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Wyświetlanie 1-3 z 3
Tytuł:
ВАРИАНТ ИСТОРИИ ДОН ЖУАНА В УКРАИНСКОЙ КУЛЬТУРЕ (АРХЕТИП ЛЕСИ-ДОЛОРЕС В БАЛЕТЕ КАМЕННЫЙ ВЛАСТЕЛИН ВИТАЛИЯ ГУБАРЕНКО ПО ДРАМЕ ЛЕСИ УКРАИНКИ)
THE VERSION OF DON JUAN’S HISTORY IN UKRAINIAN CULTURE (LESYA-DOLORES ARCHETYPE IN THE STONE PROPRIETOR BALLET BY VITALY HUBARENKO AT LESYA UKRAINKA’S DRAMA)
Autorzy:
Драганчук, Виктория
Powiązania:
https://bibliotekanauki.pl/articles/566568.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
музыкальный дискурс
архетип
балет
драма
фемин-персонализм
musical discourse
archetype
ballet
drama
Femin-personalism
Opis:
Lesya Ukrainka created a version of Don Juan’s history in Ukrainian culture. The poet introduced in the drama the Dolores image who loves Don Juan. Dolores became a symbol of the love archetype in the art work. Vitaly Hubarenko’s work in great academic ballet genre is one of best artistic interpre-tations of this drama. Ballet style is an allusion to S. Prokofiev’s style. Dolores image gets characteristic by genres of lullaby and prayer. Tenderness of character is embodied by penetrating sound of violins in the high register. The transformation of love theme shows us another facet of the Dolores personality who committed a self-sacrifice act for the sake of a loved one. Dolores in the ballet represents the female essence of love as a creation, thus the term „Femin-personalism” is offered in this article. The understanding of the term is defined by analogy with the philosophy. P. Bowne, E. Mounier, N. Berdyaev and other thinkers have shown an archetype of personality as a person which has a divine source.
Źródło:
Ars inter Culturas; 2016, 5; 63-74
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ИДЕЯ СВЕТА В ФИЛОСОФИИ ГРИГОРИЯ СКОВОРОДЫ: ДВЕ ЛИТЕРАТУРНО-МУЗЫКАЛЬНЫЕ ВИЗИИ (по произведениях А. Щетинского и Л. Грабовского)
THE IDEA OF LIGHT IN THE PHILOSOPHY OF GREGORIY SKOVORODA: TWO LITERARY-MUSICAL VISIONS (to the works of A. Szczecinskiy and L. Grabowskiy)
Autorzy:
Драганчук, Виктория
Powiązania:
https://bibliotekanauki.pl/articles/566349.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
литературно-музыкальный дискурс заповеди духовно-нравственного самосо- вершенствования
„закон сродности”
хоровая симфония
кантата
literary-musical discourse commandments of a spiritual-moral self-improvement
“cognation law”
choral symphony
cantata
Opis:
This essay investigates the musical works on the texts by the leading Ukrainian philosopher H. Skovoroda. It is argued that Skovoroda developed specific commandments designed for a spiritual/moral self-improvement. The first commandment relates to a vision of the world order. According to Skovoroda, the human being has two distinct natures: (1) the external body and (2) the internal divine. The manifestation of the latter relates to a meaning of life: to awake the divine light in order “to conquer death”. The second commandment sees “the joy of the heart as the light of God’s love”. The “know thyself” call, indicates the true path of knowledge, because the “inner” human reflects the spark of God. These commandments are utilized in the choral symphony: Know Yourself by A. Szczecinskiy, and the cantata: Temnere Mortem by L. Grabowskiy. The third commandment is “cognation law”. “Cognation” relates to the notion of national identity and the community’s response to it.
Źródło:
Ars inter Culturas; 2015, 4; 189-202
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
АРХЕТИП ЛЮБВИ В ДУХОВНОЙ ВИЗИИ ЛЕСИ УКРАИНКИ И ЕГО МУЗЫКАЛЬНЫЙ ДИСКУРС
THE LOVE ARCHETYPE IN LESYA UKRAINKA’S SPIRITUAL VISION AND IT’S MUSICAL DISCOURSE
Autorzy:
Драганчук-Кашаюк, Виктория
Powiązania:
https://bibliotekanauki.pl/articles/566536.pdf
Data publikacji:
2018-12-14
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
творчество Леси Украинки
архетип Любви
опера
балет
вокальная лирика
музыкальный дискурс
Эго-концепт
фемин-персонализм
Lesja Ukrainka’s creation
Love archetype
opera, ballet
vocal lyric
musical discourse
Ego-concept
Femin-personalism
Opis:
The discourse of the Ukrainian musical culture is contains numerous appeals to the poetic legacy by Lesya Ukrainka. Therefore, understanding the musical-theatrical, choral, chamber- vocal works by M. Lysenko, K. Stetsenko, Y. Stepovy, S. Lyudkevych, M. Skorulsky, S. Turkevych-Lukiyanovych, V. Kyreiko, I. Shamo, Y. Stankovych, L. Dychko, O. Kozarenko, V. Tymozhinsky and other composers who entered into a musical and poetic dialogue with the poetess, is provides an understanding the key positions of the poet’s philosophy. In our opinion, a new spiritual vision was born in the Lesya Ukrainka’s creative matrix, which embodied the Ukrainian mental Ego in the female image of a spiritual knight and presented it as a weighty component of world culture. More than a hundred years ago, the poet showed a woman’s personality as a com-creator, which has a divine beginning, and therefore we interpret its philosophy in the vein of Femin-personalism (the term is proposed). The three Love types which were shown in Lesya Ukrainka’s works and in her musical discourse are as follows: Ancient Greek “agape. (in variants Love-Spirit, Love-Soul, Love-Eros), Love as a component of national Ego-concept, Love as an immortal divine spirit. The musical discourse expects the interpretation of the drama “Obsessed. and others from the “Blue Rose. to “Cassandra., “In the Catacombs., “Rufin and Priscilla. and others.
Źródło:
Ars inter Culturas; 2018, 7; 111-120
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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