Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę ", sublime" wg kryterium: Temat


Tytuł:
“BETWEEN REAL PLACE AND MENTAL LANDSCAPE” THE MODERN SUBLIME IN PETER BOARDMAN’S AND JOE TASKER ’S ACCOUNTS OF CLIMBING CHANGABANG
„Między miejscem rzeczywistym a pejzażem mentalnym”: Nowoczesna podniosłość w opisach Petera Boardmana i Joe Taskera wchodzenia na Changabang
Autorzy:
Moczyńska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/509206.pdf
Data publikacji:
2017
Wydawca:
Akademia Finansów i Biznesu Vistula
Tematy:
travel literature
sublime
Peter Boardman
Joe Tasker
literatura podróżnicza
wzniołość (sublime)
Opis:
This article focuses on the accounts of climbing the particularly difficult West Wall of Changabang, a mountain in the Garhwal Himalaya, by a team of two British mountaineers: Peter Boardman and Joe Tasker. Close-reading of these non-fiction narratives is aimed at tracing the echoes of the best-known theories of the sublime developed by Edmund Burke and Immanuel Kant, as well as the modern interpretation of the concept by Jean-François Lyotard. It appears that, though never explicitly referring to the sublime, Boardman’s and Tasker’s portrayals of their Changabang expedition not only contain some of its conventional elements, but also highlight the impossibility of representation and internal contradictions that are now emphasized as its important characteristic features. Based on Tsang Lap Chuen’s theory of the sublime, the article is an example of reclaiming the now mostly art-related concept so that it is more closely linked with real-life experience. In this way, mountain literature can be read as a reflection of the process at the origin of a cultural construct.
Przedmiotem analizy są relacje ze wspinaczki wyjątkowo trudną Ścianą Zachodnią himalajskiej góry Changabang przez dwuosobową wyprawę brytyjską – Petera Boardmana i Joego Taskera. Szczegółowa analiza opisów autentycznych wydarzeń pozwala odnaleźć elementy zarówno najbardziej znanych teorii wzniołości (sublime) sformułowanych przez Edmunda Burke’a oraz Immanuela Kanta, jak i współczesnej interpretacji tego pojęcia przez Jean-François Lyotarda. Choć sama koncepcja wzniosłości nie jest bezpośrednio przywoływana przez Boardmana i Taskera, ich relacje z wyprawy na Lśniącą Górę zawierają odniesienia do poszczególnych konwencjonalnych motywów, a także uwypuklają niemożność pełnego odzwierciedlenia przeżyć oraz wewnętrzne sprzeczności Bazując na teorii wzniosłości zaproponowanej przez Tsanga Lap Chuena podjęto próbę odzyskania pojęcia wzniosłości, używanego obecnie głównie w kontekście sztuki, na potrzeby opisu autentycznych doświadczeń i przeżyć. W tym ujęciu literaturę górską można interpretować jako odwzorowanie procesu, który ukształtował sublime jako kulturową konstrukcję myślową.
Źródło:
Zeszyty Naukowe Uczelni Vistula; 2017, 52(1) Filologia; 139-151
2353-2688
Pojawia się w:
Zeszyty Naukowe Uczelni Vistula
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intimate but Not Private: Deep Image and the Telluric Sublime in W. S. Merwin’s Poems
Autorzy:
Zazula, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2020896.pdf
Data publikacji:
2016
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Merwin
sublime
spirituality
poetry
Opis:
If we define a poet’s encounter with the sublime as an inherently religious experience, then many of W. S. Merwin’s poems can be considered as deeply religious. At its best, his poetry has an air of uncanny familiarity, a “familiar strangeness,” as one critic has put it. In this sense Merwin’s lyrics offer a modified approach to the concept of the sublime. Blending archetypal imagery with defamiliarized diction, the American poet tries to reconnect his readers with a long-gone religious paradigm – that of earth-oriented, pagan spirituality of Western Europe, filtered, though, through Merwin’s essentially Buddhist sensibility. Offering a close-reading analysis of selected poems (with an emphasis on Merwin’s use of what Robert Bly calls the deep image), this paper attempts to decode some of their more complex metaphorical meanings in the light of the poet’s spiritual affinities. These, though theologically unspecified, seem grounded in his both “pagan” and poignant awareness of nature’s self-contained status vis-á-vis the human condition. Thus, both Nature’s ultimate ontological status and Merwin’s private creed remain a riddle.
Źródło:
Academic Journal of Modern Philology; 2016, 5; 181-189
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Utopian and the Gothic in Ellis James Davis’s ”Pyrna: A Commune; or, Under The Ice”
Autorzy:
Komsta, Marta
Powiązania:
https://bibliotekanauki.pl/articles/605890.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
utopia
Gothic
sublime
numinous
space
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch.
The paper discusses spatial modelling in Ellis James Davis’s Victorian utopia, Pyrna: A Commune; or, Under The Ice (1875) in the context of appropriating the Gothic mode into the utopian convention. In what follows, by examining selected aspects of the novella’s presented world, this article argues that the Gothic tropes of numinosity and sublime constitute significant elements of the examined narrative as major defamiliarizing components of the semiotically monolithic utopian spatial model.
L'article contient uniquement les résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
Autorzy:
Allen, David
Handley, Agata
Powiązania:
https://bibliotekanauki.pl/articles/641498.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
simulacrum
sublime
DeLillo
Baudrillard
Plato
Opis:
In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Agalmatophilic Pygmalions: Burke and Winckelmann on the Beautiful and the Sublime
Autorzy:
Antal, Éva
Powiązania:
https://bibliotekanauki.pl/articles/31318154.pdf
Data publikacji:
2024-04-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
self
sublime
beautiful
sexes
statues
Burke
Winckelmann
Opis:
There is a good chance that “each critic becomes a Pygmalion” (as Leo Curran put it) when they bring the work of art to life in their narcissistic (and almost amorous) attention, unfolding its meaning so that they should be able to write their own interpretation. The starting point of the present text is the perfection of sculptural forms, and the author discusses “traditional” aesthetic concepts: the beautiful and the sublime along with the difference and interplay of the two qualities, bearing in mind their variations and relations. The framework is provided by the occurrence of these two in the discourses on the self and taste in the eighteenth-century while the focus is on subjective criticism concerning the beautiful versus the sublime in the artistic and sensual experience of statues. Within the given framework, the author is planning to force Edmund Burke, stiffened by the experience of the sublime, and Winckelmann, softened by the sight of the Greek statues, into a dialogue on individual taste.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2024, 8, 1; 39-68
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Lem i biologiczna wzniosłość. Biologia, technologia, fantastyka naukowa
Stanislaw Lem and the Biological Sublime. Biology, Technology, Science Fiction
Autorzy:
Gomel, Elana
Tokarski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/520078.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Stanislaw Lem
science fiction
Solaris
Eden
Fiasco
Darkness and Mildew
Ijon Tichy
the sublime
the biological sublime
Opis:
This article introduces the concept of the biological sublime and argues that it is central to Stanislaw Lem’s science-fictional poetics. The biological sublime is an aesthetic reaction to the monstrous body conceptualized in terms derived from the aesthetic theories of Burke, Kant, Lyotard, and Barthes. This reaction fuses attraction and repulsion, awe and horror. It transcends the moral calculus of good and evil but has profound ethical implications as it grapples with the concept of the “totally Other” beyond human understanding. The article discusses the visual poetics of Lem’s major novels Solaris, Eden, and Fiasco, alongside lesser-known works such as the story Darkness and Mildew and the Twenty-second Voyage of Ijon Tichy. It suggests that Lem’s deployment of the biological sublime offers important clues to understanding our ambivalent relationship with biotechnology and our perennial fascination with monster movies.
