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    Tytuł:
    Cień Ameryki „Zwykła sprawa” Adama Tarna i „Dwunastu gniewnych ludzi” Sidneya Lumeta
    The shadow of America. Common Business by Adam Tarn and Twelve Angry Men by Sidney Lumet
    Autorzy:
    Wasąg, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1953446.pdf
    Data publikacji:
    2021-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Adam Tarn
    Common Business
    1st Festival of Polish Contemporary Arts
    Twelve Angry Men by Sidney Lumet
    Foley Square Trial of 11 members of the Communist Party USA
    Opis:
    The article has an interdisciplinary character. It combines biographical, historical, literary, dramaturgical, and film themes. Adam Tarn’s Common Business (Zwykła sprawa) is a drama which undoubtedly played an important role in the period of socialist realism together with the performance directed by Erwin Axer. In the article, the significance of Tarn’s work, which was awarded at the 1st Festival of Polish Contemporary Arts in the early 1950s, is shown against the background of the cultural policy pursued in the People’s Republic of Poland. The writer’s nine-year stay in America has been presented in the perspective of the emigration-related origin of the Common Business.The proposed juxtaposition of Tarn’s debut drama and Sidney Lumet’s Oscar-winning film Twelve Angry Men (screenplay by Reginald Rose) reveals the complex political context in which each of the works appeared. The 1949 New York Foley Square Trial of 11 members of the National Board of the CPUSA (Communist Party USA), which ‘was the best known legal proceeding against a communist party’, has been indicated as the direct inspiration for Tarn’s play.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 166; 37-68
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Epistolography as a Challenge
    Epistolografia jako wyzwanie
    Autorzy:
    Wasąg, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2097225.pdf
    Data publikacji:
    2021-12-28
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    epistolography
    borderline letter
    relation of correspondence and biography
    interdisciplinarity
    Wisława Szymborska
    Kornel Filipowicz
    Opis:
    The article briefly confronts different research perspectives on epistolography. The fundamental Teoria listu (Theory of a Letter) by Stefania Skwarczyńska is indicated as an important reference for many concepts. The category of a beautiful letter proposed by Skwarczyńska is presented by the example of the correspondence between Wisława Szymborska and Kornel Filipowicz — Listy. Najlepiej w życiu ma twój kot (Letters. Your Cat Has the Best in Life). The letters of the future Nobel Prize winner and the master of the storyteller harmoniously combine life and literary elements. They are characterised by irony and humour, which are specific codes of communication. Their form and concepts are evidence of the correspondents’ passionate and strong relationship. The sensitivity to nature shown in them was presented in the context of empathetic imagination. It was linked to both Filipowicz’s biographical experiences and his creative practices, threads that help in the origin of texts such as the short story Krajobraz doskonały (Perfect Landscape) from the volume Śmierć mojego antagonisty (Death of My Antagonist). Nowadays, the need for interdisciplinarity has been pointed out as one of the most important postulates concerning the study of epistolography. The bilateral nature of biography and correspondence continues to be an inspiring issue. The communication paradox of the letter, which is both a dialogue and a monologue, also returns in the investigations of researchers. In the context of the aforementioned studies, the letter continues to fascinate as a phenomenon on the borderline of life and art. For some artists, the letter had a community- creating power. This very meaning was especially emphasised in the perspective of searching for spiritual community, tightening important bonds, lasting and deep friendships based on certain rules. Volumes of correspondence of writers-friends, among others, Julian Tuwim, were cited as an example. The article is an invitation to develop and expand the study of both published correspondence, as well as letters resting in archives in Poland and abroad.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2021, 64, 3; 7-22
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Ja już podarłem kilka swoich sztuk…”. From the personal archive of Adam Tarn
    „Ja już podarłem kilka swoich sztuk…” Z archiwum osobistego Adama Tarna
    Autorzy:
    Wasąg, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2129665.pdf
    Data publikacji:
    2022-10-11
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Adam Tarn
    redaktor naczelny „Dialogu”
    emigracja 1968 roku
    archiwum osobiste
    psychoanaliza
    editor-in-chief of the "Dialog"
    1968 emigration
    personal archive
    psychoanalysis
    Opis:
    The personal archive of Adam Tarn (1902–1975), the first editor-in-chief of the Dialog monthly and a translator, critic, novelist, and playwright, includes notes with loose ideas for plays, notes to his unfinished book on Chekhov, and minor literary attempts, which he corrected, set aside and later expanded. This material, which Tarn’s heirs kindly offered me for study, constitutes a valuable proof the creative process and the evolution of the writing of the Dialog’s editor-in-chief. In the context of Obraz ojca w czterech ramach [Father’s Image in Four Frames] (1934), Tarn’s début novel and the only one he completed, the novel Kameleon [Chameleon] is an intriguing item in the author’s collection of unfinished works. In this article I shall discuss the material contained in Tarn’s personal archive. This study offers an insight into his “internal laboratory” of writing and enables one to read it from, e.g., the biographical perspective. The dating of the collected material can be only approximated. The earliest surviving prose attempt written in French probably came from the interwar period, while the final notes were composed during his émigré period after 1968, when Tarn was working on his unfinished book on Chekhov.
