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    Wyświetlanie 1-4 z 4
    Tytuł:
    O znaczeniu pewnego wizerunku w życiu religijnym i sztuce: Chrystus Frasobliwy – jego funkcja i miejsce
    Autorzy:
    Surdokaitė-Vitienė, Gabija
    Powiązania:
    https://bibliotekanauki.pl/articles/640046.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Chrystus Frasobliwy, wizerunek dewocyjny, sztuka sakralna, sztuka potrydencka, ludowa sztuka religijna
    Opis:
    The function of one image in the religious life and art: the purpose of christ in distressThe image of Christ in Distress belongs to the group of Andachtsbilder (German for devotional images) which took shape in the Late Middle Ages (i.e. the 14th–15th c.) and depicted the sufferings of Christ. The purpose of this type of image is to encourage meditative prayer and meditative conversation with the Saviour, as well as emotional empathy for suffering. As a result, the image of Christ in Distress was usually displayed in such a place in a church where people could observe it at a close range, for example, in side chapels, next to isolated columns, or in the gallery or porch. In some churches, the function of the Crucifi x was attributed to the image of Christ in Distress, placed in the porch. Sometimes, the sculpture of Christ in Distress was placed next to a holy water container near the entrance to the church. Also, on some occasions, the image was painted on the façade of a church or chapel. In some cases, a carved statue of Christ in Distress was put at the front of a church or chapel. Sculptures on this theme were also kept in cemetery chapels where the bodies of the dead were laid out. Just like in other countries, the image (i.e. a sculpture or painting) of Christ in Distress in Lithuania was mostly dissociated from the main ecclesiastical interior equipment, i.e. the altar. The statues of Christ in Distress (Lith. Rūpintojėlis, Susimąstęs Kristus) were often put in specially constructed brick niches suggesting the prison of Christ.
    Źródło:
    Zarządzanie w Kulturze; 2013, 14, 2
    2084-3976
    Pojawia się w:
    Zarządzanie w Kulturze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Understanding the image of Christ in Distress in Lithuanian folk culture: the conceptions of passion, sin and prefiguration of prophet Jeremiah
    Autorzy:
    Surdokaitė-Vitienė, Gabija
    Powiązania:
    https://bibliotekanauki.pl/articles/640160.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    piety, Christ in Distress, Passion of Christ, prophet Jeremiah, pensive Christ, seated Christ, prefiguration, sin, penitence, stone.
    Opis:
    This article discusses a few aspects of the conception of one image found in the Lithuanian folklore and religious sculpture of the turn of 19th and 20th century. The author points out possible influences of the official Catholic Church liturgy, teaching, official religious art, devotional literature, sermons, chants on folklore and folk religious art. This article explores direct influences and the syncretism of these ideas in the peasant culture.
    Źródło:
    Zarządzanie w Kulturze; 2014, 15, 3
    2084-3976
    Pojawia się w:
    Zarządzanie w Kulturze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Krzyże w guberni suwalskiej w XIX wieku: między tradycją a dyktatem władzy
    Autorzy:
    Surdokaitė-Vitienė, Gabija
    Powiązania:
    https://bibliotekanauki.pl/articles/640278.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    gubernia suwalska, stawianie krzyży, sztuka ludowa, mała architektura sakralna, ukaz 1867 roku, przepis 1876 roku
    Opis:
    Crosses of the Suwalki Province of the 19th century: between the Tradition and Government ’s dictateAt the beginning of 19th century cross building was a deeply rooted practice in the Suwalki province. According to the surviving church documents, this tradition dates back to as far as the 18th century. The natural and sponteneous development of the tradition of cross building was interrupted in 1867, when a ban on building crosses, chapels or other religious symbols, Stations of the Crioss and processions church premises was imposed. Although panalties for disobeying the order were not heavy as in Kaunas and Vilnius provinces, the building, repair and renovation of crosses in the Suwalki province were under strict control of governement officials. Moreover the tsar‘s governement went as far as to regulate the outward apperance of the cross. No decorative elements, sophisticated forms or inscriptions were allowed. As a rule, building metal crosses made of cast iron was not permitted as the latter were said to resemble memorials. Besides, only wooden crosses were considered religious symbols by the civil government. Thus although the tsar‘s governement prevented industrial cast iron crosses from invading the landscape of Suwalki province, yet it also strongly infuenced the form, decoration and the intended purpose of wooden crosses. Numerous registered violations and penalties testify to people‘s disobedience and resistance to the civil governement in general and the control imposed on cross building in particular. Until then, the latter practice depended exclusively on the builder‘s religious feelings and the only requirement of the clergy was that the Christian iconography and Catholic norms be observed. The 19th century was the turning point in the tradition of cross building – the religious symbolism of the cross was overshadowed by its political implications. The emergence of historical and political references occurred not only as a result of the 1863 upsising and its subsequent cruel suppression, but also due to the above mentioned restrictions imposed by the tsarist governement, which were meant to control, enfeeble and eventually destroy the tradition in the Catholic regions of the Russian Empire. In Suwalki province, as in Vilnius or Kaunas provinces, crosses were built to commemorate the ancestors and important life events or by way of pleading for intercession and protection form from various diseases and ill-fortunes. The distinctive charecteristic of this province is that it is a place where the influences and trends of the other regions come together and undergo transformation. The Caravacan cross, with inscribed abbreviations, is found in Suwalki province more often than in other regions. The plain form and moderate ornamentation of the crosses of the Suvalkija region were determined not only by the specific requirements of the tsarist authorities, but also by people‘s distinctive taste, which was formed way before it could be affected by mass-produced items.
    Źródło:
    Zarządzanie w Kulturze; 2012, 13, 3
    2084-3976
    Pojawia się w:
    Zarządzanie w Kulturze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Christ in Distress in Lithuanian oral folklore and folk sculpture: The main aspects of perception
    Autorzy:
    Surdokaitė-Vitienė, Gabija
    Powiązania:
    https://bibliotekanauki.pl/articles/644537.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    piety
    Christ in Distress
    Passion of Christ
    prophet Jeremiah
    prefiguration
    Opis:
    The influence of official church art, devotional literature, sermons, chants and etc. on folklore and folk religious art were discussed by some researchers. This article explores direct influences of Catholic Church’s teaching about Christ on the conception of Christ in Distress image and representation in folk/peasant culture. Here, interpretation of this image is closely related to the teaching of church, the religious literature and thus scarcely distanced from the official religiosity at all. The popular interpretation of Christ in Distress image was determined by the influence of various church texts on the distinctive peasant worldview.
    Źródło:
    Prace Etnograficzne; 2014, 42, 3; 199-222
    0083-4327
    2299-9558
    Pojawia się w:
    Prace Etnograficzne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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