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Wyświetlanie 1-2 z 2
Tytuł:
Class Oppression and Commodification in Shakespeare’s Hamlet and Merchant of Venice
Autorzy:
Royanian, Shamsoddin
Omrani, Elham
Powiązania:
https://bibliotekanauki.pl/articles/1192038.pdf
Data publikacji:
2016
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Class Oppression
Commodification
Hamlet
Marxism
Merchant of Venice
Opis:
Karl Heinrich Marx tended to focus on considering how class struggle, oppressive ideologies, and social inequality are portrayed in literary texts throughout history in order to find a definite structural cause behind the modern exploitative capitalist system. One of these historical literary texts that attracted Marx’s attention was William Shakespeare’s to which he referred a lot. This paper intends to analyze Shakespeare’s Hamlet and Merchant of Venice in the light of Marxism to expose the upper classes’ oppressive behavior, their unethical victimization, exploitation, and commodification of the lower classes. Consequently, through a Marxist reading of Shakespeare’s plays, one can perceive that there are vivid links between Marxist and Shakespearean thinking, especially the similarities of thought held by each on the subjects of class oppression and commodification. Shakespeare portrayed the bitter social facts which Marxist thought tends to agree with.
Źródło:
World Scientific News; 2016, 50; 186-196
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
September 11 and the Outbreak of Neo-Orientalism in John Updike’s Terrorist
Autorzy:
Mitra, Mirzayee
Shamsoddin, Royanian
Ensieh, Shabanirad
Powiązania:
https://bibliotekanauki.pl/articles/1178289.pdf
Data publikacji:
2017
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Civilization
Democracy
Islam
Jihadist
Modernity
Muslim
Neo-Orientalism
Opis:
The portrait of Muslims in politics, media, and literature has been mostly partial images of people separated from civilization. Since September 11 attacks, the Global War on Terror was fought on many fronts, including the ideological war of words and images that rages on the cinema screens across the globe as well as the pages of pop fiction. Western cultural production since September 11 has remained deeply influenced by the events of that single fateful day. The Twin Towers have gone up in flames again and again in a very large number of textual and visual narratives like novels, short stories, films, documentaries and prose analyses. To take a critical view to 9/11 and famous narratives it encumbered is the subject of this study. The Neo-orientalists say that many Muslims are Islamic fundamentalists who are “irreconcilable” with modern Western democratic values and culture. Different novels have been written after the September 11 attacks which are related explicitly or implicitly to with the effect of the event on the changing view of the people toward Muslims.
Źródło:
World Scientific News; 2017, 86, 3; 226-241
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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