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    Wyświetlanie 1-6 z 6
    Tytuł:
    L’absence qui devient présence : la vie et l’Idée dans Sixtine de Remy de Gourmont
    Absence Which Becomes Presence: Life and Idea in Sixtine by Remy de Gourmont
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/483622.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    idea
    symbolism
    love
    sterility
    art
    Opis:
    Sixtine by Remy de Gourmont marks the refusal of nature and tangible reality and the choice of imagination to the detriment of reality. Its principal character, Hubert d’Entragues is a faithful disciple of idealism of symbolism. Since he chooses to think rather that to live, it is not surprising that the plot of the novel is almost nonexistent. The plot develops around of d’Entragues’ desire to win the beautiful Sixtine, which is in itself condemned to failure since he is doing nothing to reach her and refuses to take any effort. The woman, who could have served as the principal impulse of the plot, is practically inexistent in this story (though it is a passionate story) and is replaced by the ideal woman: the story is doubled by the second story, e.g. a novel written by the character which is a transposition of his “cerebral” relation with Sixtine and a realisation of presence of the latter. Art replaces life and life does not exist in itself. It is shaped by thought. But the chosen absence of any facts of life is fruitful: it gives birth to a novel. It is a story of a prisoner in love with the statute of the Virgin which he sees while taking a daily walk. In this novel the carnal accomplishment is not necessary in order for a true and sincere passion to develop and the satisfaction of desire may destroy the dream and the ideal.
    Źródło:
    Quêtes littéraires; 2011, 1; 32-38
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’apprentissage informel au service de l’enseignement de la littérature et de la culture à la philologie française
    Informal Learning for the Teaching of Literature and Culture to French Philology Students
    Autorzy:
    Grabowska, Monika
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/28408105.pdf
    Data publikacji:
    2023-12-16
    Wydawca:
    Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
    Tematy:
    informal learning
    teaching literature and culture
    French as a foreign language
    mediation
    creativity
    apprentissage informel
    enseignement de la littérature et de la culture
    français langue étrangère
    médiation
    créativité
    Opis:
    The aim of the present study is to examine the extent to which French philology students' informal learning – in the area of multimodal literacies and leisure activities – reinforces the gains in French literature and French history and culture courses through creative mediation. We report on an experiment conducted in the years 2020-2022 in five online courses at the French Philology department of the University of Wrocław during the Covid-19 pandemic. In these courses, students were expected to personally mediate the texts or content studied in class and present them on a group Facebook site. The students' projects are classified according to two criteria (intersemiotic and intrasemiotic mediation; mediation of form and content) and prove that the involvement of informally acquired knowledge and skills not only developed the students' creativity, but also promoted interpretative processes by anchoring the formal learning of the course in personal experience.
    Źródło:
    Academic Journal of Modern Philology; 2023, 20; 83-94
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’inutilité de la volonté – les protagonistes masculins de l’univers désespéré de Barbey d’Aurevilly
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/2083870.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    will
    strength
    defeat
    loss
    revolution
    wola
    siła
    porażka
    strata
    rewolucja
    Opis:
    The male protagonists of Barbey’s Norman novel cycle are characterized by a strong, even steadfast will. Despite this, regardless of the circumstances, each of them is defeated, contributing to the misfortune of others. They fail to achieve happiness, fulfill even the most noble mission or achieve a goal. This is because their fate is inseparably connected with Barbey's vision of the world and the philosophy of history.
    Męscy bohaterowie normandzkiego cyklu powieści Barbey’a d’Aurevilly charakteryzują się silną, wręcz niezłomną wolą. Pomimo to, niezależnie od okoliczności, każdy z nich ponosi klęskę, przyczyniając się przy tym do nieszczęścia innych. Nie udaje im się ani zaznać szczęścia, ani wypełnić nawet najbardziej szczytnej misji czy osiągnąć celu. Dzieje się tak dlatego, że ich los związany jest nierozerwalnie z Barbey’owską wizją świata i filozofią historii.
