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Wyszukujesz frazę "Samborska-Kukuć, Dorota" wg kryterium: Autor


Tytuł:
Piotr Medeksza – wydawca "Wianka z paproci"
Piotr Medeksza – a publisher of "Wianek z paproci"
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/50959724.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Piotr Medeksza was a publisher of popular antology (a lot of subscribers), containing among others the poems of sentimentalist Jan Onoszko. Medeksza was a student of Joachim Lelewel, a contemporary of Stanislaw Morawski; he takes possession a cathedral of Latin at Kowno’s school after Adam Mickiewicz’s departure. Medeksza publsihed his poetry in Dziennik Wileński.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2005, 07, 1; 263-270
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Speculum mundi. Deotymy filozofia zwierciadła
Speculum mundi. Deotym’s philosophy of the mirror
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/51472886.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Published in 1879, but utterly forgotten today, The Mystery of the Mirror (The Mirror's Enigma) by Jadwiga Łuszczewska takes up a fantastic theme of the mirrors, in which the history of the world is written down. Since the very moment our world was created the mirrors have been registering everything that looks at itself in them. Employing the theory of reflexions and duplications (thing/object – idea), the author formulates some theses concerning the process of creation: a thought is reflected in the air just like in the mirror. It is afterwards seized by an artist who is able to read (interpret) it correctly. Platon’s Idealism and Paracelsus’s theory interwine in Deotym’s novel with F. Schelling’s thought and the aesthetics of E. T. A. Hoffmann.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2006, 08; 133-141
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Łotysz [...] całą swą rozkosz zakłada w próżnowaniu na wzór wszystkich niewolników do ciężkich używanych pracy. [...] Na poddanego kmiecia jedyny". "Pamiętniki księdza Jordana" Kazimierza Bujnickiego w perspektywie postkolonialnej
„A Latvian [...] has all his delight in idling away, like all those slaves made to toil. [...] A serf’s one and only” . Pamiętniki księdza Jordana by Kazimierz Bujnicki from a post-colonial perspective
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/51446518.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Father Jordan's Memoirs, a novel by the 19th century Polish Inflanty writer Kazimierz Bujnicki, an exemplar of a nobleman’s epic about the Polish province of yore, discloses a number of stereotypes that characterise so-called post-colonial thinking. The text’s linguistic structures and the author’s dominant stance (Polish-centred approach), when seen through the prism of contemporary Eastern Poland discourse, point to depreciating the Latvian influx perceived as Other-inferior as well as hyperbolising the role of the gentry, with its culture and religion as an imposed standard. The modules that the paper is made up of (zoomorphisation, infernalisation and antiesthetisation) point to the frequently inadvertent metaphorising highlighting inferiority, immaturity, immobility, inability to decide in one’s own affairs; these inadequacies are typical of the group of Latvians inhabiting the semi-utopian hamlet as described in the novel. Hence the patemalisation, their way of perceiving the world around them, combined with the duality of perception exerdscd by the catholic Polish landholder, whose natural identity is of a twofold nature (gentc Livonus, natione Polonus), made up of opposing approaches to colonisation (domination of Latvians, submission toward Russians) and a manifold approach to the multicultural specificity of the Inflanty.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2009, 12; 95-109
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poezje braci Grzymałowskich – casus długiego trwania konwencji sentymentalnej w wieku XIX
Grzymałowski’s brothers poetry – casus of long lasting existence of sentimental style in the 19th century
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/967932.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Brothers: Walerian, Klemens and Julian Grzymałowski, the poets of Polish-Belorussian borderline are representatives of a long-lasting existence of sentimental style in a borderland literature at the 19th century. Although their poetry was described as worthless and epigonic, it consists very important elements of regional folklore important for retaining national identity in this area. The poetics inherited from sentimentalism served these enthusiasts of people to polish a local poetry up including its unique and exceptional character.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2010, 13
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Chcę serio w świat literacki wyruszyć” — na marginesie listów Michała Borcha do Adama Zawadzkiego
