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    Wyświetlanie 1-11 z 11
    Tytuł:
    Figura mitologicznej Kasandry w filmach science fiction
    The mythical figure of Cassandra in science fiction films
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/1047291.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Greek mythology
    science fiction
    myth in film
    Cassandra
    prophetism
    Terminator 2: Judgment Day
    James Cameron
    12 Monkeys
    Terry Gilliam
    Minority Report
    Steven Spielberg
    Arrival
    Denis Villeneuve
    Opis:
    The article reflects on how characters with the features of the mythological Cassandra function in science fiction films. Such references are part of the rich tradition of building fictional depictions of the near or distant future on the foundation of mythical stories. The study aimed to examine the considerable and complex meaning which Cassandra conveys through the ages and to determine its usefulness in constructing pop culture ideas about the current condition of humanity. In contemporary fiction, Cassandra is brought to the fore more often than in ancient sources, and her fullest portrait is drawn in those films that both consider her a figure of the powerlessness of the prophets and take into account her personal drama. In Terminator 2: Judgment Day (1991) by James Cameron, 12 Monkeys (1995) by Terry Gilliam, Minority Report (2002) by Steven Spielberg, and Arrival (2016) by Denis Villeneuve, the figure of Cassandra is examined through her prophetic gift, the alleged madness of the seer and the fearfulness of the prophetism itself.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 234-246
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konkretyzacja estetyczna w Zwierzętach nocy (2016) Toma Forda
    Aesthetic Concretization in Tom Ford’s Nocturnal Animals (2016)
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/1039157.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Tom Ford
    Nocturnal Animals
    Austin Wright
    Tony and Susan
    reader experience
    concretization
    places of indeterminacy
    Opis:
    Rojek Patrycja, Konkretyzacja estetyczna w Zwierzętach nocy (2016) Toma Forda [Aesthetic Concretization in Tom Ford’s Nocturnal Animals (2016)]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 401–416. ISSN 1644-6763. DOI 10.14746/pt.2019.32.22. The subject of Austin Wright’s novel Tony and Susan (published in 1993) is the reader’s experience. The peculiar relationship that forms between the main female character - a reader of literary fiction – and the novel itself as well as its author, inspired in 2016 Tom Ford to capture the specifics of the same relationships using the language of moving images. This article presents the effects of studying the complex system of communication situations occurring in the novel and its film adaptation: each of them contains an additional story around which further author-reader relationships are formed. The analysis shows that a significant part of the film’s plot is not a direct insight into the novel, but its concretization projected by a female protagonist. Tom Ford’s film is therefore considered in relation to Roman Ingarden’s theory on aesthetic concretization.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 401-416
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Przemalujemy wszystko”. Opowiadanie kolorem we Fragmentach Agnieszki Woszczyńskiej
    “We’ll repaint it all”. The use of color as a storytelling device in Agnieszka Woszczyńska’s Fragments
    Autorzy:
    ROJEK, PATRYCJA
    Powiązania:
    https://bibliotekanauki.pl/articles/921127.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    In her short Fragments Agnieszka Woszczyńska applies film color as a storytelling device. Oscillating between the natural and expressionistic use of color, she builds not only a characters outer world but also an image of the characters unspoken motivations. The article contains a profound color analysis of Fragments that covers such issues as the functioning of ocularcentrism as a film leitmotiv and the appearance of the focalizer in film narration.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 235-246
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bohater mityczny w Matce Ziemi Piotra Złotorowicza
    Mythical hero in Piotr Złotorowicz’s Mother Earth
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/921240.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mother Earth
    Piotr Złotorowicz
    mythical hero
    myth and film
    etude
    Opis:
    In his etude Mother Earth Piotr Złotorowicz forms the narrative around the mythical hero. The main character Maciek gains the entirety of mythical fulfillment due to being shaped by (1) space of the execution of the film narration’s subject (indicated by the opposition of home area and garden area), (2) space around him (indicated by sublimed functioning of touch), (3) inability to identify with his own community (indicated by rejecting the butchery tradition of his family), (4) inability to act different than how it was shown (indicated by numerous similarities to Jesus Christ).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 280-288
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kino zapracowane
    The Overworked Cinema
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/919764.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Film Criticism
    Polish Cinema
    Religious Film
    Opis:
    The Overworked Cinema In her polemical article, the author argues with the thesis of Jakub Majmurek, who expects Polish cinema to tackle with the image of the Catholic church. It is being proven that such doctrinal disputes should never be the main purpose of filmmaking. The cinema, as free art, cannot be narrowed to ideological battlefield.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 218-221
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wybory, których nie było
    Choices that werent
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/919995.pdf
    Data publikacji:
    2012-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 127-130
