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Wyświetlanie 1-2 z 2
Tytuł:
Zum Adelsverständnis der Realisten des 19. Jahrhunderts im deutsch-polnischen Bereich (Theodor Fontane, Gustav Freytag, Marie v. Ebner Eschenbach)
Autorzy:
Załubska, Cecylia
Powiązania:
https://bibliotekanauki.pl/articles/938028.pdf
Data publikacji:
2018-10-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The names of the three writers mentioned in the title are representative for German realism of the 19th century. Their understanding of nobility was different as their social origins differed. The first two of them - Fontane and Freytag, both from the bourgeoisie spheres knew mainly the Prussian nobility, and obviously the Polish nobility, too, and Marie v. Ebner Eschenbach, a noblewoman by origin, was in the circles of Austrian aristocracy and hence comes her perfect knowledge of these circles. All three of them had a particular attitude towards Polish questions. Theodor Fontane was known for his liking of noblemen and great families which at the end of the last century, during the expansion of big industry and the growth of importance of the developing bourgeoisie, did not bring him recognition. A totally different point of view of nobility and Poles is presented by Gustav Freytag who was born at the Polish-German border (in Kluczbork). The one-sided subjective image which he draws in his novels, first of all in the best-seller Owes and has fulfills a tendentiously aimed task of slandering Poles, Polish economy (Polnische Wirtschaft) and of course of Polish nobility. The Austrian noblewoman, Marie von Ebner Eschenbach was the most competent person of all the three writers mentioned here as she knew the nobility from the inside. Her coming from the German-Slavic nobility (she was born the countess of Dubsky from the border of Bohemia and Moravia) did not let her become a chauvinist. In her prosa she is against the privileges of the nobility who are shown by her in a distorting mirror of the satire, and she shows the life of rural people with some fondness.
Źródło:
Studia Germanica Posnaniensia; 1991, 17; 125-146
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der Fall Max Halbe
Autorzy:
Załubska, Cecylia
Powiązania:
https://bibliotekanauki.pl/articles/937814.pdf
Data publikacji:
2018-10-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Born in Żulawy near Gdańsk, Max Halbe, a German writer of the turn of the 19th century, was controversial already in his lifetime. He followed the path of an artist whose first work was a success, never matched by his later writings. Often he was forgotten and ignored. Due to his demonstrative aversion to Poles, expressed mainly in his dramas, where it was always the Poles who represented villains, he was much appreciated in the Third Reich. After the Second World War, attempts were made to rehabilitate his good name. Present-day historians of literature have valued him more or less objectively; his contribution to the development of the German naturalism has been acknowledged. However, his anti-Polish attitude has frequently been made no mention of, as has been emphasized in the present article.
Źródło:
Studia Germanica Posnaniensia; 1993, 20; 47-58
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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