„I need to start on a journey around a literary world” – in Michael Borch’s letters to Adam Zawadzki
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/967410.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Michael Borch was an author of some important works describing Polish Inflanty (Latgale). In his books, he presented the history and legends of the region, according to the didactic rules required during this period. Borch was a regular correspondent with Zawadzki’s publishing house. He ordered a lot of historical books from there, on the ground of the topic. This correspondence is a source of knowledge about the problems with particular editions and also Borch’s personal troubles. Borch was a very important organiser of cultural activities in the area.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2011, 14, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Moje czytanie "Lalki"
My Reading of "Lalka"
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/942598.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bolesław Prus "Lalka"
Opis:
Lalka is an open literary work that becomes richer as the reader is growing older and is, therefore, an “infinite” task for interpretation. My look at the masterpiece by Prus as a text based on the model of Greek tragedy refers rather to tradition and is against modernity. Repeated reading of the novel, searching for the writer’s autothematic statements and the 19th century discussions about theatre and novel allowed me to formulate a new research proposal — a palimpsest reading of Lalka. The qualities of Greek tragedy include: the construction of the hero, the narrative, the structure of the novel (episodes and „stasimons” of Rzecki) and the dramatized style. These elements allowed Prus to give his story contemporary features and inscribe it into a universal perspective.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Anonimowe książki polskojęzyczne z petersburskiej drukarni Krayów – atrybucje i sprostowania
Anonymous Polish Books from Kray’s Printing Company in Petersburg – Attributions and Corrections
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/20434466.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
In the article the problem of anonymous prints or with wrong authorship printed at the first half of the 19th century in the Kray’s Printing Company in Petersburg is described. The authorship’s issue of "Sonety i triolety" and so far anonymous works of Onufry Korkozewicz ("Poezje", "Jadwiga Zborowska", "Świętopełk, książę pomorski") is analyzed.
Źródło:
Acta Universitatis Lodziensis. Folia Librorum; 2013, 17; 67-74
0860-7435
2450-1336
Pojawia się w:
Acta Universitatis Lodziensis. Folia Librorum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inflanty Polskie Bolesława Limanowskiego – wspomnienia i relacje
Polish Livonia of Boleslaw Limanowski – reminisces and correspondence
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/967461.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Inflanty Polskie
Bolesław Limanowski
Opis:
Polish Livonia was the little homeland of Boleslaw Limanowski, a socialist and a popular political activist. The author reminisces about it in his Memoirs and in his correspondence reviving the past – both private and the history of the region (his work about Emilia Plater). Limanowski’s statements, because of his highly detailed observations, are the source of the history of the province and character of its customs. They also reveal a private side of the evolution of the author’s views. His accurate remarks connected with the peculiarities of the identities of Poles living in Livonia, especially their relationships with Russians, enabled the reader to think about the uniqueness of the author’s thoughts and his sagacity.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2013, 22, 4
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ale jaki to człowiek stylowy! […] zginął, aż ziemia zadrżała”. Dwa polskie samobójstwa: Wołodyjowski – Wokulski
“What a suave man he was! […] The earth trembled as he perished”. Two Polish suicides: Wołodyjowski – Wokulski
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/967615.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
"The Doll" of Bolesław Prus
"Colonel Wolodyjowski" of Henryk Sienkiewicz
polish myths
suicide
"pan wołodyjowski"
mity narodowe
samobójstwo
bolesław prus
henryk sienkiewicz
"lalka"
Opis:
