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    Wyświetlanie 1-4 z 4
    Tytuł:
    Śmierć i przemiana w dramatach Williama Butlera Yeatsa
    Death and Transformation in William Butler Yeats’ Drama
    Autorzy:
    Wąchocka, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/967680.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    W.B. Yeats
    Irish drama
    Celtic revival
    C.G Jung
    Opis:
    The article analyses the motifs of faith, sacrifice and transcendence as well as a variety of methods in which they are represented in the dramatic works of W.B. Yeats. The article also tackles the difficult theme of creating national myths through dramatic and political activity that Yeats was so keen to engage with. Additionally, Wąchocka discusses the mythological imagination in Yeats’s drama in the context of the Celtic mythological tradition, pointing to how certain motifs and subjects (especially lives of gods and heroes) find their way into his plays. Wąchocka pays particular attention to the irrational, subconscious elements in Yeats’s work, identifying a variety of traditions he was drawing his inspiration from. The article also discusses the topic of reincarnation, and the theme of return to life of Yeats’s heroes, and interprets images and symbols used to represent them.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 24, 2
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Osoba i głos: postać w najnowszym polskim dramacie
    A Persona and a Voice – Dramatic Character in Recent Polish Drama
    Autorzy:
    Wąchocka, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/510847.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    contemporary Polish drama character
    identity crisis
    voice
    choir
    Opis:
    The disintegration of character in recent Polish drama is closely related to identity crisis and the ensuing negation of the basis and integrity of one's sense of self. A character can hardly be analysed as a person – more often than not, it resembles a linguistic or textual entity rather than a human being. The persona is replaced by a voice or a polyphonic collective body – a choir. In the dramatic works of contemporary Polish playwrights such as M. Ko-terski, M. Bieliński, M. Modzelewski, L. Amejko or D. Masłowska these forms can be real-ized as either a fragmented subject split into aspects that cannot be reconciled, or as the subject's external reality, which they perceive as fragmented, incomprehensible and hostile.
    Źródło:
    Postscriptum Polonistyczne; 2011, 2(8); 27-42
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dramaturgia muzyczna
    Musical Dramaturgy
    Autorzy:
    Wąchocka, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2036497.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    musical dramaturgy
    dramaturgy of sound
    voice
    composition
    structural imitation
    Opis:
    In her paper, Ewa Wąchocka examines the phenomenon of recent dramatic works becoming increasingly more ‘musical’ and the terminological shift it brought about, i.e. the inclusion of the term ‘musical dramaturgy’ in writing for the stage. The author argues that far from being limited to the sounds of speech and language in general, musicality also encompasses a variety of non-musical sounds, the unravelling of the play’s narrative and the psychological makeup of its characters; it also penetrates deeply into the structure of the text. In the analysis of plays by W. Murek, A. Grzegorzewska, and S. Bogacz, the author demonstrates how essential the inspirations sourced from musical culture are for recent dramatic works: the 20th-century experiments with music, the discovery of how potent sound expression can be, or the most technologically advanced methods of sound reproduction. By presenting the many and varied dramatic strategies, the author shows that contemporary playwrights not only use musicality to represent the sound landscape of the world but, first and foremost, to create the ontology of an internally conflicted world.
    Źródło:
    Przestrzenie Teorii; 2021, 36; 73-91
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Udręki edukacji (Metafizyka dwugłowego cielęcia Witkacego)
    Torments of Education “Metaphysics of a Two-Headed Calf” by S.I. Witkiewicz
    Autorzy:
    Wąchocka, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1392556.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    S. I. Witkiewicz
    Witkacy
    tożsamość
    autokreacja
    lacanowska psychoanaliza
    konstrukcjonizm Foucault'a
    Opis:
    Identity crisis, one of the crucial problems tackled by Witkacy in his dramas, is linked first of all with the tradition of modernism by critics. The author of the article suggests a change in the viewpoint, and basing on the analysis of Metaphysics of a Two-Headed Calf presents that problem in the perspective of contemporary discourse concerning identity. The problems that Witkacy’s characters had with their own existence are in consonance not only with today’s quite common conviction that individuals can experiment with their own feeling of identity relatively freely, but also with the concepts of individual ego, that function within social sciences. The tools developed by social sciences allow to have a different perception on the relation between the process oriented/process-driven nature of identity (self-creation of the ‘I’, game, mystification) and the conviction that its borders are delineated by the cultural pressure and social discipline. In Metaphysics of particular importance are the relations with parents, with the family – representing society – as well as constructions of double-gangers (Doppelgänger) that reveal the subject as the Other, or deprive the subject of its ‘individual-ness’ undermine her/his individual (subjective) status. The diagnoses of Witkacy are quite close to the contemporary ways of conceptualization of the ‘I’, which – as Lacanian psychoanalysis, Foucault’s constructionism – negating the subjective power to cause, do not confine themselves to unmasking the pressure of institutionalized forms of life, and reveal their activity even at micro-level.
    Źródło:
    Przestrzenie Teorii; 2010, 14; 159-171
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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