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    Tytuł:
    Taniec to (nie) walka. Agonistyka i antagonistyka a choreografia na przykładzie turniejów rycerskich i mieszczańskich w Niemczech
    Dance is (not) a fight. Agonistics, antagonistics, and choreography on the example of knightly tournaments and urban fencing competitions in Germany
    Autorzy:
    Talaga, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1944358.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    turniej rycerski
    szermierka
    agonistyka
    choreografia społeczna
    kinesis
    knightly tournament
    fencing
    agonistics
    social choreography
    Opis:
    What is dance? This is one of the key questions in dance research to which the relevant literature provides no definite answer. The classic approaches highlight the central role of movement, rhythm, and a slight excess of expressivity as the criteria for recognising a given practice as a dance. Seeking to deepen our understanding of the nature of dance, one should take a closer look at phenomena that escape or even contest the definitions accepted thus far. This article is an attempt at such an analysis of two historical European forms of martial arts, knightly tournaments and urban fencing competitions, in the late medieval and early modern Germany. Alongside their socio-cultural context their specific ‘kinetic sensitivity’ is also taken into account. The unfolding discussion leads to the central question: What made the viewers of contemporary knightly tournaments associate the opponents’ movements with a dance routine? In fact, the relevant literature began to describe them with terms derived from ballet de cour; however, they were never used to discuss the urban fencing competitions. In light of this, it is proposed to supplement the existing definitions of dance with the category of antagonistics defined here as a movement in which the essential criteria for the participants’ assessment and success, and therefore also the main driver of innovation, are not as much determined by aesthetic conventions as by factors not subject to social negotiations. Consequently, while easily encompassing the classically understood agonistics, the dance seems to end where antagonistics begins.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 111, 4; 157-173
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Archaeology of motion. Experiencing the past through embodiment
    Autorzy:
    Talaga, Maciej
    Wrzalik, Jakub
    Janus, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/2080707.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    embodied research
    epistemology
    experimental archaeology
    theory of history
    affordances
    Nauki Humanistyczne i Społeczne
    Opis:
    Since the so‑called “bodily turn” in the humanities, it may pass as trivial that, as observed by Alva Noë, “experience is not a passive interior state, but a mode of active engagement with the world”. Nevertheless, it seems worth repeating especially that the most direct implication of this thought – that when humans actively engage with the world they do so by moving their physical bodies around – has apparently penetrated much less. This is especially true in the case of academic disciplines involved in the study of the past – history and archaeology – which seem unprepared to investigate past embodiment in a comprehensive manner. Hence, a new methodological proposition is put forth – archaeology of motion. It is inspired by anthropologists and ethnographers’ successful adaptation of participatory observation and auto- ‑ethnography to the study of embodied practices. It makes use of embodied research advocated by Ben Spatz as well as insights from ecological psychology of James J. Gibson and its various off‑shoots in order to propose a positive research programme for studies in past bodily motion. The paper is capstoned with a short account of a case study on a forgotten Polish folk wrestling style where the proposed theory was put into practice.
    Źródło:
    Historyka studia metodologiczne; 2021, 51; 157-181
    0073-277X
    Pojawia się w:
    Historyka studia metodologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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