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Wyświetlanie 1-4 z 4
Tytuł:
„Życiopisanie” w operach Aleksandra Nowaka – Sudden Rain, Space Opera
“Life-writing” in Aleksander Nowaks operas: Sudden Rain and Space Opera
Autorzy:
Zgliniecka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/513860.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
“life-writing”
opera
Aleksander Nowak
“Space Opera”
“Sudden Rain”
relation between text and music
Opis:
“Life-writing”, manifesting itself in the extremely personal character of the composition, is one of the most important features of Aleksander Nowak's work, which clearly distinguish him from other composers. “Life-writing” conceals such creative inspirations as the methods and means of composing. Nowak very often draws topics or sound material of the composition from his own life experiences. At the same time, he hopes to achieve a certain type of energy or emotions, which will then to evoke the feelings that are similar to those accompanying the writing of the piece. The issue of conveying in the work any or more specific, though significant, emotions is therefore a first-rate issue. For this reason, in his works the musical tradition is often combined with the popular and well-known music. A specific representation of the idea of “life-writing” are Nowak's operas: Sudden Rain for soprano, baritone, mixed choir and chamber orchestra and two-act Space Opera for soprano, mezzo-soprano, countertenor, baritone, bass, mixed choir and symphonic orchestra.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 3(38); 81-102
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Life-writing” in Aleksander Nowak’s Operas: Sudden Rain and Space Opera
Autorzy:
Zgliniecka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/513964.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
“life-writing”
opera
Aleksander Nowak
“Space Opera”
“Sudden Rain”
relation between text and music
Opis:
“Life-writing”, manifesting itself in the extremely personal character of the composition, is one of the most important features of Aleksander Nowak’s work, which clearly distinguish him from other composers. “Life-writing” conceals such creative inspirations as the methods and means of composing. Nowak very often draws topics or sound material of the composition from his own life experiences. At the same time, he hopes to achieve a certain type of energy or emotions, which will then to evoke the feelings that are similar to those accompanying the writing of the piece. The issue of conveying in the work any or more specific, though significant, emotions is therefore the first-rate issue. For this reason, in his works, the musical tradition is often combined with the popular and well-known music. A specific representation of the idea of “life-writing” are Nowak’s operas: Sudden Rain for soprano, baritone, mixed choir and chamber orchestra and two-act Space Opera for soprano, mezzo-soprano, countertenor, baritone, bass, mixed choir and symphonic orchestra.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 3(38) Eng; 79-103
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ahat ilī – Sister of Gods by Olga Tokarczuk and Aleksander Nowak: From the Novel to the Operatic Libretto
Autorzy:
Zgliniecka-Hojda, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/2176097.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Literaturoper
contemporary opera
libretto
librettology
Aleksander Nowek
Olga Tokarczuk
Opis:
Aleksander Nowak’s (*1979) third opera, ahat ilī – Sister of Gods, premiered in 2018, sets a libretto by Polish Nobel Prize winner Olga Tokarczuk, based on her own novel. This marriage of literature and opera, reinforced by the unique situation in which the author of the text which served as an inspiration and of the libretto is one and the same person, suggests that the work could be defined as a Literaturoper. My paper aims to analyse this composition in terms of genre as well as to represent the unique path of its content’s transformation from a literary into an operatic work, along with an analysis of the verbal component presented from the librettological perspective.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47) ENG; 157-176
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ahat ilī – siostra bogów Olgi Tokarczuk i Aleksandra Nowaka. Od powieści do operowego libretta
ahat ilī – Sister of Gods by Olga Tokarczuk and Aleksander Nowak: From the Novel to the Operatic Libretto
Autorzy:
Zgliniecka-Hojda, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/2171363.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
literary opera
contemporary opera
libretto
librettology
Aleksander Nowak
Olga Tokarczuk
Opis:
In 2018, the third opera composition by Aleksander Nowak (*1979), ahat ilī – Sister of Gods had its premiere., The libretto was created by Polish Nobel Prize winner Olga Tokarczuk, on the basis of her own novel. This kind of combination of literature and opera, reinforced by the unique situation in which the author of the text-inspiration and the libretto is the same person, suggests that the work should be defined as a literary opera. The aim of the article is to present the composition in terms of its genres as well as to show the unique path of its content from literary work to operatic, together with the analysis of the libretto from the librettological perspective.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47); 157-176
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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