Autor: Seiler, Thomas - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Figuren des Fremden in der skandinavischen Gegenwartsprosa: Herbjømsrud, Hermanson, Rynell
Autorzy:: Thomas, Seiler
Powiązania:: https://bibliotekanauki.pl/articles/1177656.pdf
Data publikacji:: 2004
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:: The following paper is concerned with the figure of the stranger in texts of three contemporary Scandinavian authors (Hans Herbjomswd, Marie Hermanson, Elisabeth Rynell). Georg Simmel’s well-known formula defines the stranger as the person who comes today and stays tomorrow. This analysis focuses on the stranger as defined by Simmel, examining his narrative as well as his function in terms of content.
Źródło:: Folia Scandinavica Posnaniensia; 2004, 8; 17-25
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: «Den verkliga festen, som är dödstyst» – Tomas Tranströmers "Blåsipporna" und das Heilige
Autorzy:: Seiler, Thomas
Powiązania:: https://bibliotekanauki.pl/articles/1202466.pdf
Data publikacji:: 2021-06-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Tomas Tranströmer
Prosagedicht
das Erhabene (Kant)
das Heilige (Rudolf Otto)
prose poem
the sublime (Kant)
eschatology
Opis:: Tranströmer’s prose poem Blåsipporna ("The Liverleafs") is rather cryptic. By reading the text in the light of Kant’s theory of the sublime and by focusing on its mysterious and paradoxical aspects, this essay seeks to unveil the poem’s hidden eschatology. The poem’s transcendence is the result of the rhetorical and literary devices the poet is using to depict an ecstatic experience. Such an experience is beyond rationality, hence the wording’s irrationality. In addition, the poem addresses silence, as the experience of ecstasy can never be expressed by words. Thus, "Blåsipporna" is a piece of art and a sacred text at the same time.
Źródło:: Folia Scandinavica Posnaniensia; 2021, 30; 4-14
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Frost und Gedächtnis: "Das Eis-Schloss" von Tarjei Vesaas
Autorzy:: Seiler, Thomas
Powiązania:: https://bibliotekanauki.pl/articles/1161593.pdf
Data publikacji:: 2016-11-10
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Tarjei Vesaas
Pałac lodowy
pamięć
the ice palace
memory
Opis:: Critics have interpreted Tarjei Vesaas’s novel The Ice Palace (1963) in psychological terms as a kind of rite-of-passage fable of two eleven-year-old girls, Siss and Unn. The latter dies in a magic Ice Palace short after their first meeting in Unn’s house. The novel’s plot is about how Siss is dealing with the loss. Other scholars put the emphasis on the folkloristic elements or read the text as an allegorical one, as a piece of art dealing with art.In the following article I would like to read The Ice Palace as a poetic treatise on the relationship between mourning, melancholy on the one hand and commemoration, memorialization on the other.
Źródło:: Folia Scandinavica Posnaniensia; 2016, 19; 213-232
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: H.C. Andersens Iisjomfruen und die Unterhaltungsliteratur des 19. Jahrhunderts
Autorzy:: Seiler, Thomas
Powiązania:: https://bibliotekanauki.pl/articles/1159042.pdf
Data publikacji:: 2016-12-19
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:: H.C. Andersen’s fairy tale The Ice Maiden is in many ways very modern, especially when we take into account its formal and rhetorical devices. The narrative is not invented by the author as the story is compound of travel journeys, popular readings of the time and so on. Andersen himself indicated some of his sources. In the following paper I would like to discuss the relationship between the fairy tale and the so called „Gebirgserzählung“ from the 18th and 19th century, which was extremely popular at the time. While the core of a “Gebirgserzählung” often consists in a young couple, that after many troubles in the end comes happily together, this is not the case in The Ice Maiden, as Andersen let the protagonist die. It looks as if Andersen would argue in favour of predetermination, based on Christian belief. However, this conclusion is not convincing because it fails to explain the obvious injustice of Rudy’s fate. In what follows I suggest a rhetorical explanation of the protagonist’s death. In such a view Rudy’s death is not to be understood as predetermined, but as a result of Andersen’s fear of his own modernity. What he demonstrates is how an entire story can be the result of other stories, how literature is based on literature. But the author himself seems not to be mature for this insight and that’s the reason why he let the protagonist die.
Źródło:: Folia Scandinavica Posnaniensia; 2016, 20; 205-215
1230-4786
2299-6885
Pojawia się w:: Folia Scandinavica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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