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    Wyświetlanie 1-5 z 5
    Tytuł:
    Trascrizione e traduzione: esperienze parallele in musica e poesia
    Autorzy:
    Masi, Leonardo
    Powiązania:
    https://bibliotekanauki.pl/articles/2081248.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    translation
    poetry
    transcription
    Polish literature
    music and literature
    Opis:
    Transcription and translation: parallel experiences in music and poetry – Referring to some personal experiences and some statements by Norman Davies, Umberto Eco and Fabio Scotto, the author tries to find analogies between translating poetry and transcribing music. Before and behind the performer’s work, the translator and the transcriber deal with important issues such as timbre and tone, which are not less important than parameters easier to define and more debated (rhythm, phonics). The translator of poetry should “think for poetry”, paraphrasing the title of Leibowitz’s book about transcription Thinking for orchestra.
    Źródło:
    Kwartalnik Neofilologiczny; 2017, 4; 467-476
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    È dolce al giusto tempo far follia. Un’antologia personale della poesia polacca, traduzioni di Anton Maria Raffo, a cura di Andrea Ceccherelli, Lithos Editore, Roma 2019, pp. 458.
    Autorzy:
    Masi, Leonardo
    Powiązania:
    https://bibliotekanauki.pl/articles/1195776.pdf
    Data publikacji:
    2020
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Book reviews
    Anton Maria Raffo
    Polish Poetry
    Translation
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 204-207
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le influenze italiane in Karol Szymanowski
    Italian Influences in Karol Szymanowski’s Work
    Autorzy:
    Masi, Leonardo
    Powiązania:
    https://bibliotekanauki.pl/articles/1040459.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Szymanowski
    Italy
    Sicily
    Renaissance
    homosexuality
    reception of Italian opera in Poland
    Opis:
    Like many other artists, Szymanowski was hugely attracted to Italy. In this article, I will briefly expose, firstly, the “Italian” tracks that can be found in the Polish composer’s music, and, secondly, the declarations on Italy in Szymanowski’s writings, in particular on his art and music, trying to relate these elements between them to see what image of Italian culture emerges. I will show how Szymanowski’s cultural environment remains German-based nevertheless looking for the lost unity between man, art and nature in the heritage of the Italian Renaissance.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 101-111
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Beginnings of Popular Music Studies in Poland (Hernas, Balcerzan and Barańczak)
    Autorzy:
    Masi, Leonardo
    Powiązania:
    https://bibliotekanauki.pl/articles/1186486.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    popular music studies
    sung poetry
    Poznań theoretical school
    reception of Adorno in Poland
    Opis:
    In their ‘pre-historical’ phase (1968–1983), Popular Music Studies in Poland displayed a specificity resulting from a different political and cultural history and, to certain extent, from cultural isolation during the period of state socialism. Adorno’s works on popular music remained probably unknown until the last two decades to the majority of Polish cultural historians, causing them to come up with their own ideas. The article aims at reconstructing how the first striking analyses of popular music in Poland came from the field of literature studies, in particular from baroque literature scholar Czesław Hernas, poet and scholar Edward Balcerzan, poet, translator and literary critic Stanisław Barańczak and from his wife Anna Barańczak.
    Źródło:
    Załącznik Kulturoznawczy; 2020, 7; 259-272
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stanisław Brzozowski: lettore di Leopardi
    Stanisław Brzozowski: A Reader of Leopardi
    Autorzy:
    Masi, Leonardo
    Powiązania:
    https://bibliotekanauki.pl/articles/2162248.pdf
    Data publikacji:
    2022-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Stanisław Brzozowski
    Giacomo Leopardi
    Polish-Italian cultural relations
    Polish writers
    in Florence
    Młoda Polska
    relazioni culturali italo-polacche
    scrittori
    polacchi a Firenze
    Młoda Polska/Giovane Polonia
    Opis:
    Polish philosopher Stanisław Brzozowski (1878–1911) spent the last five years of his life almost entirely in Italy (in Nervi and in Florence). The article traces back the chronology of his encounter with Italian culture, also explaining his idea of culture. In particular, his reading of Giacomo Leopardi is examined. Leopardi had been known in Poland since the 1880s, mainly through Edward Porębowicz’s translation of his poems, but Brzozowski in all probability first read him in Nervi in 1907. Subsequently, he mentioned Leopardi a few times in his own writings. These references are highly significant as they offer an original interpretation, which is not influenced by the ‘existentialist’ reading dominant at the beginning of the twentieth century. Instead, Brzozowski foregrounds other aspects of Leopardi’s philosophy, including his connection with Italian history and culture of the past (Brzozowski considered Leopardi’s demystifying urge interwoven with patriotic feelings to be a recommendable model for the moral renewal of Poland), the materialist and ‘pre-communist’ element, and the enigmatic juxtaposition of the figure of Leopardi and that of the Buddha. In the article, I compare these insights with other contemporaneous and prior readings of Leopardi (von Meysenbug, De Sanctis, Labriola, and Croce) in order to show that some of Brzozowski’s intuitions anticipated interpretations of Leopardi proposed by intellectuals in the following decades (from Rensi to Cioran). Brzozowski’s readings of Leopardi are retraced on the basis of the Polish philosopher’s correspondence, his published works, unpublished manuscripts and notes and by consulting the check-out log book of the Gabinetto di Lettura Vieusseux in Florence.
    Stanisław Brzozowski (1878‒1911) trascorse quasi interamente in Italia gli ultimi cinque anni della sua vita (a Nervi e soprattutto a Firenze). Nell’articolo si ricostruisce una cronologia del suo incontro con la cultura italiana, spiegando anche quale fosse l’idea di cultura secondo il filosofo polacco. In particolare viene esaminata la sua lettura di Giacomo Leopardi. Il poeta italiano era conosciuto in Polonia, soprattutto grazie alla traduzione di Edward Porębowicz, fin dagli anni Ottanta dell’ Ottocento, ma Brzozowski vi si accostò probabilmente per la prima volta a Nervi nel 1907. Successivamente menzionerà nei propri scritti Leopardi poche volte, ma in maniera molto significativa, fornendone un’interpretazione originale, che non è influenzata dalla lettura “esistenzialista” dominante a inizio Novecento, ma sposta in primo piano altri aspetti della filosofia del poeta: il suo legame con la storia e la cultura italiana del passato, nel quale la carica demistificatoria si fonda con l’incitamento a sentimenti patriottici (una posizione che per Brzozowski dovrebbe fungere da modello per un rinnovamento anche in Polonia); l’elemento materialista e “pre-comunista”; l’accostamento alla figura del Buddha. In questo articolo confrontiamo queste intuizioni con altre letture di Leopardi fatte in quegli anni e nel secolo precedente (von Meysenbug, De Sanctis, Labriola, Croce), per mostrare come alcune idee di Brzozowski anticipino letture di Leopardi fatte da altri intellettuali nei decenni successivi (da Giuseppe Rensi a Emil Cioran). La ricostruzione delle letture di Leopardi da parte di Brzozowski è effettuata sulla base della corrispondenza del filosofo polacco, dei suoi lavori pubblicati e dei manoscritti inediti, dei suoi appunti, nonché dalla consultazione del libro dei prestiti del Gabinetto di Lettura Vieusseux di Firenze.
    Źródło:
    Italica Wratislaviensia; 2022, 13.2; 61-83
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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