    W archiwum osobistym Adama Tarna (1902–1975) – pierwszego redaktora naczelnego miesięcznika „Dialog”, tłumacza, krytyka, powieściopisarza, dramaturga – znajdują się zapiski z luźnymi pomysłami do utworów dramatycznych, notatki do nieukończonej książki o Czechowie, a także niewielkie próby literackie – poprawiane, odkładane i na powrót rozwijane. Materiały te udostępniane dzięki uprzejmości spadkobierców są cennym świadectwem procesu twórczego i ewolucji pisarstwa redaktora naczelnego „Dialogu”. W kontekście debiutanckiej i jedynej ukończonej powieści Tarna Obraz ojca w czterech ramach (1934) intrygującym utworem jest zachowana w archiwum nieukończona powieść Kameleon. Artykuł charakteryzuje materiały znajdujące się w archiwum osobistym Tarna. Pozwala wniknąć w jego „wewnętrzne laboratorium” pisarskie i odczytać je m.in. w perspektywie biograficznej. Datowanie zgromadzonych materiałów można przyjąć jedynie orientacyjnie. Najwcześniejsza zachowana próba prozatorska zapisana po francusku pochodzi prawdopodobnie jeszcze z okresu międzywojennego. Ostatnie zapiski pochodzą z okresu emigracyjnego po 1968 roku, kiedy Tarn pracował nad nieukończoną książką o Czechowie.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2022, 64, 1; 255-275
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Księga Twarzy. Rysunki Brunona Schulza w Bystrzycy Kłodzkiej
    The Book of Faces. Bruno Schulz’s Drawings in Bystrzyca Kłodzka
    Autorzy:
    Wasąg, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/645520.pdf
    Data publikacji:
    2019-10-28
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students and teachers of the Drogobych high school, have been scattered. Most of them perished during World War II. Some of those which have been preserved now belong to private collections. Thanks to a favorable coincidence, some pencil sketches by Schulz have been found in such a collection. They show an intriguing young woman, Stanisława Szczepańska, who in 1934-1936 worked as an unpaid teacher at the Drogobych high school. There she met Schulz who drew her portraits during school breaks as well as during lessons, when he would come in, take a seat in the last row, and draw her face. Until now little has been known about Szczepańska. After so many years it is worth disclosing a secret: who was she? What happened to her later? How did it happen that Schulz noticed her? How was it possible to save the drawings? The present paper provides answers to these and many other questions as the author has made an attempt to show how Szczepańska’s biography became a part of Schulz’s artistic heritage. Pencil sketches definitely belong to a more general project of the Drogobych artist as exercises in portraying faces both in drawing and fiction. Studying faces was very important to Schulz. In his work, the drawing practice and fiction are closely related to each other. To find out more about them, it is essential to find and save Schulz’s scattered works. This postulate has been articulated in the paper supplemented with the reproductions of Schulz’s sketches and photographs from the Hoffmann family collection. The portraits of Szczepańska tell a unique story – about charm, the art of seeing, and Schulz’s Book of Faces.
    Źródło:
    Schulz/Forum; 2019, 13; 191-212
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Significance of the PIK3CA mutations in the differential diagnosis of ovarian epithelial carcinoma
    Autorzy:
    Żuk, Monika
    Koczkowska, Magdalena
    Gorczyński, Adam
    Sejda, Aleksandra
    Biernat, Wojciech
    Wasąg, Bartosz
    Powiązania:
    https://bibliotekanauki.pl/articles/895801.pdf
    Data publikacji:
    2019-02-05
    Wydawca:
    Gdański Uniwersytet Medyczny
    Tematy:
    PIK3CA
    PI3K inhibitor
    clear cell ovarian carcinoma
    serous ovarian carcinoma
    Opis:
    Background: Ovarian carcinoma, one of the most common gynecological malignancies in Central and Eastern Europe, is characterized by a clinical and genetic heterogeneity with a distinct molecular signature for each histologic subtype. Material and methods: Here, we established the frequency of the PIK3CA mutations and amplifications in 100 FFPE tissues with the initial diagnosis of serous ovarian carcinoma. Accordingly, the diagnostic value of combining morphology with genetic and immunohistochemical testing was estimated in this cohort. Results: The PIK3CA mutations and amplifications were found in 4.1% (4/97) and 7.2% (7/97) of samples, respectively with a higher prevalence in low-grade tumors (p=0.0121). All identified variants were classified as pathogenic missense mutations, located within the PIK3CA mutational hotspots. In the light of the molecular and immunohistochemical results, two tumors with the somatic PIK3CA mutations and strongly positive expression for PI3K and hNF1β were eventually re-classified from serous to clear cell carcinomas after pathological re-evaluation. Conclusions: These findings demonstrate that the PIK3CA mutational screening facilitated establishing an accurate diagnosis of ovarian carcinomas and, more importantly, might allow for personalized treatment optimization. As the PIK3CA mutations result in the PI3K/AKT pathway deregulation, the individuals with the somatic PIK3CA variants may be eligible for personalized targeted therapies with PI3K inhibitors.
    Źródło:
    European Journal of Translational and Clinical Medicine; 2018, 1, 2; 23-30
    2657-3148
    2657-3156
    Pojawia się w:
    European Journal of Translational and Clinical Medicine
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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