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    Wyświetlanie 1-6 z 6
    Tytuł:
    Miejsce tradycji. Refleksja autobiograficzna Wilhelminy Zyndram‑Kościałkowskiej
    The location of tradition: Autobiographical reflection of Wilhelmina Zyndram‑Kościałkowska
    Autorzy:
    Osiński, Dawid Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1036367.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Wilhelmina Zyndram‑Kościałkowska
    autobiography
    memory
    tradition
    history
    Old Polish Literature and Culture
    collecting
    autobiografia
    pamięć
    tradycja
    historia
    kultura i literatura dawna
    katalogowanie
    Opis:
    The paper is an attempt at showing – through the prism of autobiographical reflection – the location of tradition, as understood by Wilhelmina Zyndram‑Kościałkowska (1844–1926), a translator, writer and literary critic. The notion of location is understood by the author as a particular, restricted, time‑spatial reservoir of meanings, perceived in a broader perspective, that is as a component of a larger whole. The location of tradition is a segment and stage concerning a problem residuum of meanings in culture and history, as well as in the history of thought, which has been located in the space of individual biography of Kościałkowska, constructed with an old hand of the writer and placed as a component of diagnoses in her contemporaneity. The research material includes manuscripts (notebooks with memories and other types of autobiographical archives), deposited in the Lithuanian State Historical Archives in Vilnius (Lietuvos Valstybės Istorijos Archyvas). The author shows various ways of conducting dialogue by the critic with the old tradition (history, politics, culture, portraits of people, literature, art, family history) and the meaning of the location of tradition in the process of recording oneself and one’s contemporaneity by Kościałkowska.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 263-289
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dziewiętnastowieczne ratowanie ciągłości. Poezja Adama Asnyka w refleksji Piotra Chmielowskiego
    On saving continuance the nineteenth century style. Poetry of Adam Asnyk in the reflections of Piotr Chmielowski
    Autorzy:
    Osiński, Dawid Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1534353.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    nineteenth centuryness
    continuity
    generationness
    Positivism
    modernism
    form
    thought
    nineteenth century poetry
    poetry of A. Asnyk
    groundbreakingness
    transience
    literary criticism
    Opis:
    The article attempts to reveal a reconstruction of Piotr Chmielowski’s critical thought regarding the poetical works written by Adam Asnyk (pen-name E...ly). The starting point for the discussion is a set of variations for different editions of Zarys literatury polskiej as well as other works of the critic elucidating the specificity, importance and the character of the poetry of E…ly. The article attempts to show why it was just the figure of the poet that was necessary and constituted a model figure for revealing the attempts of saving continuance of not only Polish poetry but also national culture and heritage. In his critical reflection, Chmielowski tries to find continuity between the Romantic paradigm and the post-January insurgency paradigm that was to define the obligations and the status of poetry, as well as to identify, uphold important question for Chmielowski himself as to why it was necessary to find among the generation of post-insurgency Poles a figure that would resemble Ignacy Kraszewski, a man-institution, and thus provide an exemplary model, necessary and much needed model figure in upholding and maintaining national consciousness and in preserving continuity. It is the culture and literature of the latter half of the nineteenth century that Chmielowski investigates in search of poetry and the poet as an icon of the nineteenth centuryness and modernity in the post-January insurgency non-poetical times. Asnyk can be seen, in Chmielowski’s terms, as an icon of the modern poet, a keystone figure who straddled the line between what can be consolidated and what was left to be saved in order to preserve the paradigm of Romantic poeticalness and the necessity for adjusting to new cultural circumstances and contemporary expectations on the part of receivers.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 125-140
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konstantego Marii Górskiego lektura Oświecenia
    Konstanty Maria Górski’s research on the Enlightenment
    Autorzy:
    Osiński, Dawid Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/2012756.pdf
    Data publikacji:
    2017-06-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Konstanty Maria Górski
    Oświecenie
    Młoda Polska
    poezja
    historia
    Enlightenment
    Young Poland movement
    poetry
    history
    Opis:
    The present discussion sheds light on the works and worldview related to Polish Enlightenment of Konstanty Maria Górski (1862−1909), a writer, poet, historian and expert on Enlightenment in Polish literature. Although Górski was an individualist in the Young Poland movement, as a scientist and writer he was a representative of his time. The article shows the ways in which the microdimensions of Enlightenment in Górski’s scientific biography may be understood. His line of thought reveals the aspects, borders and definitions of Polish Enlightenment by means of scientific interpretations of biographies of the writers of the period as well as by specifying the cultural, esthetical and ideological movement known as Enlightenment. The field of Górski’s scientific exploration focuses on the 90s of the 18th century and helps to understand why the theme and fascination with Polish Enlightenment, especially with the 90s of the 18th century which was such a difficult time for Polish culture and national identity as it was connected with national partitions and hope for resurrection and liberation, becomes a cornerstone of Górski’s scientific development as a researcher trying to resolve specific problems in Polish literature at that very time. The author discusses the manner in which many different problems connected with Polish Enlightenment are presented in Górski’s biography and works. The purpose of the article is to present the specific mechanism which could be compared to allegoresis, used by Górski in his short story Bibliomaniac (Polish title: Biblioman)
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 115-130
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Biblioteka jako przestrzeń poznania
    Library as the space of cognition
    Autorzy:
    Osiński, Dawid Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/2012801.pdf
    Data publikacji:
    2018-06-03
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    biblioteka
    poznanie
    Józef Kallenbach
    Carl Spitzweg
    mól książkowy
    library
    cognition
    bookworm
    Opis:
    The article is a study of the ways of interpreting the image of the library in Józef Kallenbach’s short story Przygoda bibliotekarza (The Adventure of the Librarian, 1888). The presented examples demonstrate the multi-dimensional meaning of library as an intellectual problem and cognition space. The author shows Kallenbach’s points of view concerning library as a motif which helps to pose questions about convention and conception of realism and, as a consequence, about Kallenbach’s view on culture. The present discussion also sheds light on a few important texts which create a context to analyse the short story by Kallenbach. Intertextual allusions can be helpful in understanding the main problem presented in The Adventure of the Librarian. The paper focuses on the meaning of the library as a graveyard as well as on dream and onirism as a literary convention which expresses the possibilities of cognition and asks what realism in Polish literature of the end the 19th century in Kallenbach’s case actually is.The article discusses the aesthetic differentiation of the library in the short story The Adventure of the Librarian by Józef Kallenbach and the painting Der Bu¨cherwurm (Bookworm) by Carl Spitzweg. The author tries to prove that The Adventure of the Librarian could be an epic ekphrasis to Spitzweg’s painting.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2018, 8(11) cz.2; 168-180
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jej Miriam. Wilhelminy Zyndram-Kościałkowskiej refleksja nad koncepcją sztuki i kultury Zenona Przesmyckiego
    Autorzy:
    Maria, Osiński, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/897366.pdf
    Data publikacji:
    2018-05-28
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Zenon Przesmycki
    Wilhelmina Zyndram-Kościałkowska
    modernism
    aestetic
    Opis:
    The article attempts to present the stages of Wilhelmina Zyndram-Kościałkowska’s approach to reflection on Miriam’s understanding of aesthetic and artistic principles. A critical diagnosis related to the understanding of art and culture by Zenon Przesmycki is possible due to observation of Kościałkowska’s holistic reflection on the concept of culture and modernist literature (including the essence of translation, the meaning of modernist art, drama specificity and the concept of “art for art”) contained in manuscript intimist collections. The analysis includes diaries, notes, “extracts” from life and people, calendars kept throughout the life of the Grodno writer deposited in the Lithuanian State Historical Archives in Vilnius. The method of examination and the nature of the approach are defined by the author of the article as a coffin portrait.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(4 (459)); 125-138
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nie tylko salon... – czyli o wspólnotowych formach życia literackiego na przestrzeni wieków
    Autorzy:
    Maria, Osiński, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/897635.pdf
    Data publikacji:
    2018-05-29
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    literary life
    literary salon
    literary café
    Opis:
    -
    Źródło:
    Przegląd Humanistyczny; 2017, 61(4 (459)); 191-204
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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