). The work devoted and dedicated to his, then nine-year-old, son, was written in a form of letters, very popular in the period of the Enlightenment. The letters are an interesting contribution to the history of upbringing, education, fatherhood, motherhood, childhood, travel and even medicine. They are a specific “voice of the epoch” reflecting the lifestyle, values, concerns and joys of the people of the Polish Enlightenment.
Źródło:
Biuletyn Historii Wychowania; 2011, 27; 59-70
1233-2224
Pojawia się w:
Biuletyn Historii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ciąża w opiniach mieszkańców Rzeczypospolitej Obojga Narodów w XVIII wieku
Autorzy:
Janicka, Jowita
Powiązania:
https://bibliotekanauki.pl/articles/2185110.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Wydział Nauk Historycznych i Pedagogicznych. Instytut Historyczny
Tematy:
18th century
nobility
women
pregnancy
opinions
Opis:
The article raises the issue of pregnancy as a special state not only in woman’s life, but also in life of people closest to her. Several opinions and advices regarding the “blessed state” (Polish expression for “a delicate state”) as seen by the population of Polish-Lithuanian Commonwealth in 18th century were quoted and discussed.
Źródło:
Śląski Kwartalnik Historyczny Sobótka; 2020, 75, 1; 73-92
0037-7511
2658-2082
Pojawia się w:
Śląski Kwartalnik Historyczny Sobótka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Reception and the Fear of Kant in the Late Eighteenth Century
Autorzy:
Kollárová, Ivona
Powiązania:
https://bibliotekanauki.pl/articles/1927694.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Hungary - Kant Immanuel - 18th century - eighteenth century - censorship - history
Opis:
Through a wide range of sources, this study reveals the non-philosophical spread of the ideas of Immanuel Kant in the Slovak regions of Hungary. The flow of philosophical ideas can be demonstrated not only in the works of the Hungarian followers of Kant, but also in censorship sources documenting the import of Kantian texts in the 1790s. The critical debates in correspondences and published texts reveal anti-Kantian argumentations. Information about the advertisements of Kant's works and subscriptions to them also help form an idea about their popularity. Research on private albums reveals how the philosophical legacy circulated, despite bans and repressions, in non-public communication networks and how its social area extended beyond the sphere of philosophy and education.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2021, 15, 3; 407-425
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reformacka pompa funebris Benedykta Roszkowskiego
Benedykt Roszkowski’s reformed pompa funebris
Autorzy:
Ługowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2082102.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Order of Reformed Friars Minor
Franciscan Order in Poland
18th Century religious ceremonies
funeral ceremonies
18th Century occasional decorations
funeral iconography
pompa funebris iconography
18th Century Polish culture
Opis:
Benedykt Roszkowski, a reformed friar from the Order of Reformed Friars Minor (Reformati) in the Greater Poland province (Wielkopol- ska), became famous as a religious preacher (sermoniser). He held this position for twenty-one years, in various centres of the province, and held the ministry of guardian a number of times. He was also a member of provincial government in the form of secretary and definitor (1779–1782) as well as fulfilling the role of custodian or provincial deputy (1785–1788). The friar also helped create settings for church ceremonies. This article discusses Roszkowski’s hitherto unknown manuscript containing a description of the artistic settings of six funeral ceremo- nies that took place in the Reformati Churches during the years 1758–1762. The descriptions were illustrated with the friar’s own watercolours depicting the theatrum created during funeral ceremonies. The document, written in Latin, was made between 1762 and 1764 as Roszkowski’s gift to the Provincial Superior of Greater Poland, Father Dionizy Sydry. His descriptions include the funeral of the CrownOboźnina (wife of the Crown Great Camp Leader) Teresa Teofila Lipska née Dąbska, and the funeral rites in memory of theOboźny (Crown Great Camp Leader) Prokop Lipski in the Reformati Church in Poznań (1758); the funeral of the Master of the Hunt’s wife from Wschowa, Zofia Gorzyńska, in the Reformati Church in Miejska Górka (1761); the exequies of Zofia Puklatecka in the Reformati Church in Poznań (1762); the funeral of Brygida Czapska née Działyńska, the wife of the Malbork voivode, in the Reformed Church in Pakość, and the funeral rites in the parish church in Konarzewo (1762). For all these funerals, the friar designed both the interior of the church and the castrum doloris placed in the centre. The baldachin-type castrum doloris dominated: on a multi-step platform (sometimes taking the shape of a fortress with bastions) with a raised coffin were figures of Virtues or personifications, and on its sides were obelisks in the form of rocaille or decorative columns crowned with busts of Virtues. The whole structure was topped with a hanging fabric baldachin. In such artistic settings, the friar combined heraldic content with references to both the Bible and mythology. With the informal character of its descriptions, this manuscript differs from the occasional prints published by Roszkowski. Not only does the friar specify the material from which individual elements were made, but he also demonstrates the real context of their presentation. It is the first time we find in one document the descriptions of so many elements of thepompa funebris, along with their visual representations, made by a man who was artist, designer and preacher in one. These various aspects make Roszkowski’s work a special source for research on the funeral culture of the former Polish-Lithuanian Commonwealth, one which finds no equal.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 91-108
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reddite, quae sunt Caesaris, Caesari. Dekoracje okolicznościowe w spiskich kościołach w listopadzie 1772 roku
Reddite, quae sunt Caesaris, Caesari. Occasional decorations in the churches of the Spiš region in November 1772
Autorzy:
Staniszewska, Maria Kazimiera
Powiązania:
https://bibliotekanauki.pl/articles/2082097.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
18th Century occasional decorations
18th Century religious ceremonies
Spiš artistic culture
political ceremony
state ceremony
political iconography
Opis:
The county of Spiš, consisting of enclaves within the territory of the Kingdom of Hungary, ethnically and religiously diverse, fre- quently administered by eminent personalities and situated on an important trade route, has played an important political and economic role over the centuries. The pawned towns of Spiš, which were never bought back, were the subject of claims by the southern neighbours of the Polish-Lithuanian Commonwealth until they were cut off from it in 1769 by a sanitary cordon imposed by the Imperial army. The return of the thirteen Spiš towns and the dominion of the Lubelsko-Podolinieckie province to the Kingdom of Hungary is a well-known occurrence, but tracing the detailed course of this process requires further research, in particular archival research. Bearing testament to this turbulent period are the documents preserved in Vienna’s Österreichisches Staatsarchiv related to żupan Jan Csáky de Keresztseg. The article discusses a letter from Jan Nepomucen Kirschner, parish priest in Żakowce, which describes the church decorations in major towns in the former starosty on the occasion of its incorporation into Hungary in November 1772. According to the brief account of Father Kirschner, the altars in the churches were adorned with Hungarian crowns and inscriptions citing biblical verses. Also mentioned is other archival material from the collection, which may enrich our knowledge of the course of these celebrations, such as the texts of the żupan’s speech and the townspeople’s oaths, as well as of those pieces composed in honour of Csáky, Maria Theresa and Joseph II. The discussed documents are a rare example of Spiš archival material containing descriptions of the decorations for a state ceremony in this area. According to the narrative of the ceremonial programme, the moment of incorporation of the thirteen towns and Lubowelski dominion into the Hungarian county is a triumph of justice – the lost parts of Spiš return to their rightful rulers, whose good governance will ensure peace and stability for the inhabitants of the region. The form and ideological message of the various elements of the ceremonial setting (both visual and literary) was relatively simple, probably in order to adapt it to the needs of the mass audience taking the oath of allegiance to the new authorities.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 149-161
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 427

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