Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Skrzypczyk, Aleksandra" wg kryterium: Autor

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-7 z 7
    Tytuł:
    Bruno Schulz i muzyka. Exordium
    Bruno Schulz and music. Exordium
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1038600.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    music
    literature
    Bruno Schulz
    interwar period
    Opis:
    The aim of the article is to answer the question whether there are any connections between Bruno Schulz’s prose and the art of sounds, and how music is present in his prose. It is also the first recognition of this issue in his work, compiling the previous fragmentary opinions of scholars of Schulz’s work on this subject.
    Źródło:
    Przestrzenie Teorii; 2020, 34; 75-98
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przecięcia biografii. Muzyczne spotkania Schulza
    Intersections of Biographies. Bruno Schulz’s Musical Encounters
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/2097258.pdf
    Data publikacji:
    2021-12-16
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    biography
    Schulz
    Polish literature
    music
    interwar period
    Opis:
    The article is devoted to Bruno Schulz’s meetings with musicians. It shows not only a partial biography of the author of The Cinnamon Shops, filtered by these encounters, but also smaller fragments of lives of his friends. These intersected biographies create a story about inter-war contacts and relationships, which resulted in numerous epistolography and post-war memories that focused on Schulz’s life and oeuvre. The author of this text talks about the influence that these contacts might have had on Schulz’s perception of music and musicians. Furthermore, it shows how he translated these experiences into his prose. In the archive of Schulz’s life and work we can find traces of meetings with several music artists. There are also some traces of these meetings in the descriptions of organ grinders at Sanatorium Under The Sign of The Hourglass, Jewish musicians who we will find concerts in the story Spring, as well as in the descriptions of park and cafe musicians, mentioned in both series of stories. However, knowledge of these relationships survived primarily due to the letters. It should be noted that the preserved materials from his meetings with musicians have never been the subject of schulzology research in its entirety. Musicians inspired a few fragments of Schulz’s short stories. Artists whom he met at the beginning of the 20th century were not only performers of pre-war Poland, in particular his hometown of Drohobych, and Lviv, Warsaw, but also of Vienna and Paris. These friendships were important for his musical education, they shaped his thinking about music and his image of musicians. They must have had an impact on the descriptions of sounds in the world depicted in The Cinnamon Shops and his other stories, and finally — after the Holocaust — they let the legacy of Bruno Schulz be saved.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2021, 64, 2; 65-80
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nieznane ilustracje Brunona Schulza do zeszytów z nutami
    Bruno Schulz’s Unknown Illustrations of Sheet Music Books
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/645734.pdf
    Data publikacji:
    2018-12-03
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    In the paper, the author presents the results of her research on the origins of two illustrations credited to Bruno Schulz. Illustrations decorate the covers of two different tango sheet music books from the 1930s – „Dziewczę me, wspomnij noc. Tango” („Oh Girl, Remember the Night. Tango”) and „Biały motyl” („White Butterfly”). One of the covers was found on a vintage auction, while the other remains only in the memory of the last owner and inheritor of the songwriter. The author interviews the last owner of the books, reconstructing the story of Schulz’s friendship with musicians and the history of lost illustrations.
    Źródło:
    Schulz/Forum; 2018, 12
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyczne organizacje warstwy brzmieniowej w opowiadaniach Brunona Schulza
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/971954.pdf
    Data publikacji:
    2020-05-14
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    literature
    music
    Bruno Schulz
    comparative studies
    musicality of literature
    Opis:
    The aim of the article is to analyse musical ways of creating a text. Based on the prose of Bruno Schulz, the author examines the organization of the sound layer in terms of sound techniques used in them (rhythm, lead motif, instrumentation, anagram, situational rhythm, polyphony). Describing the musical entanglements of the text not only shows Schulz’s ingenious writing technique, but also allows to read his work anew – including the modestly discussed perspective of his work.
    Źródło:
    Przegląd Humanistyczny; 2020, 64(1 (468)); 33-48
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Głos Schulza
    Bruno Schulz’s Voice
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/645480.pdf
    Data publikacji:
    2020-09-24
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The aim of the article is to answer the question of what Bruno Schulz’s voice might have sounded like. Only a few witnesses mention it, and their reports are sometimes contradictory. In the prewar Polish press many radio programs are listed, some of which mention that the Polish Radio broadcast Schulz’s reading of his short story “Dodo.” Thus, it is believed that the author of The Cinnamon Shops was actually on air, and perhaps more literary programs devoted to Schulz have been broadcast as well. It still seems possible to find the archival materials on which Schulz’s voice might have survived.
    Źródło:
    Schulz/Forum; 2020, 15; 224-230
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz w operze
    Schulz in the Opera
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/645887.pdf
    Data publikacji:
    2017-03-01
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The article describes three operas inspired by the works of Bruno Schulz: 1976 Demiurgos by Juliusz Łuciuk, Mannequins by Zbigniew Rudziński, premiered in 1981, and Tree of Codes, written by the Australian composer Liza Lim, premiered in 2016 in Germany. The fate of two Polish operas inspired by Schulz varies considerably – there has been no stage premiere of Demiurgos yet, and Mannequins have won world fame. Demiurgos is a sonorous opera in which the composer, through the relationship of the father and his son, presents his own musical philosophy – the coexistence of tradition and modernity. Rudziński is fascinated with Schulz’s language, which he believes can be translated into a musical language and which has its musical potential. Lim’s opera, composed after reading Jonathan Safran Foer’s Tree of Codes, presents a mythical place beyond time, a fluid reality in which boundaries are unstable, and characters undefined and hybrid.
    Źródło:
    Schulz/Forum; 2017, 9
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Próba biografii akustycznej Brunona Schulza. Doświadczenia audialne
    Towards an Acoustic Biography of Bruno Schulz: Auditory Experiences
    Autorzy:
    Skrzypczyk, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1375658.pdf
    Data publikacji:
    2021-05-25
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The article analyzes the potential sonic experiences of Bruno Schulz. The numerous references to music in his prose inspire questions about Schulz’s attitude towards music. Based on the testimonies of his family and friends, it is impossible to determine Schulz’s opinion on the art of sounds, or whether he was musical and what kind of music he listened to. The ‘acoustic biography’ presented here becomes a metaphor for Schulz’s probable auditory experiences. Arranged in the chronological order, it respects the principles of probability, and is based on the historical and cultural context of 19th- and 20th-century Poland.
    Źródło:
    Schulz/Forum; 2020, 16; 28-44
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies