Autor: Wiąckiewicz, Debora Justyna - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: OD PACHOMIUSZA DO BENEDYKTA. OFFICIUM DIVINUM W REGUŁACH MONASTYCZNYCH
Autorzy:: Wiąckiewicz, Debora Justyna
Powiązania:: https://bibliotekanauki.pl/articles/511834.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: reguły monastyczne
psalmodia
godziny kanoniczne
klasztor
oficjum
modlitwa
antyfona
Opis:: The article presents the issue of the presence and development of officiumdivinum in the texts of monastic rules from saint Pachomius to saint Benedict,that is from the fourth to the half of the sixth century. Texts of religious legislatorspresented in a chronological sequence show the consecutive stages of the formationof the liturgical prayer structure by successive generations of monks, and the impactthat earlier documents had on later customs and traditions in the framework of thecommunally celebrated opus Dei.
Źródło:: Studia Theologica Varsaviensia; 2018, 56, 1; 163-198
0585-5594
Pojawia się w:: Studia Theologica Varsaviensia
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Personifikacje cnót w dramacie liturgicznym Ordo Virtutum Hildegardy z Bingen i na romańskich kolumnach kościoła św. Trójcy w Strzelnie
Personification of virtues in liturgical drama Ordo Virtutum by Hildegard of Bingen and on the Romanesque columns of the St. Trinity Church in Strzelno.
Autorzy:: Wiąckiewicz (OSB), S. Debora (Justyna)
Powiązania:: https://bibliotekanauki.pl/articles/514030.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:: Hildegard of Bingen
Ordo Virtutum
Strzelno
medieval art
Opis:: Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the liturgical drama Ordo Virtutum depicts a symbolic internal struggle for the fate of the soul between the virtues and the devil and is originally transposed into the language of low-relief found in the church owned by the Canonesses Nuns conventn in Strzelno, a little town situated on the border of Kujawy and Wielkopolska regions in Poland. The aim of this article is to present how two visions of the same concept complement each other in an intriguing way, although they are expressed by two separate, yet merging languages of music linked with the text and low relief. Most of the musical and literary personifications of both Ordo Virtutum and low reliefs featuring figures in Strzelno are still comprehensible, despite being created eight centuries ago. They introduce the audience to the world of medieval sermons, theological treatises, lectures on ethics and moral theology. Both works show a holistic vision of the world, held by people of the medieval era. In that vision what is spiritual, mystical and elusive for the outward physical senses intertwines and is closely linked with what is tangible, material and directly perceptible. Hildegard’s music praised not only the works of God but also the virtues as deeply human attributes, linked with effort and choices of a free human being, capable of establishing a relationship with God. The column of virtues in Strzelno introduces to the sacred sphere a multitude of figures that become an icon of widely accessible perfection. It seems that both artists aimed at educating their audience as beauty was supposed to ennoble by giving the strength to the truth so that it could lead to good, also the ultimate good — God.
Źródło:: Kwartalnik Młodych Muzykologów UJ; 2016, 4(31); 24-56
2956-4107
2353-7094
Pojawia się w:: Kwartalnik Młodych Muzykologów UJ
Dostawca treści:: Biblioteka Nauki

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