There is more to the literary polemic between the author of "The Doll" and the creator of "The Trilogy" than merely Prus’ contradictory review of Sienkiewicz’s "With Fire and Sword". It also includes "The Doll’s" multifarious allusiveness to "Fire in the Steppe", manifested in particular in the meaningful, symbolic ending, whereby both protagonists blow themselves up, literally and metaphorically cornered in old buildings. Prus converses with Sienkiewicz in a discreet manner, though the careful reader will spot contentious issues. These include the struggle for a different type of protagonist – not a hero, but an individual entangled in romantic myths, paralysing their life forces; a different perception of the past, rational and fair rather than glorified and martyrological; finally, a different outlook on the present and the future, promoting entrepreneurship and economy as tools for the development of Poland as a European partner, rather than the idealistic focus on the utopian, foregone concepts of military achievements. The text highlights the similarities in the characters of Wokulski and Wołodyjowski, with special emphasis on the final scenes and the demise of the world after the protagonists’ respective disappearance. The two famous literary suicides, patterning after the deed of Ordon as depicted in Mickiewicz’s poem, have been parodied (e.g. by Mrożek) and adopted, thus becoming literary weapons in the struggle with the Polish mythopoeia, xenophobia, and exaggerated patriotism.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 30, 4; 83-100
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Henryka Sienkiewicza obrazy nagości
Images of nudity in Henryk Sienkiewicz’s works
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2012576.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Henryk Sienkiewicz
nagość
seksualizm
nudity
sexuality
Opis:
The paper focuses on the previously unexplored topic of various forms of nudity in Sienkiewicz’s writing. The writer’s entire literary output is reviewed here, with special reference to novels (Quo vadis in particular is notorious for a plethora of sadistic erotic scenes). Given the writer’s extraordinary talent for seduction and his creative capabilities, the paper looks into images that could have been considered indecent at that time andwere prudently hushed up. The following modules: Collective nudity and mutilated nudity, Separate naked bodies, Diana at a water fountain, Human statues, and Naked manhood look at Sienkiewicz’s depiction of corporeality, eroticism, and sexuality, which, combined with cruelty, recur to reveal the writer’s intimate fantasies. The figures commonly used by Sienkiewicz in his works making recourse to mythology and other cultural texts include animalisation, reification, hyperbole, and synecdoche; they are particularly refined when it comes to nudity.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 73-105
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Syndrom Charouska. Tomasza Judyma problemy z tożsamością
Charousek’s syndrome. Tomasz Judym’s Problems with Identity
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/967383.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ACoA syndrome
Stefan Żeromski
Ludzie bezdomni
Gustav Meyrink,
Golem
syndrom DDA
Opis:
In literary studies, Judym, the protagonist of Ludzie bezdomni, is usually treated as a social activist fixated on the mission to improve the world. However, such interpretation is not exhaustive because the character’s behaviour, not always rational and sensible, is a result of his beliefs and worldview. His identity problems, which pose the principal difficulty for him and which are the driving force of his actions, are rooted in his inferiority complex, born and developed on the foundation of his dysfunctional upbringing with an alcoholic father and later his aunt, a prostitute. Aversion to his familial heritage makes Judym a profoundly emotionally repressed man, unable to cope with life and emotional relationships. Understanding these difficulties helps readers to see the character’s alienation and motivations, which he would like to be considered as “paying the debt” he owes to the social group from which he came.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 33, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What a Suave Man he Was! […] The Earth Trembled as he Perished Two Polish Suicides: Wołodyjowski – Wokulski
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/648854.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Doll of Bolesław Prus
Colonel Wołodyjowski of Henryk Sienkiewicz
polish myths
suicide
Opis:
There is more to the literary polemic between the author of The Doll and the creator of The Trilogy than merely Prus’ contradictory review of Sienkiewicz’s With Fire and Sword. It also includes The Doll’s multifarious allusiveness to Fire in the Steppe, manifested in particular in the meaningful, symbolic ending, whereby both protagonists blow themselves up, literally and metaphorically cornered in old buildings. Prus converses with Sienkiewicz in a discreet manner, though the careful reader will spot contentious issues. These include the struggle for a different type of protagonist – not a hero, but an individual entangled in romantic myths, paralysing their life forces; a different perception of the past, rational and fair rather than glorified and martyrological; finally, a different outlook on the present and the future, promoting entrepreneurship and economy as tools for the development of Poland as a European partner, rather than the idealistic focus on the utopian, foregone concepts of military achievements. The text highlights the similarities in the characters of Wokulski and Wołodyjowski, with special emphasis on the final scenes and the demise of the world after the protagonists’ respective disappearance. The two famous literary suicides, patterning after the deed of Ordon as depicted in Mickiewicz’s poem, have been parodied (e.g. by Mrożek) and adopted, thus becoming literary weapons in the struggle with the Polish mythopoeia, xenophobia, and exaggerated patriotism.