    Źródło:
    Kwartalnik Neofilologiczny; 2020, 2; 204-212
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le crépuscule d’un dieu : pourquoi le naturalisme n’a-t-il pas pu durer ?
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/701156.pdf
    Data publikacji:
    2012
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The second half of the 19th century was a period of great transformations: science and painting entered the novel, the novel itself evolved to the point of breaking up, authors were looking for new forms of expressions. The representatives of naturalism took the novel away from its traditional role. After all, naturalism marked the novels’ death, but it was in the novel that this movement was obliged to realize its objectives. Naturalists assigned a new target to the novel, which was no longer aesthetic, but scientific. The novel was not a simple fictive story, but aimed at becoming a serious study. The novelists’ purpose was to “dissect” their characters, their passions and emotions, based on profound determinism. Zola wanted to make an “exact and meticulous copy of life”; Huysmans intended to “dissect love” and presented himself as a “beast exhibitor”; Goncourt chose a model based on history. Zola was most involved in his scientific theories, wishing to follow Claude Bernard to the point of replacing, in his book, the word “doctor” by the word “novelist,” in order to obtain a model of literary creation. Zola seemed convinced that objectivity is possible in this type of work, but his experiments took place in an imaginary world. He did not realize his program entirely though, and remained relatively faithful to the traditional rules of novel writing. He proclaimed his hunger for a revival in literature and he moved away from the naturalist principles. Other writers, like Huysmans or the signatories of the famous “Manifest of the Five,” criticized the naturalist errors and insufficiencies. This kind of criticism was heard everywhere: henceforth, it was clear that naturalism was soon to be replaced by something else. The interest in the Russian novel and Wagner’s music can be listed among the signs of this renewal. They suggest a profound need for another, irrational way of thinking. Music and painting contributed to the transformation of the novel, too, and witnessed a need for an opening, experienced by naturalists. One may conclude that degeneration of this movement was slow and progressive, and partially resulted from the principles of the movement itself. Key words: Science, roman, modification, art.
    Źródło:
    Romanica Silesiana; 2012, 7
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pleurer le paradis perdu : Barbey d’Aurevilly ou la hantise d’un siècle d’or
    Mourning a paradise lost : Barbey d’Aurevilly or the obsession of the golden age
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/1627831.pdf
    Data publikacji:
    2013-09-01
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Opis:
    Barbey d’Aurevilly didn’t like his century, judging it as a distress time. This period personifies for him all possible vices, opposed to the happy time before the Revolution and the XVIIIth century. His novels express his enormous nostalgia for the past. This nostalgia is visible on all the levels of his literary technique, as character construction, configurations of time and space, the plot. All these elements are inevitably leading to the conclusion that everything is over, history is irrevocable, future is hopeless and the Christ hasn’t come yet on the Earth to give us the chance of the resurrection.
    Źródło:
    Cahiers ERTA; 2013, 4; 39-52
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Satisfaire sa faim : destin, dessein et vocation dans "À vau l’eau" de Joris-Karl Huysmans
    Autorzy:
    Sadkowska-Fidala, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/20874656.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    hunger
    research
    suffering
    disappointment
    faim
    recherche
    souffrance
    déception
    Opis:
    In his short novel published before À Rebours, entitled À vau-l’eau, Huysmans tells a story of a protagonist unable to find good food. His quest for a passable restaurant remains unfulfilled, and joins other unfulfilled needs linked to his social life. It becomes clear that behind this quest, told with numerous details and a significant emphasis, there are other, more profound needs that Huysmans will name, more and more directly, in his post-naturalist novels. At the deepest level, the quest comes down to the impossibility to accept life’s difficulties, its duality, and to the wound of an unhappy childhood and a lost mother, so little named and therefore so present in Huysmans’ works.
    Źródło:
    Cahiers ERTA; 2023, 34; 171-187
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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