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Wyświetlanie 1-15 z 33
Tytuł:
Kobieta w islamie. Na przykładzie Senegalu jako nowoczesnego kraju muzułmańskiego
Woman in Islam. On An Example of Senegal As A Modern Muslim Country
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/566716.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie. Instytut Nauk Politycznych
Tematy:
Senegal
Woman
Muslim Country
Opis:
In Senegal, where 94 per cent of the society are Muslims, the position of women differs from the most Islamic countries. The causes of this characteristic phenomenon are on the history, the religion, the philosophy and the pragmatism of Senegal. The fact that this country was for a very long time under different cultural and religious influences makes its people open-minded. Women participate in every field of activities. The main decisions in order to improve the situation of women, the equality of rights in the society, were taken since the Senegal's independence in 1960. That's why a Muslim woman in Senegal is able to carry out an active professional and social life, with keeping on her religious identity. There for the Senegalese society shows that Islam and modernity can exist in harmony. The Senegalese case shows also that Islam in Africa does not destroy native African culture.
Źródło:
Forum Politologiczne; 2006, 4 - Islam we współczesnej Afryce; 303-322
1734-1698
Pojawia się w:
Forum Politologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misja literatury emigracyjnej („pierwsza fala” emigracji rosyjskiej)
The mission of the emigrants’ literature („the first wave of the Russian emigration)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/480828.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigrants’ literature
first wave Russian emigration
literature
Opis:
Since the first years before the post-revolutionary emigration („the first wave”), the problem of the special assignment given by history appeared. Authors of the emigration literature understood its mission differently, however, they did agree on this one point: the principle of artistic freedom is the underlying reason for the emigrants’ literature. Alluding to Nina Berberowa’s wellknown formula, it is not about exile, but about the mission. Spiritual values of the „mission” of the Russian diaspora are becoming a part of the national culture in contemporary times.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 77-93
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog między Afryką a Europą. Léopold Sédar Senghor - duchowy przywódca, polityk, poeta, filozof
Dialog Between Africa and Europe. Léopold Sédar Senghor - Spiritual Leader, Politician, Poet, Philosopher
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/566834.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie. Instytut Nauk Politycznych
Tematy:
Africa
Europe
Senegal
Leopold Sedar Senghor
Opis:
Léopold Sédar Senghor (1906-2001), eminent columnist, excellent speaker, literary critic, philosopher, culture specialist and linguist, one of the ablest African poets of the 20th century, he was one of the first to start the dialogue between Africa and Europe in the 30's. His poetry and journalism broadened a cultural sphere, and his socio-political activity laid foundations of reaching an agreement between different continents. The great African patriot, he was and will remain a man of an open world, the boundless world.
Źródło:
Forum Politologiczne; 2008, 7 - Przywódcy i przywództwo we współczesnej Afryce
1734-1698
Pojawia się w:
Forum Politologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dom - ojczyzna w emigracyjnej poezji M. Cwietajewej
Home - Homeland in M. Tsvetaeva’s Emigration Poetry
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/973976.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
home
homeland
emigration
metaphor
alienation
poetry
Marina Tsvetaeva
Opis:
Home and its attributes as designata of the homeland in Tsvetaeva’s poetry occur in various pictures. These are among other things: home-reminiscence and home-dream. The first case con- cerns Russia before emigration. The second home is a metaphor of the return. The existence in exile, involving the fact of physical and spiritual alienation, entails the way of perceiving oneself. Tsvetaeva believed in the possibility of finding the way home, but it never arose.
Źródło:
Acta Neophilologica; 2008, X; 139-146
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od akrostychu do akrokonstrukcji (z historii rosyjskiej poezji wizualnej)
From acroverse (acrostic) to acroconstruction (from the history of Russian visual poetry)
Autorzy:
NDiaye, Iwona Anna
Chudasov, Ivan
Powiązania:
https://bibliotekanauki.pl/articles/481062.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
acroverse
acrostic
acroconsttruction
visual poetry
Opis:
From time, when verses begun to be written down, sound involuntarily began to be united with the letter, but if to remind hieroglyphic literature, also with the picture. Does not surprise therefore fact, that with the flow of time appeared verses, exclusively adjusted on optic reception. Among them particularly popular fixed itself acrostic - versified compositions, in which certain from the columns of letters, syllables or words created additionally the all words, sentence or opinion. Most often such columns are read from the bottom, from the top, or alternatively, were created by the first or last succeeding letters of the verse, or also could be described through so called middle, that is to say other elements of the verses inside division. In Russian literature acrostic were applied from 17th century. In the former history of literature acrostic did not enroll as the kind of high literature, at least examples we can find in poetry of S. Połocki, W. Brusow, I. Siewierianin, N. Gumilow, B. Pasternak and many other Russian poets. As a consequence of these past methods to the sphere of refined poetry and poetic tricks, and in such state are found up to now. In principle acrostic in this form, in what it still existed, was used up. However in new poetry acrostic can renew itself in the new quality within the framework, for example, of non logical verse. Besides that, the practical use of acrostic has large perspectives. We can suppose, that this form of poetic recording has before itself future in the sphere of dedication, greetings and advertisings.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 43-60
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POEZJA WASILIJA KAMIEŃSKIEGO „POD MIKROSKOPEM”. Z HISTORII ROSYJSKIEJ POEZJI WIZUALNEJ
Vasily Kamensky’s Poetry “Under the Microscope”. The Summary of Russian Visual Poetry
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444378.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
poesia visiva,
visual poetry,
Russian literature,
the Futurism,
Vasily Kamensky
Opis:
Visual poetical text came into existence as a connection of two types of activity - the poetical (verbal) one and the visual (graphic) one. It composes a varied phenomenon, which unites poetry, painting, graphic arts, fine arts and photography together. That dependence on each other was understood differently by particular artists in distinct periods of history. Russian literature also has its rich history of visual poetry. The first trials, which were started by Symeon of Polotsk in the 17th century, were continued by Gavrila Derzhavin, Alexei Apuchtin, Erl Martov, as well as others. This new and productive period of visual poetry was connected with the vanguard movement from the beginning of the 20th century, which spread across Europe. The biggest contribution into the development of this literary genre in Russia, not only in a practical matter, but also in a theoretic one, brought in futurists and constructivists, for whom the form became an essence, and a word became an image. The poetry of Vasily Kamensky (1884-1961) had a special place among different examples of experimental word-image Russian vanguard poetry. He is known as a Russian futurist, and a poem-experimenter. His poems prove that visual poetic graphic arts, can be recognized as a dominant force in the creating of and illustration of texts. This process can be done with a basic level of meaning in the writing and illustration of the text, however, this is purely linguistical.
