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    Tytuł:
    Shakespeare,<i>Macbeth</i>and the Hindu Nationalism of Nineteenth-Century Bengal
    Autorzy:
    Sarkar, Abhishek
    Powiązania:
    https://bibliotekanauki.pl/articles/647977.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Macbeth
    violence
    Bengali
    nationalism
    Hindu revivalism
    colonial modernity
    Opis:
    The essay examines a Bengali adaptation of Macbeth, namely Rudrapal Natak (published 1874) by Haralal Ray, juxtaposing it with differently accented commentaries on the play arising from the English-educated elites of 19th Bengal, and relating the play to the complex phenomenon of Hindu nationalism. This play remarkably translocates the mythos and ethos of Shakespeare’s original onto a Hindu field of signifiers, reformulating Shakespeare’s Witches as bhairavis (female hermits of a Tantric cult) who indulge unchallenged in ghastly rituals. It also tries to associate the gratuitous violence of the play with the fanciful yearning for a martial ideal of nation-building that formed a strand of the Hindu revivalist imaginary. If the depiction of the Witch-figures in Rudrapal undercuts the evocation of a monolithic and urbane Hindu sensibility that would be consistent with colonial modernity, the celebration of their violence may be read as an effort to emphasize the inclusivity (as well as autonomy) of the Hindu tradition and to defy the homogenizing expectations of Western enlightenment
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 13; 117-129
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rosalind and "Śakuntalā" among the Ascetics: Reading Gender and Female Sexual Agency in a Bengali Adaptation of "As You Like It"
    Autorzy:
    Sarkar, Abhishek
    Powiązania:
    https://bibliotekanauki.pl/articles/648297.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    As You Like It
    19th-century Bengali theatre
    cross-dressed heroine
    female sexual agency
    Kālidāsa
    classical Sanskrit drama
    Opis:
    My article examines how the staging of gender and sexuality in Shakespeare’s play As You Like It is negotiated in a Bengali adaptation, Ananga-Rangini (1897) by the little-known playwright Annadaprasad Basu. The Bengali adaptation does not assume the boy actor’s embodied performance as essential to its construction of the Rosalindequivalent, and thereby it misses several of the accents on gender and sexuality that characterize Shakespeare’s play. The Bengali adaptation, while accommodating much of Rosalind’s flamboyance, is more insistent upon the heteronormative closure and reconfigures the Rosalind-character as an acquiescent lover/wife. Further, Ananga-Rangini incorporates resonances of the classical Sanskrit play Abhijñānaśākuntalam by Kālidāsa, thus suggesting a thematic interaction between the two texts and giving a concrete shape to the comparison between Shakespeare and Kālidāsa that formed a favourite topic of literary debate in colonial Bengal. The article takes into account how the Bengali adaptation of As You Like It may be influenced by the gender politics informing Abhijñānaśākuntalam and by the reception of this Sanskrit play in colonial Bengal.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 18, 33; 93-114
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Thomas Dekker and the Spectre of Underworld Jargon
    Autorzy:
    Sarkar, Abhishek
    Powiązania:
    https://bibliotekanauki.pl/articles/888695.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    drama
    Thomas Dekker
    jargon
    criminal
    carnivalesque
    oral tradition
    Opis:
    My paper seeks to locate Thomas Dekker’s handling of underworld jargon at the interface of oral and literary cultures. The paper briefly looks at a play co-authored by Dekker and then examines two “coney-catching pamphlets” by him to see how he tries to appropriate cant or criminal lingo (necessarily an oral system) as an aesthetic/commercial programme. In these two tracts (namely, The Bellman of London, 1608; Lantern and Candlelight, 1608) Dekker makes an expose´ of the jargon used by criminals (with regard to their professional trappings, hierarchies, modus operandi, division of labour) and exploits it as a trope of radical alienation. The elusiveness and ephemerality of the spoken word here reinforce the mobility and deceit culturally associated with the thieves and vagabonds – so that the authorial function of capturing cant (whose revelatory status is insistently sensationalized) through the intrusive technologies of alphabet and print parallels the dominant culture’s project of in-scribing and colonizing its non-conforming other. Using later theorization of orality, the paper will show how the media of writing and print distance the threat inherent in cant and enable its cultural surveillance and aesthetic appraisal.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 129-139
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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