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Rozmiłowanie w niespodziankach”. Sienkiewiczowskie warianty anagnoryzmu
Love for surprises’. Sienkiewicz’s variations of anagnorisis
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2012738.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Henryk Sienkiewicz
anagroryzm
rozpoznanie
anagnorisis
recognition
Opis:
Although  the use of anagnorisis in literature dates back to ancient times, it is still easily found in Henryk Sienkiewicz’s works. Aristotle defines anagnorisis as "a change from ignorance to knowledge, producing love or hate between the persons destined by the poet for good or bad fortune". This literary device appears in almost all novels by Sienkiewicz and is always aptly incorporated in a way which is a logical consequence of the events and which leads to revealing some kind of mystery. Coupled with dynamic plot, remarkable protagonists, and devices typical of Walterscottism, it accounts for the attractiveness of Sienkiewicz’s works. Most frequently, it is a recognition of a character be it against their will or at their volition, but also self-recognition, a moral or ideological initiation. The most excellent ones include anagnorisis in Whirlpools (solving the secret  of Agnes Anney), in Sir Michael (unmasking Asia), and in The Deluge (Kmicic’s rehabilitation). In each novel the anagnorises used have intended impact on the reader and induce the empathic effect of Catharsis.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 71-83
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Gadomski – redaktor „Gazety Polskiej” w świetle nowych źródeł
an Gadomski – the editor of “Gazeta Polska” in the light of new sources
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/649882.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Gadomski Jan
journalism XIX century
Opis:
The existing biographical knowledge concerning Jan Gadomski in many cases turned out to be incorrect or inaccurate. Query in the archives allowed for new arrangements to be made. The article presents unknown biographical issues connected to the editor of “GazetaPolska”, analyse the authorship of the drama titled Larik and tracks Gadomski’s relationship with Maria Konopnicka. It recreates thespecificity of Warsaw intellectual elite at the turn of 19th and 20th century.  
-
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 41, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ludzie zabijają przecie zwierzęta nie tylko dla ocalenia życia, lecz na rosół i pieczeń1 – Henryka Sienkiewicza literackie uśmiercanie zwierząt
People kill animals not only for saving lives but for soup and roast – Killing animals in Henryk Sienkiewicz’s works
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1076713.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Sienkiewicz Henryk
animals
death
zwierzęta
umieranie
Opis:
W pisarstwie Henryka Sienkiewicza motywika animalna przejawia się w kilku odsłonach. Mapa występowania i typologia zwierząt wynikają z uwarunkowań topograficznych i służą przyjętej zasadzie realizmu jako sposobowi oglądu i opisu rzeczywistości. Ze szczególnym upodobaniem eksponuje pisarz pojedynki człowieka ze zwierzęciem, który stanowi dla niego zagrożenie (bykiem, niedźwiedziem, lwem), ale również podejmuje temat cierpienia zwierząt „stowarzyszonych”, zwłaszcza konających na oczach czytelnika. Mimo fokalizacji męskiej (perspektywa myśliwego) i raczej miernie wykorzystanej formuły per analogiam ad humanum, jest jednak w dziełach autora Trylogii doza „wyobraźni współczującej” (Coetzee).
In Henryk Sienkiewicz’s literary works motifs of animals appears in some displays. The map and typology of animals arise from topography and serve principle of realism as a way of describing reality. The writer exposes “duels” between animals and a human being. The animals (bull, bear, lion) are treated as a threat to human beings, but Sienkiewicz is also sensitive to their suffering and death. Apart from hunter’s perspective and weakly used formula per analogiam ad humanum in Sienkiewicz’s works considerable dose of “imagination of sympathy” according to J.M. Coetzee’s idea is visible.
Źródło:
Polonistyka. Innowacje; 2017, 5; 9-20
2450-6435
Pojawia się w:
Polonistyka. Innowacje
Dostawca treści:
Biblioteka Nauki
Artykuł

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