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Wyświetlanie 1-7 z 7
Tytuł:
The portrait of a modern woman in the poetry of Wanda Melcer
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/2048763.pdf
Data publikacji:
2021-12-23
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
modernity
Wanda Melcer
female poetry
feminism
identity
Opis:
The article tackles the topie of womanhood as a typical motif in Wanda Melcer' s poetry, a topie which in historical-literary studies has so far been insufficiently discussed. Through the analysis of selected poems from her two published volumes as well as from other scattered poems, the portrait of a modern woman as presented in that poetry has been sketched out. This woman is a person who takes part in civilisational, social and manner-related changes. Her relations to culture, art and literature, her vitality and being active in life, all attest to her abandonment of roles imposed by the patriarchal system. It has been shown that the "new woman" breaks taboos and is educated. Above all she is independent and selfreliant, desires success and thirsts for new experiences, as demonstrated by how she frequently changes her surroundings and appropriates new spaces. She moulds her identity in confrontation with the outside world, she is open to otherness and changeability. At the same time she maintains personal consistency. Her creative identity is related to acting upon the principle of choice, and not obligation. Due to the multitude of biographical references present, the portrait of the female heroine contained in Wanda Melcer's poetry can be seen as a self-portrait of the author herself.
Źródło:
Forum for Contemporary Issues in Language and Literature; 2021, 2; 60-73
2391-9426
Pojawia się w:
Forum for Contemporary Issues in Language and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paradygmat młodości w polskiej poezji awangardowej
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1826539.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
futurism
avant-garde
youth
Anatol Stern
Adam Ważyk
Czesław Miłosz
Stefan Flukowski
Opis:
In his article, the author discusses the problem of youth that occurs in the poetry of Polish avant-garde poets. On the example of the interwar poems of Anatol Stern and Czesław Miłosz among others the researcher shows the functioning of the two major variants of the paradigm of youth in this poetry. The first one is related to the creation of youth as the ruthless force that forms new laws and qualities of life. The poets of the Second Avant-Garde present another model of youth in their works. The age of adolescence becomes a pretext for them to verify the existing world and settle with its naïve reception. Catastrophic moods are dominant in their art. Between these two variants of the paradigm of youth there are Adam Ważyk’s visions of adolescence, in which the researcher indicates the presence of idyllic threads and child’s imagination.
Źródło:
Conversatoria Litteraria; 2017, 11; 81-96
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zapomniana poezja Wandy Melcer-Rutkowskiej
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1826714.pdf
Data publikacji:
2019-07-02
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Wanda Melcer-Rutkowska
avant-garde
feminism
futurism
poetry
Opis:
The author presents a glossary for Wanda Melcer-Rutkowska’s biography, which draws on her social and literary activity in the context of cultural trans-formations at the beginning of the 20th century. Moreover, the author clearly outlines Melcer Rutkowska’s active engagement in a variety of initiatives intended to revolutionise the realm of customs and art. The article draws on the literary output of the author of Miasto zwierząt, indicating the impact it had during the interwar years. Special attention is paid to the forgotten poetry which was eventually included in a compilation of previously printed volumes and those poems which had been formally scattered throughout the press. Two aspects of Melcer-Rutkowska’s literary work were primarily analysed: feministic and avant-garde.
Źródło:
Conversatoria Litteraria; 2019, 13; 233-246
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Topos lasu w poezji Bolesława Leśmiana. Natura – człowiek – Bóg
Topos of the Forest in Bolesław Leśmians Poetry. Nature – Human – God
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1833679.pdf
Data publikacji:
2021-11-03
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
forest
nature
man
symbolism
God
Bolesław Leśmian
Opis:
The article presents interpretations of poems by Bolesław Leśmian, where a motif of the forest can be found. Initially, the forest in Leśmian's poetry appears as symbolism of spiritual states: melancholy, longing and sadness, which are the characteristic features of the Young Poland poetry, which was primarily patronized by Kazimierz Przerwa-Tetmajer. Then, in the poems from Orchard, he announces the project of a union of human and nature and a turn towards the original instinctuality, the implementation of which the next volume will bring.Aa essential text is the poem Green Hour. This is the mystery of the existential tragedy of the human who lives on the border between the worlds: nature, human civilization and God. Here we can see the unveiling of the idea of realistic symbolism, which involves the search for mediation between different entities. However, he does not come to it because of the fact that the protagonist of the described events is under the influence of principio individuationis. Only the resignation from this principle - which occurs in the poems of Oak and Desire, and in other works of The Meadow - shows the space of the forest as a place of reconciliation between beings. In the interpretation, it was noticed that Leśmian's cosmogonic concepts were inspired by the philosophical thought of Friedrich Nietzsche and Henri Bergson.
Źródło:
Conversatoria Litteraria; 2021, 15
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koherencja mitów odrodzenia natury, człowieka I ojczyzny w późnych wierszach Tadeusza Micińskiego (Hymn, Widzenie Polski)
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1833699.pdf
Data publikacji:
2020-07-10
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Tadeusz Miciński
poetry
myth of revival
nature
homeland
symbolism
Opis:
The article presents interpretations of the little-known late poetry of Tadeusz Miciński from 1914-1915, where the myth of revival occurs. It has been shown that alongside with the myths of individual and national revival found in the writer’s earlier works, there appears the rite of renewal of nature, which functions in the close connection with them in the poems Hymn/Anthem and Widzenie Polski/Vision of Poland. This is the new formula of the author's lyrics. It has been proved that the coherence of the mentioned myths is subordinated to the idea of renouncing personal happiness in favor of the national cause and the vision of resurrection of the homeland (Poland) in specific geographical dimension. Attention was paid to the symbolism of the language of the analyzed texts.
Źródło:
Conversatoria Litteraria; 2020, 14; 185-199
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Nowy komeniusz" Jana Chrzciciela Mieroszewskiego. Jego związki z pansofią Komeńskiego
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/28408827.pdf
Data publikacji:
2021-11-30
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Jan Amos Comenius
pansophism
silva rerum
encyclopeadism
Jan Chrzciciel Mieroszewski
Opis:
The article analyses The New Comenius, a work by a little-known 19th-century Polish writer, Jan Mieroszewski. The title itself indicates a connection with the works by John Amos Comenius due to the appellativization of the scientist’s name. The author lists multiple affinities in the content, composition and form of the Polish "Comenius" with Orbis Pictus and other works by the outstanding Czech educator, and above all, with his idea of pansophism. He mentions the illustrative method of transferring knowledge and the encyclopaedic tendency to collect and systematize it. At the same time, he proves that Comenius' concepts influenced the development of the Polish prose of the seventeenth century, which assumed the silvic formula of a collection of varieties useful in the lives of educated people. Mieroszewski's book is a continuation of this trend of writing, which combined genealogically contradictory patterns of silva rerum and the encyclopaedia. Despite its literary nature, it retains the value of a textbook or lexicon, which was intended to convey wisdom in a universal dimension, relating to the spheres of self-knowledge, the world of universal and transcendent things, as Comenius had assumed. Undoubtedly, the analysed text confirms the viability of the scholar's concept in the Polish intellectual and literary culture of the nineteenth century.
Źródło:
Siedleckie Zeszyty Komeniologiczne. Seria pedagogika; 2021, 8; 115-128
2450-7245
2658-1973
Pojawia się w:
Siedleckie Zeszyty Komeniologiczne. Seria pedagogika
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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