Źródło:
Acta Neophilologica; 2011, XIII; 201-215
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekład związków frazeologicznych z nominacjami diabła w polskich tłumaczeniach powieści Michaiła Bułhakowa Mistrz i Małgorzata
Translation of Phraseological Compounds with the Lexeme of Devil in the Polish Versions of the Mikhail Bulgakov’s Novel The Master and Margarita
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444350.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
phraseology
literary translation
translatability
linguistics
Opis:
The fantastical and devilish qualities of The Master and Margarita by Mikhail Bulgakov created a need for the adequate means of expression. Therefore, the phraseological units are the most representative group, as they belong to the more colloquial part of language, and have a more familiar stylistic tone. The units with the words “chort” or “devil” are the most significant, therefore they were analysed in depth from the point of view of the translation theory. To exemplify the aforementioned phenomenon, the author refers to two sources: the canonical translation of The Master and Margarita by Irena Lewandowska and Witold Dąbrowski, which is still present in the consciousness of the Polish reader, and the newer version authored by Andrzej Drawicz. The comparative analysis of the selected material indicates that the authors of both translations preferred to use the phraseological units which differed in structure or the lexical composition from their Russian counterparts. However, the juxtaposed “translation equivalents” indicate the similarities in which Polish and Russian language capture our reality.
Źródło:
Acta Neophilologica; 2012, XIV/2; 159-176
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482191.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian literature
Nabokov
architectural code
Opis:
In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tożsamość Afrykańska w kontekście polityki językowej Unii Afrykańskiej
African Identity in the Context of the African Union Policy Language
Autorzy:
NDiaye, Iwona Anna
NDiaye, Bara
Powiązania:
https://bibliotekanauki.pl/articles/974052.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
linguistic and cultural diversity ethnocultural identifi cation globalization
language policy
Opis:
The questions of protecting native African languages and cultures as the main components of ethnocultural identity in Sub-Saharan Africa are dealt with. Language policies in relation to the languages of former metropolises depending on the language of state governance are compared. The reasons and causes of failures connected with attempts by newly independent African regimes to replace European languages in the main spheres of state and public life with native African languages are considered. The role of education in maintaining and developing local languages and cultures is shown.
Źródło:
Acta Neophilologica; 2013, XV/1; 273-289
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogólnopolska Konferencja Naukowa: „Ruchy migracyjne w Afryce. Historia oraz stan obecny” 23 maja 2014 r.
Polish National Scientific Conference: Migration Movements in Africa. History and Status Quo
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/522726.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Źródło:
Afryka; 2014, 39; 152-153
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncept śmierć w poezji emigracyjnej Nadieżdy Teffi
Concept of „death in the lyrics of Nadezhda Teffi
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482017.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
concept of „death”
Teffi
cognitive-creative approach
Opis:
Nadezhda Teffi (former Buczynska, born as Lochwicka, 1872-1952) - poet and novelist, one of the most interesting characters in Russian literature of the first half of the twentieth century. In 1920 Teffi left Russia supplying the same community of thousands of Russian immigrants. In Paris, still accompanied by the opinion of eminent satirist, but a poetic works can trace many aspects of the Teffi creative attitude, and especially reflective and nostalgic nature of the emigration work. The experience of exile provoked to think about the country, the world and herself in this world. Similar sentiments reflect the poems included in the books of poetry: Шамрам. Песни Востока (Songs of the East, Berlin, 1923), Passiflora (Berlin 1923) and in the poems published in collective volumes and anthologies. The article analyses the concept of death in the lyrics of Teffi. Semantical structure of this concept includes both objective senses and individual imaginations of the author.
Źródło:
Acta Polono-Ruthenica; 2016, 1, XXI; 225-235
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
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