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    Wyświetlanie 1-3 z 3
    Tytuł:
    TEMATYKA KULINARNA W POLSKIEJ WSPÓŁCZESNEJ POPULARNEJ PROZIE KOBIECEJ
    CULINARY MOTIFS IN POPULAR POLISH CONTEMPORARY WOMEN’S FICTION
    Autorzy:
    Szczepkowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444723.pdf
    Data publikacji:
    2017-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    popular woman’s fiction
    culinary code
    housewife
    post-feminism
    downshifting narratives
    culinary metaphor
    nourishment – spiritual equivalent
    Opis:
    This article concerns culinary motifs found in popular women’s fiction at the turn of the 20th and 21st centuries. Women’s fiction is either indifferent to culinary topics or interested in them as a theme, metaphor or recipe. Culinary topics as the main theme appear in novels written by Kalicińska, Enerlich, and Ficner-Ogonowska. I. Sowa employs a culinary code as a metaphor for contemporary urban life style which is marked by consumerism, excess of consumer goods and an intense rivalry. Kalicińska’s novel cycle is an example of downshifting narratives appreciated by some feminists as a way to promote ecology and a women’s community. Culinary novels authored by Enerlich and Ogonowska do not popularize the culinary culture, but rather commercialize it.
    Źródło:
    Acta Neophilologica; 2017, XIX/1; 269-281
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    KRYTYKA TEATRALNA ADAMA GRZYMAŁY-SIEDLECKIEGO
    THEATRE CRITICISM OF ADAM GRZYMAŁA-SIEDLECKI
    Autorzy:
    Szczepkowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444738.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    theatre criticism,
    theoretician of the theatre,
    the Great Theatre Reform,
    reviewer,
    interwar period
    Opis:
    The article presents the figure of Adam Grzymała-Siedlecki, a forgotten writer, who was a playwright, novelist, biographer, director, manager of Cracow theatre. He was also a theatrical reviewer and a historian and theoretician of the theatre. One of his most important activities was theatre critcism. His attitude to theatre evolved during a few decades. At the begining of the XX century he was impressed by the ideas of the Great Theatre Reform es- pecially those ones represented by Gordon Craig. Polish critic considered theatre as an autonomic art, appreciated the setting for a theatre play and the main role of a director. In interwar period, when he worked as a reviewer in Kurier Warszawski, he became more traditional and conservative: according to him the most important person in the play is an actor. In his reviews he also called for a repertoire based on Polish comedies, realistic dramas and Polish classics. The view that the fundamental value of the theatre is the interaction between the audience and the actors stands him out in the context of the Young Poland theatre criticism.
    Źródło:
    Acta Neophilologica; 2016, XVIII/1; 135-150
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja Jane Austen w polskojęzycznym Internecie na przykładzie stron internetowych poświęconych pisarce
    Autorzy:
    Ewa, Szczepkowska,
    Powiązania:
    https://bibliotekanauki.pl/articles/897284.pdf
    Data publikacji:
    2019-11-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Jane Austen
    popular culture
    e-culture
    fan fiction
    kultura popularna
    e-kultura
    Opis:
    The subject of the article is the reception of Jane Austen in the sphere of e-culture – its fragment connected to websites and discussion forums concerning the writer. The phenomenon of “Austen mania” starts in Poland mainly because of the popularity of the movies based on Jane Austen prose. These sites and forums played not only a popularizing role, spreading the knowledge about the writers’ biography, work, film adaptations, or Regency, but they also grouped the society of fans who felt the need of being close to the other readers of Austen and some virtual companion in a feminine sphere created by numerous, common interpretation of the behaviour of the heroes of her prose, and also fans’ creativity in the area of gadgets, Regency costumes and literary tourism. The other form of activity is fan fiction, slightly represented on the forums and sites, especially in the comparison to fan fiction around the work of Austen in the English-speaking circle. They are most frequently the translations from The Republic of Pemberley, not prepared, unfinished, fragmentated, or personal attempts of a romance kind, in a style of Harlequin literature and a sentimental tone.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(2 (465)); 105-114
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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