Źródło:
Creatio Fantastica; 2018, 2(59); 57-68
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conjuring Life: Magic in the Poetics of Marina Tsvetaeva
Autorzy:
Lane, Tora
Powiązania:
https://bibliotekanauki.pl/articles/635673.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Tsvetaeva
magic
conjuration
romanticism
modernism
poetry
the Sublime
Opis:
This article discusses the notion of magic in the poetics of Marina Tsvetaeva (1892–1941) against the backdrop of romanticism and Russian modernism. Magic is related to the poet’s explorations  of folklore,  and  also  to  Romantic,  symbolist  and  futurist  invocations  of  it. Concepts  of  magic  are central  to  Tsvetaeva’s  poetics;  she  considers  conjuration  to  be a  property  of  language  that facilitates  contact  with  the  demonic,  elemental  and  natural aspects of the world. These elemental aspects are not to be considered merely as the poet’s mythologisations of the world, but also as her reflections on the capacity of poetic language to speak of what is otherwise hidden in the world. 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rousseau : la nature et le sublime
Autorzy:
Bala, Ilona
Powiązania:
https://bibliotekanauki.pl/articles/638211.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Rousseau, nature, the sublime, the soul, aesthetics of landscape, ethics
Opis:
The metaphysical idea of “nature” is one of these tuning ideas of the philosopher of the Enlightenment, Rousseau. On one side, we see the romantic and wild picture of nature, like “the ocean, the mountains, the rocks, the waterfalls”, on the other side there is nature tamed by the humans. The mountain’s soul looked like phenomenon of unexpected (something which surpasses the expectations and reveal the dramatized, restless nature), is something which escapes its being (in the metaphysical sense) and which confronts this soul in a kind of terror. Also we underline that the sublime of the mountain provokes some sort of terror. The push of Rousseau’s thought shows nature as an association with the state of the soul within an internal experience. We can conclude that the “polarity of the subjective – (emotional) inner and of the objective external (the natural world)” opens the possibility to question this dispute.
Źródło:
Romanica Cracoviensia; 2014, 14, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humanistica e teologia
Autorzy:
Borges de Meneses, Ramiro Délio
Powiązania:
https://bibliotekanauki.pl/articles/2158648.pdf
Data publikacji:
2012
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Kant
St. Thomas
sublime
art conditions
finality
understanding
and reason
Opis:
According to Kant beautiful is the lust object, and he refers to the universal complacence that universality is beautiful, and the sublime será o ânimo estético that comes from aesthetic judgment. However, according to St. Thomas from Aquinas beautiful is – quod visa placent.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2012, 2(4); 21-45
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historyczne formy waloryzacji ruin
Autorzy:
Frydryczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/631029.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ruin
nature
landscape
the picturesque
the sublime
natural time
Opis:
On the historical and cultural plane, ruins are a lasting element of our landscape. The attitude towards ruins evolved, yet eventually, the 18th and 19th century “cult of ru-ins” allowed them to be perceived from the perspective of aesthetics, which, associating ruins with the category of the picturesque and the sublime, rendered a new meaning to them. The principal thesis of the article rests on the assumption that the discovery of ruins was possible due to the recognition of the landscape’s aesthetic dimension, while their essence lies in their permeation into the world of nature, which allows them to live a natural time.
Źródło:
Studia Europaea Gnesnensia; 2011, 3; 175-194
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Technophobia and Technophilia in American Postmodern Criticism
Autorzy:
Ładyga-Michalska, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/888851.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
technicity
technological sublime
modernism
postmodernism
action painting
collage
revolution
Opis:
The paper examines critical terminology used with reference to postmodernist aesthetics, e.g. terms such as technological sublime or self-referentiality, through the prism of its relation to the question of technicity. Following the theoretical approaches proposed by Jacques Rancière in The Politics of Aesthetics (2000) and by Bernard Stiegler in Technics and Time (1994) the paper argues that the postmodern visions of mobile textuality, active authorship, and democratic readership are related to particular modes of understanding technicity and its related notions of action and activity as established and consolidated by the transformative effect of the Technological Revolution of late 19th century and its 20th century aftermath.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 161-175
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mesmerization with the Lights On: Poe’s “The Facts in the Case of M. Valdemar”
Autorzy:
Tindol, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2032696.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Edgar Allan Poe
the Sublime
Jacques Lacan
Immanuel Kant
Slavoj Žižek
Opis:
Edgar Allan Poe’s eerie short story “The Facts in the Case of M. Valdemar” is a particularly noteworthy example of the sublime, a psychological state in which one is overwhelmed by the magnitude of that which is perceived by the mind. Valdemar exemplifies the sublime in that his death has somehow been suspended in time because he was under hypnosis as part of a medical experiment at the moment of his passing. However, the story also draws particular attention to the means by which insight into the nature of death is acquired by the hypnotist who narrates the story. For a more comprehensive understanding of the sublime experience, one may turn to the psychoanalytic theory of Jacques Lacan and the postmodernist work of Slavoj Žižek, which lead to the conclusion that the dramatic chain of events in “Valdemar” is an example of the sliding signifier, and, moreover, that the instability of the signifier may explain the sublime effect.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 353-368
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyczna złożoność i pewna specyficzna forma doświadczenia estetycznego
On Music Complexity and Some Specific Form of an Aesthetic Experience
Autorzy:
Moraczewski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1042059.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
muzyka
kultura
wzniosłość
złożoność
estetyka
symbol
music
culture
sublime
complexity
aesthetics
Opis:
The main topic of the article is the explanation of repeatable interpretationsof the experience of music in terms of the experience of eternity. The problem is approachedby introducing Kant's concept of the mathematical/dynamic sublime and then by suggesting that the experience of the mathematical sublime can be also achived on a waywhich Kant did not analyze, i.e. thanks to the contact with aesthetical complexity. Theconditions of such an experience are being researched. The second point of delibarationconcerns the transition from experiencing the complex as sublime to interpreting it assymbol of the eternal. The examples used are coming mainly from the field of music,including J.S. Bach and O. Messiaen.
