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    Wyświetlanie 1-5 z 5
    Tytuł:
    Bylica pospolita, „synfitonizm” i ekspozycje roślinno-ludzkich historii
    Artemisia vulgaris, ‘synphytonism’ , and plant-human history exhibitions
    Autorzy:
    Zamorska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1944326.pdf
    Data publikacji:
    2021-03-30
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    rośliny
    muzeum przyrodnicze
    ochrona przyrody
    choreografia
    in situ
    plants
    natural history museum
    environmental protection
    choreography
    Opis:
    What curatorial gesture would make it possible to give rise to a temporary museum in situ where anthropogenic inscriptions could be presented by the living exhibits themselves? In this article the past of the Anthropocene is defined as a time of intensified activity of Homo sapiens in the early Holocene, before our impact on the hydrosphere, geosphere and atmosphere became irreversible. The author ponders whether the current definition of a natural history museum can incorporate a project of a living, embodied, post-anthropocentric and post-institutional museum. She suggests plants as essential partners in the human becoming across the biosphere. Chlorophyll organisms initiated the Great Oxidation Event, or Oxygen Catastrophe, which led not only to the extinction of anaerobic organisms but also to the proliferation of oxygen-dependent life, including humans. The human-plant co-existence is studied through the consequences of the ‘desire for sunlight’ of the former and the ‘desire for mobility’ of the latter. Synanthropic plants, which thrive growing next to people, emerge as the protagonists of this story, with the shared interspecies history and anthropogenic mutations inscribed in their bodies. This is a story of the human–plant co-evolution where contemporary, ‘spontaneous’ synanthropic plants are depicted as agents. In this context the author describes the artistic practices of Andrea Haenggi, analysing them as curatorial gestures for an interspecies dialogue within the framework of a ‘museum setting’.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 60-73
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z uważnością i troską: feministyczne studia nad roślinami
    Attentiveness and care: feminist plant studies
    Autorzy:
    Zamorska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2120248.pdf
    Data publikacji:
    2022-03-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    plants
    critical plant studies
    care
    feminist studies
    new materialisms
    rośliny
    krytyczne studia nad roślinami
    troska
    studia feministyczne
    nowe materializmy
    Opis:
    Celem artykułu jest prześledzenie współczesnych praktyk teoretycznych, które służą ponownemu zawiązaniu „kontraktu z roślinami”, oraz wskazanie tych wątków w obrębie intensywnie rozwijających się w dwóch ostatnich dekadach krytycznych studiów nad roślinami, których genealogii należy szukać w paradygmacie studiów feministycznych. W tym podejściu namysłowi krytycznemu ujawniającemu semiotyczne i materialne formy opresji w stosunku do roślin towarzyszą próby wypracowania praktyk reparacyjnych. Autorka śledzi historyczne formy deprecjonowania istot roślinnych, zarówno w polu teorii i filozofii, jak i w praktykach politycznych, społecznych i ekonomicznych. Kluczowe dla jej rozstrzygnięć są: zdefiniowanie specyficznej „podmiotowości” roślinnej, uznanie materialnej sprawczości roślin, włączenie do rozważań biopolitycznych zasady wegetalnej, a także rozważenie intersekcjonalnych uwikłań roślin w kontekście botaniki kolonialnej i polityki nasiennej. Autorka wskazuje, że w każdym z omawianych przypadków specyfika feministycznych studiów nad roślinami opiera się na rozpoznaniu ontologicznego i politycznego statusu rośliny, czego konsekwencją są uważność i troska, dbałość o widzialność i dobrostan konkretnych, materialnych i ucieleśnionych istot roślinnych będących dalekimi krewnymi gatunku ludzkiego.
    The aim of the article is to track the contemporary theoretical practices that serve to re-establish the ‘plant contract’ and to situate these threads within the field of critical plant studies. The genealogy of this subject area, which has developed rapidly over the last two decades, should be sought in the paradigm of feminist studies. In this approach, critical reflection revealing semiotic and material forms of oppression towards plants is accompanied by attempts to develop reparative practices. The author traces the historical forms of depreciation of plant beings, both in theory and philosophy and in political, social and economic practices. Key to her decisions are: defining the specific plant ‘subjectivity’, recognizing the material agency of plants, incorporating the principle of vegetation into biopolitical considerations, as well as considering the intersectional entanglements of plants in the context of colonial botany and seed politics. The author points out that in each of the discussed cases, the specificity of feminist plant studies is based on the recognition of the ontological and political status of the plant, which results in attentiveness and care. This care is focused on the visibility and well-being of specific, material and embodied plant beings that are distant relatives of the human species.
