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    Wyświetlanie 1-13 z 13
    Tytuł:
    Европейские связи Бориса Пастернака
    The European Connections of Boris Pasternak
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/482273.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Opis:
    Boris Pasternak continued and developed family traditions of contacts with European andespecially German culture. These connections affected both his life and oeuvre. As a child anda young man he twice stayed for several months in Berlin and studied in Marburg when he alsotoured Venice; in 1935 he took part in a congress held in Paris. Upon the occasion of thosesojourns Pasternak became acquainted with outstanding representatives of European culture andmaintained the ensuing contacts via correspondence. His creative relations involved Europeanthemes, the location of the plot and the protagonists. He also made a great and valuable contributionto the assimilation by Russian culture of prominent works of German (Goethe, Schiller,Kleist), English (Shakespeare) and other literature, including Polish (Slowacki).
    Źródło:
    Acta Polono-Ruthenica; 2011, 1, XVI; 277-284
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Boris Pasternak wobec przemian cywilizacyjnych
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/1023441.pdf
    Data publikacji:
    2019-09-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    civilization
    contemporaneity
    life
    oeuvre
    railway
    Opis:
    Boris Pasternak made use of available means of transport and communication on a daily basis. This fact, however, was not reflected in his autobiographical writings, correspondence and his oeuvre. The sole exception was the railway, playing a significant role in the life of the author and his protagonists as well as in the contents and form of his works.
    Źródło:
    Studia Rossica Posnaniensia; 2019, 44, 2; 41-50
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Borys Pasternak wobec ideologii swoich czasów
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/1024053.pdf
    Data publikacji:
    2018-06-19
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    Boris Pasternak avoided open ideological declarations. We usually discern his attitude and views from his works. As an active participant of the intellectual and artistic life of his times, however, Pasternak was compelled to opt for a standpoint regarding the problems faced by Russian society at the time. The poet represented a certain attitude towards such ideological issues as revolution, anti-Semitism, feminism, the role of Christianity in history, and new ideas and trends in art. Other ideologies such as ecology, Tolstoyism and Marxism, to which he attached lesser importance, should also be mentioned.
    Źródło:
    Studia Rossica Posnaniensia; 2017, 42; 79-90
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pasternak i Majakowski. Historia znajomości
    Pasternak and Mayakovsky. The history of an acquaintanceship
    Пастернак и Маяковский. История знакомства
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/1623409.pdf
    Data publikacji:
    2018-06-19
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    Both eminent Russian poets shared much, although they also differed considerably. Peers, they debuted almost simultaneously as Futurists, though their personal contacts began with a conflict within the Futuristic milieu. They were poets-urbanists, but Mayakovsky was captivated by urban civilization as well as ethical and social phenomena, while Pasternak was fascinated with municipal parks. Their acquaintanceship consisted of mutual attraction and recognition, especially for their early, pre-revolutionary works. After the revolution Mayakovsky attempted to draw Pasternak into his organizational initiatives and publication undertakings. Pasternak’s protests led to conflicts and a severance of ties. Despite the deterioration in their relations, Pasternak was deeply touched by Mayakovsky’s suicide.
    Źródło:
    Studia Rossica Posnaniensia; 2012, 37; 361-368
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Alina Orłowska, ROSYJSKI POEMAT KOMICZNY XVIII – POCZĄTKU XIX WIEKU (PRÓBA OPISU TYPOLOGICZNEGO), Lublin: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej, 2013, ss. 216
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/2033187.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Źródło:
    Slavia Orientalis; 2015, 3; 631-634
    0037-6744
    Pojawia się w:
    Slavia Orientalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Отношение Бориса Пастернака к литературной традиции и современности
    Boris Pasternak, the Literary Tradition and Contemporaneity
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/968739.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    aesthetics
    quest
    tradition
    modernism
    simplicity
    Boris Pasternak
    Opis:
    Boris Pasternak debuted at the onset of the 20th century, when Russian art witnessed radical transformations consisting in a departure from tradition and a quest for new content and forms of artistic expression. His family, however, disapproved of modernist aesthetics. The young poet thus found himself at an aesthetic crossroads and evaded making a decisive choice. On the one hand, he referred to nineteenth-century poetry, and on the other hand, he took an active part in the current literary life and maintained contacts with the Symbolists. He joined the moderate Futurist group ‘Tsentrifuga,’ which, however, did not exert a fundamental impact upon his oeuvre. Pasternak voiced opinions regarding various aesthetic problems and in the 1920s started to free himself from the influence of the then dominating literary milieus. He severed contacts with Futurism (including Mayakovsky), chose a path of his own, and rewrote a number of his early poems. At the beginning of the 1930s he announced his ‘second birth’. This involved evoking the traditions of nineteenth-century art and in particular, realism. Pasternak emphasized the priority of content over form and the merit of simplicity of poetic statements, the principle to which he remained loyal to the very end of his creative path.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 143-152
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tragizm w powieści Borysa Pasternaka „Doktor Żywago”
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/1623388.pdf
    Data publikacji:
    2016-02-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The novel titled Doctor Zhivago presents a number of tragic situations, conflicts and protagonists. The causes of tragedy can be objective (the war and revolution) or subjective (the characters’ personalities as well as their attitudes, views and decisions). Upon numerous occasions, these causes are linked and enhance one another, thus intensifying the tragic qualities that affect the fate of individuals and large groups alike. It is not only particular protagonists that suffer and perish; whole villages or army and partisan detachments share the same plight. Pasternak demonstrated that tragedy is a prominent and inevitable component of human life.
    Źródło:
    Studia Rossica Posnaniensia; 2015, 40, 2; 53-60
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Twórczość Borysa Pasternaka w badaniach polskich
    The works of Boris Pasternak in Polish research
    Творчество Бориса Пастернака в польских исследованиях
    Autorzy:
    Zbyrowski, Zygmunt
    Powiązania:
    https://bibliotekanauki.pl/articles/1623581.pdf
    Data publikacji:
    2018-06-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The Poetry of Boris Pasternak has been known in Poland thanks to translations and critical articles already since 1920s. Nonetheless Polish researchers became interested in his oeuvre as whole after the authors death. The largest number of studies originates from the last two decades, and their characteristic features include a great diversity of problems and methodology. The Polish authors are especially interested in the contents and form of Pasternak’s writings, and their analysis concern particular works (e.g. poems) or asserted questions and phenomena typical for Pasternak. The most active researchers in Poland are Anna Majmieskułow, Jerzy Faryno and Zygmunt Zbyrowski, other authors have published pertinent articles.
    Źródło:
    Studia Rossica Posnaniensia; 2011, 36; 277-282
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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