Źródło:
Zeszyty Naukowe Centrum Badań im. Edyty Stein; 2016, 15; 289-307
1895-2984
Pojawia się w:
Zeszyty Naukowe Centrum Badań im. Edyty Stein
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Methods of Dogmatic Discourse in the Dispute over the Immaculate Conception of the Blessed Virgin Mary as Exemplified by German Dominican Theologians from the 13th to the 16th Century
Autorzy:
Ferdek, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/50142192.pdf
Data publikacji:
2024
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
scholastic method
lectio divina
immaculate conception
sublime sanctification
heresy
reinterpretation
Opis:
The important problem of the publication is expressed by two questions: what method was used by German Dominican theologians who were supporters of the Immaculate Conception? How did the change in method change the view of the Immaculate Conception? The path to solving the problem has three stages. The first of them is a reconstruction of the views on the Immaculate Conception of German Dominican theologians. The next stage examines these views in terms of the method used. The final stage is a critical look at the methods used by Dominican supporters of the Immaculate Conception. The method used in the article consists of: systematization of the views of German Dominicans, analysis of the methods used by them and a discourse on the methods of the supporters of the Immaculate Conception with the opponent of this opinion, St. Thomas Aquinas. The change of method, from the scholastic method to the liturgical method (lex orandi – lex credendi), the argument from congruity (ex convenientia), and typological exegesis, has led a few Dominican theologians to the opinion that Mary was preserved or purified from original sin, or that she was conceived without original sin. The methods used by Dominican supporters of the Immaculate Conception have weaknesses. They resemble a circumstantial trial, which provides a high degree of probability, but not proof. This weakness of the methods is exposed by the discourse of these methods with the scholastic method of St. Thomas. This discourse results in the postulate of reinterpreting the Immaculate Conception. We should return to the biblical term “sanctification” and explain that Mary was saved by a more sublime sanctification. This would prevent the immaculate conception of Jesus from being equated with the immaculate conception of Mary. Only Jesus is Immaculate because He was conceived by the Holy Spirit, and His Mother, conceived by Joachim and Anna, was saved by a more sublime sanctification.
Źródło:
Verbum Vitae; 2024, 42, 3; 557-582
1644-8561
2451-280X
Pojawia się w:
Verbum Vitae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Retoryka prawdy uwidocznionej: sztuka performansu
Autorzy:
Bobkowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/487820.pdf
Data publikacji:
2018
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
PERFORMANCE
PROVOCATION
BODY
SELF-TORTURE
THE SUBLIME
PERFORMANS
PROWOKACJA
CIAŁO
SAMOUDRĘKA
WZNIOSŁOŚĆ
Opis:
The rhetoric of the truth made visible: the art of performance This paper is focused on the phenomenon of the art of performance and happening, in particular by Allan Kaprow, as well as the forms of self- torture in the art of Chris Burden and Günter Brus. In their expression, performance is sincerity, the moment of truth, bringing out to light what, by the immersion in the stream of life, could remain undiscovered and veiled. The rhetoric of truth in this art is presented, inter alia, in the con- text of Heidegger’s statements on the essence of art and the function of the process. Performance is a peculiar, modern form of aestheticism, challenging time and the temporary dimension of existence, the limita- tions of one’s body and the psyche. In this way, the madness of this art comes close to the experience, which Kant describes as the sublime. The form of self-torture in this art discloses the need to escape from the suf- fering inflicted by being and the Self’s escape from itself in the philoso- phy of Emmanuel Levinas.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 26; 86-106
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies