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    Tytuł:
    Strategie kontroli i represji Kościoła scjentologicznego wobec amerykańskiej kinematografii
    The Church of Scientology’s strategies of control and repression of towards American cinema
    Autorzy:
    PIGULAK, MARCIN
    Powiązania:
    https://bibliotekanauki.pl/articles/921158.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    strategies of control
    Church of Scientology
    American cinema
    Ron L. Hubbard
    Hollywood
    the environment of American filmmakers
    Opis:
    The aim of this article is to show the strategies of control developed by the Church of Scientology and repressions enforced by the Church on representatives of American cinema, who through their artistic work entered the current of criticism of this organization. By describing the beginnings of this religious movement, which includes indicating the sources of the very first contacts with the world of Hollywood, the article presents the role which celebrities played in promoting scientology and as a medium of religious values. Similarly, by listing the most important examples of Scientologys oppressiveness towards its opponents, the author points to the close correlation with the fundamental ideas developed by its founder. The author of this article concentrates on selected instances of Church interference and in doing so describes the history of this organizations influence on the American film-making milieu, as well as ascribing selected anti-Scientology films to the trend of broader opposition towards Scientologists’ activities.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 163-174
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gry pamięci. Valiant Hearts: The Great War i My Memory of Us w perspektywie kultury historycznej
    Games of Memory. Valiant Hearts: The Great War and My Memory of Us in the perspective of historical culture
    Autorzy:
    Pigulak, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1955333.pdf
    Data publikacji:
    2021-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Valiant Hearts: The Great War
    My Memory of Us
    historical games
    historical culture
    collective memory
    game studies
    Opis:
    The paper aims to outline how video games Valiant Hearts: The Great War (Ubisoft Montpellier, 2014) and My Memory of Us (Juggler Games, 2018) use narrative and ludic structures to create commemorative stories about the First World War and the Second World War. The author refer to the concept of historical culture (among others, in Jörn Rüsen’s interpretation) and examine the connections between the two video games focusing on the issue of designers’ intentions (digital games as examples of the commemoration of the past), the genre similarity (2D platform games), the intermedial convergence and the press reception. He discusses the strategy of the cultural agreement between designers and users, analyzes historical narratives as a part of the gameplay, examines relations between the individual and collective’s perspective and characterizes immersion’s mechanisms which reinforce players’ identification with the victims of both wars.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 144-160
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Światotwórcze funkcje rekwizytu. Collectibles w dylogii „The Last of Us” jako źródło wiedzy o przeszłości
    World-creating prop functions. Collectibles in The Last of Us dilogy as a source of knowledge about the past
    Autorzy:
    Pigulak, Joanna
    Pigulak, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/32062526.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    video games
    props in video games
    collectibles
    The Last of Us
    historical culture
    world-building
    gry wideo
    rekwizyty w grach wideo
    przedmioty kolekcjonerskie
    kultura historyczna
    światotwórczość
    Opis:
    The article concerns the functioning of selected collectibles in the post-apocalyptic dilogy of digital games The Last of Us (Naughty Dog, 2013–2020). The authors make a typology of collectibles and distinguish among them props that support the gameplay, characterize the characters and extend the storyworld, referring to the prop theory proposed by Kendal Walton. They are particularly interested in the last type of props, which include notes, diaries and letters left in various places of the world presented by anonymous members of the American community. The authors indicate that these props can be treated as specific artifacts of the past, which, although not important from the gameplay perspective, perform important world-creating functions. In this context, they describe collectibles as an element of historical culture (J. Rüsen) and a source of social memory (M. Golka), and discuss their allotopic potential (U. Eco, K.M. Maj). They refer to those props that shape the history and mythology of the post-apocalyptic world, and especially to the notes describing Outbreak Day, the apogee of the pandemic disease that decimated humanity in the game. Written sources are of a personal nature – they present an individual perspective on a breakthrough moment in the history of the depicted world. For this reason, the authors refer to them as ego-props, thus extending the concept of ego-document.
    Źródło:
    Przestrzenie Teorii; 2023, 40; 129-151
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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