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zjedz lub zostań zjedzony. Miasto Macunaímy
    Eat or Be Eaten. The City of Macunaíma
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/920085.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Macunaíma (1969)
    Joaquim Pedro de Andrade
    Brazilian film
    Cinema Novo
    myth in a film
    Opis:
    Macunaíma, the trickster-hero from old Amerindian legends, was in the 1960s an icon of the Brazilian Cinema Novo – a new wave film movement that was a response by artists to class and racial disparities. Joaquim Pedro de Andrade, the director of Macunaíma (1969), moves the eponymous hero out of his jungle and puts him into the modern, mechanized and restless big city. Not only are social problems strongly emphasized in the film – equally important is here the aspect of myth itself. Macunaíma enters the new world as a real old-time god who sees the city as his opponent. During his battle – full of trickery and plotting – it emerges that the difference between the Amazonian jungle and the concrete jungle are barely visible.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 257-264
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między nieklasyczną narracją i klasyczną dramaturgią. "Taki pejzaż" Jagody Szelc
    Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/920430.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Such a Landscape
    Jagoda Szelc
    school film
    episodic film
    non-classical narration
    symbol in film
    Opis:
    Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape An abandonment of classical narration and a search for unconventional dramaturgical techniques are increasingly observed in the works of students from the Łódź Film School. One such short fi lm illustrating this tendency is Such a Landscape, directed by Jagoda Szelc. To create her individual and original piece, the director employs three traditional dramatic structures – that of an episodic fi lm, a Greek tragedy, and one connected with using the symbol as a tension-building tool. Jagoda Szelc proves that being sceptical about classical narration does not have to indicate a rejection of the whole tradition of storytelling. Instead, she chooses to use it as a fabric.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 203-215
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Penelopa i jej współczesne filmowe inkarnacje
    Penelope and Her Cinematic Incarnations
    Autorzy:
    Rojek, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/920892.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Penelope
    Odyssey
    myth and film
    Greek mythology
    woman in antiquity
    O Brother
    Where Art Th ou?
    Inception
    Cast Away
    Opis:
    By analysing contemporary cinematic incarnations of Penelope, the wife of Odysseus, the author shows a thematic relation between cinema and ancient mythologies. Although an interest in mythical motifs is visible in film from its very beginnings, their popularity has constantly changed due to e.g., technological developments in filmmakers’ capabilities. However, what never changes is the presence of mythical plots in deeper story structures, which include the recreation of ancient characters. Examining Penelope’s spirit in today’s culture proves that the mythical story in which she appears provides excellent material for building new things – it easily adapts to modern times, constantly inspires artists, and stimulates various reflections about our cultural heritage.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 177-187
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dla kogo pracuje dziś Król Artur? Użycia i nadużycia mitu arturiańskiego
    Who does King Arthur work for today? Uses and abuses of the Arthurian myth
    Autorzy:
    ROJEK, PATRYCJA
    Powiązania:
    https://bibliotekanauki.pl/articles/921176.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    myth and film
    Arthurian myth
    Arthurian film
    Cinema Arthuriana
    King Arthur
    Antoine Fuqua
    Opis:
    Analyzing the phenomenon of one of the most popular European myths - the Arthurian myth - the author attempts to answer the question of the difference between using and abusing myths. An insight into the sources of Arthurian tradition proves that even the oldest and most important literary incarnations of the myth were used by their authors as a means of speaking about contemporary political and sociological issues. However, the Arthurian films (which are the main subject of this research) reinforce the thesis about a distinctive feature of a myth itself to be immensely flexible and able to absorb various cultural content. The study examines in detail the film King Arthur (2004, dir. Antoine Fuqua). Its creators seem to come very close to the border between use and abuse of a myth by denying the mythical aspect of the Arthurian legends
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 111-121
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Łączka, amazońska dżungla i Chicago. Patrycja Rojek* i Andrzej Szpulak* rozmawiają z dokumentalistą, niezależnym producentem i dyrektorem Festiwalu Niepokorni Niezłomni Wyklęci – Arkadiuszem Gołębiewskim.
    Jungle and Chicago. Patrycja Rojek and Andrzej Szpulak talking with a documentary maker, an independent producer and director of the NNW Festival - Arkadiusz Gołębiewski.
    Autorzy:
    Rojek, Patrycja
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920830.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the post-war Polish
    Quarter Ł
    NNW Festival in Gdynia
    Opis:
    In this interview, Arkadiusz Gołębiewski discusses his film work, and activity as producer and head of the NNW Festival in Gdynia. In addition, the director also talks about his work relating to the post-war Polish (military anti-communist underground) and other custom projects. He also comments on a situation of historical documentary in Poland.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 79-93
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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