Autor: Tajchman, Jan - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: W SPRAWIE KONIECZNOŚCI USTANOWIENIA STANDARDÓW WYKONYWANIA PROJEKTÓW DOTYCZĄCYCH PRAC PLANOWANYCH W ZABYTKACH ARCHITEKTURY
ON THE NECESSITY OF ESTABLISHING STANDARDS FOR PROJECTS CONCERNING PLANNED WORK ON MONUMENTS OF ARCHITECTURE
Autorzy:: Tajchman, Jan
Powiązania:: https://bibliotekanauki.pl/articles/536518.pdf
Data publikacji:: 2008
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: MONUMENTS OF ARCHITECTURE
PROJECTS
STANDARDS
prace projektowe dla zabytkowej architektury
standardy opracowania dokumentacji
Karta Wenecka
projekt budowlany
prace przedprojektowe
projekt budowlano-konserwatorski
projekt architektoniczno-konserwatorski
nadzór autorski nad projektem
dokumentacja powykonawcza
Opis:: The recently observed disturbing degradation of our architectural heritage is the outcome not only of an unsuitable approach of the investors, but also the insufficient conservation knowledge of the projects' authors and the absence of appropriate standards for preparing fitting documentation. The presented article is an attempt at creating foundations for architectural-conservation projects and conservation undertakings. It must be stressed that the existing standards for designing new constructions do not encompass the conservation specificity of monuments of architecture, even though the range of the statute on Construction Law embraces also non-movable monuments, i.e. those of architecture. Additional emphasis is due to the fact that projects relating to monuments of architecture call for an approach divergent from that pertaining to designing new buildings. This difference appears already at the stage of pre-project initiatives, which must involve a full historical reconnaissance of a given monument and its assessment, as well as a definition of the state of preservation and causes of damage; complex conclusions and conservation directives comprise the end stage. From the very onset, pre-project efforts must engage all specialists working on the documentation. They should include authors of historical studies and conservators-restorers of works of art. Contemporary construction does not always require an initial project, which in the case of historical monuments is obligatory and often should appear in several versions so as to select the best possible conservation conception. A construction-conservation project differs essentially from a project needed only for obtaining a construction permission. The architectural-conservation part of the project must resolve all the existing problems, and thus every detail must be designed as part of the execution drawings. This stage has to involve the origin of all conservation projects of architectural details and the outfitting, planned by the conservator-restorer of works of art. The realisation must also entail the 'auteur' supervision of all the participants of the preparation of the pre-project and project documentation (this obligation should never depend on the good will of the investor). In addition, architectural studies must be continued. Realisation work should end with post-execution documentation, devised separately for each specialisation. It is postulated that the post-execution documentation be prepared by the architectural designers (naturally, for a suitable fee), since, as rule, the executor is unprepared and the realisation changes, compared to the project, are extensive.
Źródło:: Ochrona Zabytków; 2008, 1; 79-106
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: KONSERWACJA RUIN HISTORYCZNYCH UWAGI O METODZIE
THE CONSERVATION OF HISTORICAL RUINS REMARKS ON THE METHOD
Autorzy:: Tajchman, Jan
Powiązania:: https://bibliotekanauki.pl/articles/537101.pdf
Data publikacji:: 2005
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: ruina historyczna
konserwacja ruin
Ogrodzieniec
wartościowanie ruin
wartość historyczna
wartość artystyczna
Karta Wenecka
Opis:: The conservation of historical ruins is one of the most difficult domains of the protection of monuments of architecture. Unique methods were conceived relatively early on in England. The presented article is an attempt at a methodic description of the course of work intent on making ruins open to society, after the introduction of suitable protection as well as those ventures which would prolong their existence. Work is based on a complete examination of the ruins and their assessment, together with the directives of the Venice Charter (article15 ) : “Ruins must be maintained and measures necessary for the permanent conservation and protection of architectural features and of objects discovered must be taken. Furthermore, every means must be taken to facilitate the understanding of the monument and to reveal it without ever distorting its meaning. All reconstruction work should however be ruled out ‘a priori’. Only anastylosis, that is to say, the reassembling of existing but dismembered parts can be permitted. The material used for integration should always be recognizable and its use should be the least that will ensure the conservation of a monument and the reinstatement of its form”. The first stage of the undertakings should include initial reconnaissance of the ruins; studies, including archaeological and protection, and producing documentation; the assessment of type ruins from their viewpoint of their historical, artistic, emotional and picturesque qualities. The second stage consists of arriving at a general conception of the “reanimation” of the ruins by granting them a new role and planning their total protection. The final stage involves making a detailed programme and its realisation for the sake of the ruins, their background and surrounding. A detailed programme focused on ruins must take into consideration the necessity of limiting socalled consecutive supplements, usually caused by the following factors: - preparing the ruins for sightseeing, which results in outlining protected excursion routes, - construction reinforcement and the conservation of the substance of permanent ruins, with emphasis on the wall face and coping as well as the proper drainage of the whole premise, - the process of rendering the ruins legible (so-called interpretation supplementation) for the sake of a correct comprehension of the original structure and function, - display of the extracted details (lapidaries), - rendering the ruins more attractive, e. g. thanks to son et lumiere spectacles, - limiting the introduction of new functions into the ruins. The final shape of the conserved ruins is determined by the authentic substance, the manner and scope of the addition of necessary supplements as well as the preservation of the picturesque qualities of the monument. Authentic substance. The protection and conservation of ruins should serve the preservation and presentation of their authentic state. In the case of a stratified monument, the decisive role is played by an evaluation analysis. A monument which has preserved its original elements, i.e. the authentic substance, produces emotional experiences associated with history and possesses the merit of a document. This is the reason why the restoration of ruins cannot diminish the authentic substance. Scope of addition. All work involving ruins must take into account the proportions between that which is original and that which has been added. After the completion of suitable work the original elements should remain dominant. This is the reason why, for example, the scope of additional walls should remain limited to a minimum and can stem from technical reasons and the interpretation conception. Manner of addition. The added elements should be, on the one hand, legible, and, on the other hand, be integrated with the historical ruins according to the recommendations of the Venice Charter. The preservation of picturesque qualities. As a rule ruins are the most picturesque prior to conservation. Necessary work, even conducted with greatest possible piety, sometimes results in a certain “rigidity” of the preserved substance, which in time becomes alleviated by the impact of atmospheric factors. For this reason, while remaining well aware of the threats posed to the picturesque qualities of the ruins, we should aim at limiting all activity which produces such effects.
Źródło:: Ochrona Zabytków; 2005, 4; 27-46
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki