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Tytuł:
Narodziny w śmierci św. Matki Marii (Skobcowej) jako paradoksalna koncepcja duchowej i cielesnej transformacji człowieka
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1199070.pdf
Data publikacji:
2019-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Saint Mother Maria (Skobtsova) theodicy
Job
suffering
birth into Heaven
Opis:
In the article the author presents the concept created by Saint Mother Maria (Skobtsova) con-cerning the birth/death and death/birth as two concurrent spiritual and physical states associated with the existence of man. Coming into the world means the end of life in the womb and death for our earthly existence means the moment of birth in eternity.
Źródło:
Acta Polono-Ruthenica; 2019, 2, XXIV; 25-41
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ПЛЕМЯ ЗНАКОМОЕ И НЕЗНАКОМОЕ, ИЛИ ЗИНАИДА ГИППИУС О РУССКИХ И СОВЕТСКИХ ПИСАТЕЛЯХ С ПЕРСПЕКТИВЫ 1924 ГОДА
A known and unknown tribe – Zinaida Gippius on Russian and Soviet writers from the perspective of the year 1924
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444182.pdf
Data publikacji:
2019-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Zinaida Gippius
Proletarian literature
the October Revolution
the notion of beauty
Opis:
This article is an analysis of an essay written by Zinaida Gippius and published in the spring of 1924 in issue No. 19 of an influential emigration periodical Sovremennye zapiski. Her statement came to light in the historic moment when the white émigrés were firmly convinced that their safe return to Russia was impossible. In her essay, the author characterizes the works of Soviet writers from the perspective of the year 1924 and categorizes them into those who were able to preserve the notion of beauty in the new post-Revolution reality and those who irrevocably lost said concept. In the works of the latter the author notices nothing but the images of the nightmare of the daily life, entirely devoid of any artistic value. Gippius blames Bolshevism for the profound negative consequences of the changes which occurred in Russian culture after 1917.
Źródło:
Acta Neophilologica; 2019, XXI/1; 87-103
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZINAIDA GIPPIUS O IWANIE BUNINIE W PRYWATNEJ KORESPONDENCJI Z LAT 1926–1932
Zinaida Gippius about Ivan Bunin in the Private Correspondence of 1926–1932
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444333.pdf
Data publikacji:
2014-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Zinaida Gippius
Ivan Bunin
the fi rst wave of the Russian emigration
private letters
Nobel Prize in Literature
Opis:
The article studies the contents of fi ve letters written by Zinaida Gippius in 1926–1932 to three persons: Nina Berberova, Vladislav Khodasevich and Alexandr Amfi teatrov. All the interlocutors, including Ivan Bunin, represent the fi rst wave of the Russian emigration. In her letters to the acquaintances Gippius shares remarks about Bunin as a man and an artist. With typical for her irony and arrogance, she refers to the works of her competitor revealing negative features of her character. Gippius letters also portray mechanisms of the social and cultural life of Russian emigrants originating from the older generation of writers.
Źródło:
Acta Neophilologica; 2014, XVI/1; 191-201
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CZARNY CZŁOWIEK SERGIUSZA JESIENINA W TŁUMACZENIU ADAMA POMORSKIEGO JAKO DRUGI ELEMENT POLSKIEJ SERII PRZEKŁADOWEJ
Sergey Yesenin’s Black Man Translated by Adam Pomorski as the Second Element of the Polish Translated Series
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444583.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergey Yesenin
Black Man
Adam Pomorski
translation
interpreting techniques
original text
Russian literature
Opis:
The author analyses the interpreting techniques used by Adam Pomorski in his translation of Black Man by Sergey Yesenin. It becomes obvious that the Polish interpreter used traditional methods of text translation, not always keeping the formal, semantic, and stylistic structure of the original text. So, in his version Pomorski emphasized the presence of a second author-creator, i.e. himself, and left traces of his interpreting initiative in almost every line, amplifying translation, introducing unmotivated inversions, using archaic and modernized lexis. Due to such a pretentious manner of Pomorski’s translation the reader received the text which doesn’t always remind Yesenin’s original lines.
Źródło:
Acta Neophilologica; 2012, XIV/1; 165-183
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyczno-synestezyjna przestrzeń Mariny Cwietajewej w eseju autobiograficznym „Matka i muzyka”
Marina Tsvetaeva’s Musical and Synaesthetic Space in My Mother and Music, Her Autobiographical Essay
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444676.pdf
Data publikacji:
2020-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Marina Tsvetaeva
music
synesthesia
childhood
poetry
toxic mother
Opis:
The author presents Marina Tsvetaeva’s musical and synaesthetic space on the basis of My Mother and Music, her autobiographical essay. Synaesthesia, although present in the life of Tsvetaeva as a young child and adult poet, is not especially depict-ed in this particular piece of work. The writer chose her memories which encompass a significant period of time from her birth to her 42nd birthday as her main narrative focus. The musical sphere of the young child was presented through the piano and its attributes (the keyboard, pedals, music stand, metronome, notes, piano stool), which were a source of various – both positive and negative – experiences for this sensitive girl. Marina Tsvetaeva’s mother, unfulfilled as a pianist, undoubtedly played a toxic role in her musical education. Maria Tsvetaeva “drowned and killed her daughters with music”, making them feel an organic resistance towards required physical and mental efforts far too great for their age. The situation changed after her mother’s death when Marina could pour all her love for music into incredibly original lyric poetry, becoming one of the greatest writers of the 20th century.
Źródło:
Acta Neophilologica; 2020, XXII/1; 149-170
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W WOSKOWYM WIANKU BORYSA POPŁAWSKIEGO. ANALIZA STATYSTYCZNA I INTERPRETACJA*
V venke iz voska by Boris Poplavsky. Statistic Analysis and Interpretation
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444713.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Boris Poplavsky,
Russian emigree literature,
Parisian note,
Russian surrealism,
Russian modernism
Opis:
The presented interpretation of the poetry collection V venke iz voska (In the Wax Wreath) by Boris Poplavsky, based on a known George Kingsley Zipf’s law, is an example approach to a literary text from the point of view of words statistics, which reflects Poplavsky’s semantic and stylistic preferences. Thanks to the applied method, the following thesis concerning the poet’s idiolect were formulated: 1) Boris Poplavsky’s poetic world is of a definitely substantive structure; 2) the most important role in the specification of the presented world is played by senses - visual impressions and colours; 3) the lyrical subject acts mainly as a reporter of current events; 4) the used adverbs reveal the poet’s inclination to “stretching” time and space; 5) high frequency of the “I” pronoun testifies significant egocentrism of Poplavsky’s. *
Źródło:
Acta Neophilologica; 2009, XI; 69-96
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
NAJNOWSZA WERSJA OKOLICZNOŚCI I PRZYCZYNY ŚMIERCI SERGIUSZA JESIENINA. OD ZLECENIA DO EKSHUMACJI
The Latest Version of Circumstances and Cause of Death of Sergey Yesenin. From Order to Exhumation
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444797.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergey Yesenin and Bolshevik Russia,
„Angleterre”,
homicide and exhumation of Sergey Yesenin,
Yesenin and Stalin
Opis:
The article presents the latest version of circumstances and cause of death of Sergey Yesenin. It should be seen as an edition as well as addition to the recently published monograph Murder of Sergey Yesenin. Criminalistic, Historical and Literary Study (Szczytno 2009), where the primary version of the poet’s murder was depicted. The following revised version reveals some new figures which were directly involved in the tragic death of Yesenin, i.e. Iosif Stalin as the initiator or Georgy Ustinov and Vasily Nazarov as the executors of that perfidious deed. The author projects a plan of the plot, a calendar of the last days and hours of Yesenin’s life, brings out unknown facts and hypotheses which prove a planned homicide committed by members of Soviet secret police (Joint State Political Directorate) and, therefore, disqualify the official version of suicide.
Źródło:
Acta Neophilologica; 2011, XIII; 235-250
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Każda droga ma kres (tragiczna przystań reemigrantki Mariny Cwietajewej w Jełabudze w świetle Dzienników Gieorgija Efrona)
Every Road Comes to its End: A Tragic Haven for Remigrant Marina Tsvetaeva in Yelabuga in the Context of The Diaries of Georgy Efron
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444883.pdf
Data publikacji:
2019-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian remigration
Marina Tsvetaeva
Georgy Efron
Yelabuga
suicide by hanging
Opis:
This paper presents the last few days in the life of Marina Tsvetaeva spent in Yelabuga, which eventually led the writer to commit suicide. The notes included in the diary of her son, Georgy Efron, are an important and original source of knowledge on Tsvetaeva’s mental and physical state. The 16-year-old boy’s reaction to the death of his mother may come as a surprise if a broader social and biographical context (a migrant and remigrant biography of the poetess and her teenage son as well as the reality of the Stalinist country, where – contrary to the assurances made by the propaganda – there was no safe haven for people returning from post-Revolution exile) is not taken into consideration.
Źródło:
Acta Neophilologica; 2019, XXI/2; 141-158
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Syndrom Dawida. James Baldwin na Zachodzie i w Rosji
David Syndrome. James Baldwin in the West and in Russia
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444935.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
David Syndrome
James Baldwin
Russia
Opis:
The article focuses on the reception of literary works by James Arthur Baldwin (1924-1987) in the West and in Russia. This classic of American literature showed himself to contemporary readers not only as a gifted prose writer, playwright and feature writer, but also as a radical social activist committed to the fight against American racism. The book Giovanni ’s Room, ranking among the golden hundred of the world literature of the second half of the 20th century, is regarded as the first American novel featuring homosexual love and an important voice in the fight against homophobia. Baldwin proves that we are slaves to the culture the main character, David, is a victim of.
Źródło:
Acta Neophilologica; 2006, VIII; 111-119
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CZARNY CZŁOWIEK SERGIUSZA JESIENINA JAKO TEKST O POJEDYNKU DOBRA ZE ZŁEM. GENEZA. LOSY. INTERPRETACJA
Sergei Yesenin’s Black Man as a Text about the Battle of the Good and the Evil. Genesis. History. Interpretation
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444956.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergei Yesenin and Bolshevik’s Russia,
Black Man,
battle of the good and the evil,
intercultural dialogue of national literatures
Opis:
The article presents a new commentary to one of the most popular poems which still evokes most controversy among interpreters – Black Man. To the author the poem is a work of the universal matter embodying the eternal battle of the good and the evil in the Bolshevik’s Russia where everyone kept vigilant watch on everyone. Proving this thesis not only does he develop a detailed analysis but he also exposes sources of the text as well as its complex editing paths that show the developing of Black Man up to the last version. The accomplished statistic analysis of the poem the key words of which are “person” and “black” demonstrates its universality and introduces Yesenin’s work into intercultural dialogue of national literatures on permanent basis.
Źródło:
Acta Neophilologica; 2010, XII; 115-143
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Swastyka i seksualność faszyzmu w koncepcji Jarosława Mogutina
The swastika and sexuality of fascism in Yaroslav Mogutin’s conception
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/445042.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
swastika
sexuality
fascism
Yaroslav Mogutin
Opis:
The article features Yaroslav Mogutin’s (1974) conception of fascist sexuality, in which fascist attributes are very important, particularly swastika and S&M homosexual experience. Mogutin says that if there was no fascism in history, followers of S&M would invent it in their „politically incorrect” fantasies. The post-war fascist culture continues to shock decent citizens in modern times producing in their frightened bourgeois consciousness the apocalyptic visions of the end of the world. Mogutin accentuates the special place and considerable implications of the fascist theme for works of authors recognized in the world of contemporary literature.
Źródło:
Acta Neophilologica; 2005, VII; 31-49
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iwona Anna Ndiaye, Hipertrofia tęsknoty za utraconym domem w poezji emigrantów rosyjskich „ pierwszej fali”, Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, Olsztyn 2008, ss. 320.
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/480959.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
emigrantology
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 287-290
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Семантика: слово, предложение, текст, ред. С.С. Ваулина, Издательство Российского государственного университета им. Иммануила Канта, Калининград 2007, ss. 181.
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/480968.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 239-242
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alicja Wołodźko-Butkiewicz, Od pieriestrojki do laboratoriów netliteratury. Przemiany we współczesnej prozie rosyjskiej, Wydawnictwo „Studia Rossica”, Warszawa 2004, ss. 438.
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/481160.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 391-395
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Parodia czy kryptodialog? Na przykładzie Это было у моря Igora Siewierianina i Вы смотрели на море... Borysa Popławskiego
A parody or cryptodialogue? Igor Severyanin’s „Это быгло у моря" and Boris Poplavski’s „Выг смотрели на море..."
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/481391.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Boris Poplavski
Helene Menegaldo
cryptodialogue
Opis:
Author disputes with Helene Menegaldo ’s idea, according to which Boris Poplavski’s Выгсмотрели на море... is a parody of Igor Severyanin’s Это быгло у моря. Formal and semanticanalysis of both texts presented in the article proves that Poplavski’s poem cannot be a parody,a pastiche, or a travesty of Severyanin’s work but rather an encrypted dialogue perfectly blendinginto various intertextual contexts typical for the world literature that scrutinizes eternal questions.Poplavski didn’t mock Это быгло у моря, he just bitterly commented in Bunin’s style on miniaturepoem of Severyanin pointing at volatility of happiness, swift elapsing of love infatuations andalso the role of chance which often decides about tragic human fate.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 137-148
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł

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