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Wyświetlanie 1-4 z 4
Tytuł:
Teurgický element slova v estetickém systému Andreje Bělého
Teurgic Element of Word in Aesthetic System of Andrej Belyj
Autorzy:
Vorel, Jan
Powiązania:
https://bibliotekanauki.pl/articles/635705.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian symbolism
aesthetic theories
Andrej Belyj
symbol and the visible reality
ideological meaning of the picture
creation of the real life
sound symbols
Rudolf Steiner
antroposophy
Opis:
According to aesthetic theories of Russian symbolist A. Belyj every real art is in its deepest essence a symbolic one, it represents an organic connection of two orders – phenomena of the inner world and the living consciousness. The connection is thus the union of the inner and outer world. Its sense can be unveiled in metaphysics and mystic, the indexes of the way to  a  complex  re-structuring  of  the human  being  and  discovering  new  forms  of  existence. Consequently  Belyj  understands  the symbol  as  the  interaction  of  its  three  parts:  1)  as a picture of the visible reality, causing certain emotions in our consciousness, 2) as an allegory  expressing  the  ideological  meaning  of  the picture  (the  philosophical,  religious  and social meaning) and 3) as an appeal to the creation of the real life. Together with Wagner and Nietzsche, Belyj can see the essential ideals of the culture in antique mystery dramatic art that represented the primary interconnection of all the art forms. Heading to the complex renaissance  of  the  culture  he  concentrates  on  the  phenomenon  of  the  word  – the essential base, „key for unlocking the world”. The essence of the symbolic expression consists of the words,  through  those  the  creative  human  strives  to  express  his  inexpressible  impressions in  a logical  way.  The  living  speech  is  thus  always  certain  „music  of  inexpressible”.  The creative word constitutes new, „third world” – „the world of the sound symbols”. The relationships between the  sounds  and  evolution  of  the  Cosmos  is  formulated  in  another  essay „Глоссолалия– поэма о звуке” (1922). 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Umění a religiozita v esteticko-filozofickém systému Dmitrije Sergejeviče Merežkovského
Art and Religiosity in the Aesthetic-Philosophical System of Dmitry Sergeyevich Merezhkovsky
Autorzy:
Vorel, Jan
Powiązania:
https://bibliotekanauki.pl/articles/635944.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian symbolism
theurgy
aesthetic-philosophical approaches
Hegelian concept of art
art and religion
synthesis in modern culture
work of art of D.S. Merezhkovsky
historiosophic prose
Opis:
The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet,  prosaic  writer  and  thinker  D.S.  Merezhkovsky.  The  study  analyses  selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture.
The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet,  prosaic  writer  and  thinker  D.S. Merezhkovsky.  The  study  analyses  selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture.
Źródło:
Poznańskie Studia Slawistyczne; 2015, 8
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genesis of Czech Decadence and Symbolism Towards Theurgy
Autorzy:
VOREL, Jan
Powiązania:
https://bibliotekanauki.pl/articles/909179.pdf
Data publikacji:
2020-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Art as a Complex Way of Thinking and Understanding of the World
Czech literature at the turn of 20th century
Decadence
Symbolism
Metamorphoses of Aesthetic-philosophical Concept of Symbolism
from Decadent-Symbolism to Theurgic Symbolism
Theurgy
Synergy of Aesthetic and Religious Spheres
česká literatura přelomu 19. a 20. století
dekadence
symbolizmus
metamorfózy esteticko-filozofických koncepcí symbolizmu
od dekadence k teurgickému symbolizmu
umění jako způsob chápání světa
synergie estetické a religiózní sféry
Opis:
The article is focused mainly on metamorphoses of aesthetic-philosophical approaches of the most important representatives of Czech literature at the end of 19th and beginning of 20th century whose work presents gradual heading for modern art, from decadent to symbolist focus using an aesthetic theory of Russian philosopher Vladimir Solovjov based on theurgic substance of art.
Źródło:
Bohemistyka; 2020, 3; 367-382
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Searching for Cultural Integrity to Symbolism of Temple Building and the Organic Picture of Reality
Autorzy:
VOREL, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2085099.pdf
Data publikacji:
2021-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article is focused mainly on aesthetic-philosophical constants of the work of art of Julius Zeyer. The author of the article tries to point out that Zeyer´s conception of art is tightly connected with artistic conceptions of the rising literary symbolistic generation: His aesthetic-philosophical system contains strong protest against rationalism, realism and naturalism in contemporary literature and underlines the way to subconscious roots of human existence; it turns away from rational understanding of the world and the mystical intuition of inner and organic life in modern literature. In the article the motifs of temple building and motifs of creating the organic picture of the world in Zeyer´s work of art are analysed. The article also contains main references to Zeyer´s work of art published by reputable names of the Czech and European literary criticism.
Źródło:
Bohemistyka; 2021, 4; 437-457
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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