Autor: Xavier, Galmiche, - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Around 1918: Central and Eastern European Polyphony/ Cacophony
Autorzy:: Alina, Molisak,
Jagoda, Wierzejska,
Xavier, Galmiche,
Paweł, Rodak,
Powiązania:: https://bibliotekanauki.pl/articles/897135.pdf
Data publikacji:: 2019-06-18
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Opis:: -
Źródło:: Przegląd Humanistyczny; 2018, 62(4 (463)); 7-8
0033-2194
Pojawia się w:: Przegląd Humanistyczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Metaphysical Yearning – A Czech Tradition
Autorzy:: Galmiche, Xavier
Lipszyc, Adam
Sławek, Tadeusz
Mierzwa, Piotr Sylwester
Powiązania:: https://bibliotekanauki.pl/chapters/990962.pdf
Data publikacji:: 2019-02-22
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: alternative spirituality
religiosity
Czech culture
Czech literature
Catholicism
Opis:: This paper intends to give a wide panorama of alternative spirituality as a basic feature of modern Czech culture. Although the image of Czechia as the most dechristianized country in Europe is very popular, this must be considered a stereotype. Despite the fact that secularization of Czech society and culture has been a long-term process, the metaphysical thirst which could be manifested in the culture has not been eradicated. Instead, it has been redirected towards new forms of searching for transcendence. A fundamental episode of this reflection on religiosity took place in around 1900, when opportunities for spirituality beyond confession (any confession, not only the Catholic one) were considered and the role of Churches was questioned. It was also the time when original experiments were performed by artists in order to synthesize different spiritual ideas (e.g. František Bílek’s ‘mystical syncretism’). The author of this article argues that there is an ‘underground river’ of Catholicism in the relationship one can have with the sacred in everyday life. Analyzing different examples of literary works, he shows how Czech writers are rooted in spiritual tradition, even those who are not associated with this idea (e.g. Karel Čapek). Other examples of ‘classical’ Czech authors are also given in the text demonstrating how sensitive they were to spirituality and transcendence. Although such writers as Vítězslav Nezval reduced or marginalized spirituality, this tendency was balanced by artists who manifested their metaphysical needs (e.g. Vladimír Holan and his ‘metaphysical existentialism’). Different forms of spiritual experiences can be observed throughout the 20th century in Czech literature and they find echoes in the works of authors of the neo-avant-garde, for example in the post-baroque writing of Bohumil Hrabal.
Źródło:: The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 189-197
9788323537175
Dostawca treści:: Biblioteka Nauki

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