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    Wyświetlanie 1-2 z 2
    Tytuł:
    Metafory zwierzęce w Błogosławieństwie Jakuba (Rdz 49, 1-28)
    Animal Metaphors in the Blessing of Jacob (Gen 49:1-28)
    Autorzy:
    Wajda, Anna Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/2034916.pdf
    Data publikacji:
    2019-04-16
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    błogosławieństwo Jakuba
    metafory zwierzęce
    lew
    osioł
    wąż
    łania
    wilk
    Jacob’s blessing
    animal metaphor
    lion
    ass
    snake
    doe
    wolf
    Opis:
    The relatively numerous references to animals in the blessing of Jacob(Gen 49: 1-28) show that the biblical author had a broad knowledge of nature.According to the current classification of living organisms and method ofresearch used by modern zoology, it is stated that these observations donot have the characteristics of scientific research. In spite of this, they arethe evidence of the clear-sighted observation of animals, which is reflectednot only in the knowledge of the appearance of individual species, but alsoof specific behaviours related to their way of life. It concerns not only domesticanimals, like the ass (cf. Gen 49: 14), but also wild representativesof the fauna. References concerning the latter apply to the species perceivedas highly dangerous to man and domestic animals, that is the lion(cf. Gen 49: 9), snake (cf. Gen 49: 17) or wolf (cf. Gen 49: 27). Amongstthe animals mentioned in the blessing of Jacob one can also distinguishthose which aroused admiration because of their appearance, such as thedoe (cf. Gen 49: 21). At the same time, it is essential to emphasise the factthat the wealth of animal metaphors is just a tool used to translate “God’saddress” into human language.
    Źródło:
    Collectanea Theologica; 2018, 88, 4; 53-73
    0137-6985
    2720-1481
    Pojawia się w:
    Collectanea Theologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Świat biedy i wyzysku w dawnym Waldenburgu w I połowie XX wieku na przykładzie filmu Ums tägliche Brot – Hunger in Waldenburg (O chleb powszedni – Głód w Wałbrzychu)
    The world of poverty and exploitation in the former Waldenburg in the first half of the 20th century on the example of the film „Ums tägliche Brot – Hunger in Waldenburg” ("For daily bread – Hunger in Wałbrzych")
    Autorzy:
    Południak, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/2011072.pdf
    Data publikacji:
    2021
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    poverty
    Wałbrzych
    Leo Lania
    count Alexander Stenbock-Fermor
    Um's tägliche Brot – Hunger in Waldenburg
    film
    Opis:
    After the end of World War I, the economic situation of Germany, but also of many other countries, deteriorated drastically. Inflation unprecedented on such a large scale has left many people in dire poverty. It was especially visible in the Wałbrzych Basin, where some mines, which were the main place of employment for the local population, were closed. In the chapter entitled The world of poverty and exploitation in the former Waldenburg in the first half of the 20th century on the example of the film "Um's tägliche Brot – Hunger in Waldenburg" ("For daily bread – Hunger in Wałbrzych"), Natalia Południak analyses the economic and social situation of workers living in Wałbrzych in the mid-twentieth century. The aim of the chapter is to show how working-class families lived in a highly industrialized region and how they were exploited by factory owners, including the Hochberg family from Książ Castle. The research was based on secondary sources and the descriptive method was used. Leo Lania took advantage of this difficult situation in Wałbrzych and made the film "Um's tägliche Brot – Hunger in Waldenburg" ("For daily bread – Hunger in Wałbrzych"). The city's inhabitants appear in the film. It is a silent film with subtitles in German, which, however, were not allowed by censorship and removed from the film. Phil Jutzi was the director and cinematographer. Count Alexander Stenbock-Fermor also showed interested in the situation of Wałbrzych workers by publishing his book Deutschland von Unten. Reise durch die Proletarische Provinz in 1931. He presented statistical data that he managed to collect, but also wrote down reports of what he saw when visiting Wałbrzych families. After Adolf Hitler came to power, the film was not shown in cinemas and was forgotten for many years. The inhabitants of Wałbrzych saw it for the first time in 2010 in the Old Mine of Science and Art Center in Wałbrzych.
    Źródło:
    Facta Ficta. Journal of Theory, Narrative & Media; 2021, 7, 1; 9-23
    2719-8278
    Pojawia się w:
    Facta Ficta. Journal of Theory, Narrative & Media
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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