    Źródło:
    Ruch Prawniczy, Ekonomiczny i Socjologiczny; 2022, 84, 1; 197-212
    0035-9629
    2543-9170
    Pojawia się w:
    Ruch Prawniczy, Ekonomiczny i Socjologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obecni ciałem. Warsztat polskich tancerzy butō
    Autorzy:
    Zamorska, Magdalena
    Kocur, Mirosław
    Kosiński, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/books/1968762.pdf
    Data publikacji:
    2013
    Wydawca:
    Libron
    Opis:
    In the book Present with the body. e technique of Polish buto dancers I cover the practices of Polish buto dancers and I create a model of buto training. e analysis of available material led me to the conclusion that buto’s substance is not the aesthetics of a dance act (improvisation, performance) but the specific training practices that are at its core. In the first chapter of the book I present the current state of research in the field of buto: the history and development of the modern Japanese dance form and its critical analyses with particular consideration of the buto technique analysis. In my dissertation I used the few available works of buto technique researchers (Kayo Mikami, Lee Rhizome, Toshiharu Kasai, Sondra Horton Fraleigh) who use non-standard terminology and pay special attention to different aspects of the training process. I also underline the transcultural potential of the genre, which is visible both in the universality of its psychosomatic training and in its proneness to all types of hybridization. e research process, which resulted in the creation of a training model, was divided into two steps. e pivots of the preliminary phase of the research were artistic biographies of Polish buto dancers with particular attention devoted to the psychophysical practices which involve bodymind practices and the so-called buto techniques. After analysing the source literature I carried out a series of interviews with the Polish artists, I took part in the genre acts as an expert observer and, finally, I participated in buto workshops with both Polish and Japanese dancers. I was mainly interested in the artists’ explicit and tacit knowledge of buto. I inquired about buto’s perception and definition and its different training practices. At the core of my research was the question of previous psychophysical practices which predestined artists to engage in 302 SUMMARY buto. In the second stage of the research (during the analysis of the gathered data) I created a general model of buto training sessions on the grounds of the individual trainings I observed. In the process of construction and analysis of the integrated training model I implemented an interdisciplinary approach. e knowledge employed includes the fields of cultural studies, cultural anthropology, psychology, philosophy as well as neurobiology and cognitive sciences. e second chapter presents the training practices of the Polish dancers and performers who are involved in buto: Paweł Dudzinski, Justyna Jan-Krukowska, Sylwia Hanff, Krzysztof Jerzak, e Amareya eatre (Katarzyna Julia Pastuszak, Agnieszka Kaminska, Aleksandra Sliwinska), Tomasz Bazan ( e Maat Project eatre), Aleksandra Capiga-Łochowicz, TO-EN (Anna Brałkowska), Irena Lipinska and Katarzyna Zejmo, Iwona Wojnicka, Miho Iwata, Rui Takayuki Ishihara. I focused on the unique psychophysical discipline preferred by particular artists. e training practices of the Polish buto dancers include methods and techniques of different provenance. Among them are the methods and techniques explored mainly from the stage-adaptation point of view which function in different types of performing arts, mind-body disciplines as well as body and movement therapy. All these practices are used creatively by the Polish dancers and are integrated with the so-called buto techniques. rough the analysis of detailed models I was able to create a general training model of buto of the Polish dancers. e technique of the Polish buto dancer includes techniques which aim at reaching the psychophysical state known by the Japanese theorists and practitioners as buto-tai (the buto body). Movement (dance) has its origin in the kinetic reaction to the stimuli coming from the surrounding environment, updates of the contents saved in the memory of the body or/and embodiment of the mentally created contents. e techniques which are used in the integrated buto training are a tool of self-change and its catalyst. I analysed the sequence of the stages which create the process and the structure of buto training. I observed three main steps: intro, following and embodiment. In the first one (intro) I singled out endurance training and mindfulness training which are both aimed at achieving the state of total presence (in other words the buto body, buto- tai). In the second stage (following) the dancer explores the stimuli coming from the inside of his or her body (among other things the data gathered in SUMMARY the body’s memory) and from the outside (for example sensory excitement of the body). e core of the third stage (embodiment) are the ideokinetic and ideodynamic reactions which constitute the primary method of work in buto: working with images (the tools are the so-called buto-fu, buto notations). e dancer’s and the viewer’s transformation, which occurs as a result of the above-mentioned methods, is the essence of buto. e process of ceaseless transformation and the experience of transformation are both present in the buto training practice and the stage practice. is is why I finally present the possibility of applying the category of performativity, in the Erika Fischer-Lichte approach, and the phenomenon of neurobiological empathy which is at source of the simultaneity of transformation in all participants of an event (a play, stage improvisation, performance).
    Dostawca treści:
    Biblioteka Nauki
    Książka
    Tytuł:
    I have self-compassion so I feel sexy! Sexual satisfaction and self-compassion effects on self-esteem and body esteem
    Autorzy:
    Kocur, Dagna
    Jach, Łukasz
    Berek-Zamorska, Magdalena
    Kamińska, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/29433609.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    body esteem
    self-esteem
    self-compassion
    sexual satisfaction
    Opis:
    Body esteem, self-esteem, and sexual satisfaction influence people’s well-being so it is important to look for psychological factors that may contribute to their improvement. However, men and women differ in the factors that affect their body esteem, self-esteem, and sexual satisfaction. We analyzed links between men’s and women’s self-esteem, body esteem, sexual satisfaction, and self-compassion. The research involved 716 heterosexual participants (365 men and 351 women). All measured variables correlated positively; however, some correlations were stronger among women than among men. Mediation analyses revealed that sexual satisfaction directly affected women's body esteem but did not directly affect men's body esteem. Self-compassion and sexual satisfaction explained more variance in self-esteem and body esteem among women than among men. We explained observed differences in the contexts of the self-perception theory and the objectification theory.
    Źródło:
    Studia Psychologica; 2023, 23, 1; 4-14
    1642-2473
    Pojawia się w:
    Studia Psychologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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